We use cookies and other technologies to personalize your experience and collect analytics.
300 sun days
Katy Moran
Katy Moran
300 sun days
13 May – 18 June 2022
Modern Art is pleased to announce a solo exhibition of new work by Katy Moran at its Helmet Row gallery. This is Moran’s sixth solo show with Modern Art.
Katy Moran’s abstract paintings conjure atmospheres – at times suggestive of landscape, still life, or figuration – through her exploration of form, gesture, colour and surface. While the legacy of Expressionism is evident in her painterly language, Moran’s work is firmly grounded in the materiality of painting as object. Her work has methodically concentrated on what kinds of alchemy can be offered up in the pre-existing surface of the readymade - found paintings, frames, or collage - as it combines with her own mark-making.
Each painting in Moran’s new body of work for Modern Art is created on a found surface, an approach characteristic of her recent practice and found in different ways throughout her oeuvre. More often than not, these readymades are framed paintings, which Moran has reworked through her own vocabulary of gestural improvisations – smears, drips, or careful brushstrokes. At times, sections of the original surface are exposed; perhaps just a thin edge or small fragment, at other times it is the details of the original frame that endure into its new life. Akin to collage, this process of layering enlists the character of the found surface to create a poetic collision of forms, colours and textures. In her new body of work, Moran’s paintings traverse a vast terrain of moods.
Her distinctive palette of understated tones is present in several works, while their neighbours radiate with fierce oranges and reds. Paint builds up into rough, gritty sections, or slides smoothly across a plane; sometimes both actions being present in a single work. In others still, pictorial surfaces are delineated to suggest perspectival space, paint is applied in ways that evoke photographic images, and colours come together to conjure bodies of water and landscapes.
Katy Moran makes her frames integral to her paintings, covering them with the pigments that spill beyond the canvas. For these, she “picks up old frames from charity or salvage shops that spike my curiosity”, she says. “I’m interested in notions of taste and the relationship of the frame to art history.” Even when working with new frames, Moran experiments with colour, wood and linen. “You can really enhance and affect the reading of a painting with the right frame, but you can also ruin it with the wrong one,” she says. “To me, the frame is another tool to play with.”
– Financial Times, 2021
Related
Press release
Modern Art is pleased to announce a solo exhibition of new work by Katy Moran at its Helmet Row gallery. This is Moran’s sixth solo show with Modern Art.
Katy Moran’s abstract paintings conjure atmospheres – at times suggestive of landscape, still life, or figuration – through her exploration of form, gesture, colour and surface. While the legacy of Expressionism is evident in her painterly language, Moran’s work is firmly grounded in the materiality of painting as object. Her work has methodically concentrated on what kinds of alchemy can be offered up in the pre-existing surface of the readymade - found paintings, frames, or collage - as it combines with her own mark-making. Each painting in Moran’s new body of work for Modern Art is created on a found surface, an approach characteristic of her recent practice and found in different ways throughout her oeuvre. More often than not, these readymades are framed paintings, which Moran has reworked through her own vocabulary of gestural improvisations – smears, drips, or careful brushstrokes. At times, sections of the original surface are exposed; perhaps just a thin edge or small fragment, at other times it is the details of the original frame that endure into its new life. Akin to collage, this process of layering enlists the character of the found surface to create a poetic collision of forms, colours and textures. In her new body of work, Moran’s paintings traverse a vast terrain of moods. Her distinctive palette of understated tones is present in several works, while their neighbours radiate with fierce oranges and reds. Paint builds up into rough, gritty sections, or slides smoothly across a plane; sometimes both actions being present in a single work. In others still, pictorial surfaces are delineated to suggest perspectival space, paint is applied in ways that evoke photographic images, and colours come together to conjure bodies of water and landscapes. Katy Moran lives and works in Hertfordshire. She was born in Manchester in 1975 and completed a Master of Fine Art in Painting at the Royal College of Art, London, in 2005. Katy Moran’s work has been the subject of solo exhibitions at Sperone Westwater, New York, NY, USA (2019); Parasol Unit for Contemporary Art, London (2015); the Douglas Hyde Gallery, Dublin, Ireland (2013); Wexner Center for the Arts, Columbus OH, USA (2010); Tate St Ives, St Ives (2009); and Middlesbrough Institute of Modern Art, Middlesbrough (2008). Her work has been included in the group exhibitions: Virginia Woolf: An Exhibition Inspired by Her Writings, Tate St Ives, Cornwall, travelling to: Pallant House Gallery, Chichester; Fitzwilliam Museum, Cambridge (2018); Painter Painter, Walker Art Gallery, Minneapolis, MN, USA (2013); Contemporary Painting, 1960 to the Present: Selections from the SFMoMA Collection, SFMoMA, San Francisco, CA, USA (2012); and Art Now: Strange Solution, Tate Britain, London (2008).