Born in Rahway, NJ, USA, 1941 |
| Education | |
|---|---|
| 1963 |
BA Trinity College Hartford, CT, USA |
| Selected Solo Exhibitions | |
|---|---|
| 2023 |
18 x 24 Modern Art, London (forthcoming) |
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18 x 24 Pace Gallery, New York, NY, USA |
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Village V Modern Art, London |
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Calder/Tuttle: Tentative David Kordansky Gallery, Los Angeles, CA, USA |
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| 2022 |
Particles Pace Gallery, New York, NY, USA |
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Richard Tuttle: What is the Object? Bard Graduate Center, New York, NY, USA |
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| 2020 |
TheStars Modern Art, London |
| 2019 |
Days, Muses and Stars Pace Gallery, New York, NY, USA |
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Basis, 70s Drawings Pace Gallery, New York, NY, USA |
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Introduction to Practice, curated by Victor Wang M WOODS, Beijing, China |
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Double Corners and Colored Wood Pace Gallery, Beijing, China |
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| 2018 |
For Ourselves As Well As For Others Pace Gallery, Geneva, Switzerland |
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8, or Hachi Tomio Koyama Gallery, Tokyo, Japan |
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It Seems Like It’s Going To Be The Phillips Collection, Washington, D.C., USA |
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Thoughts of Trees Pace Gallery, Seoul, South Korea |
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| 2017 |
Mu.ZEE, Oostende, Belgium |
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The Critical Edge Pace Gallery, London |
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My Birthday Puzzle Modern Art, London |
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De Hallen Haarlem Haarlem, Netherlands |
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| 2016 |
al Cielo de Noche de Lima / to The Night Sky of Lima Proyecto AMIL, Lima, Peru and Museo de Arte de Lima (MALI), Lima, Peru |
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26 Pace Gallery, New York, NY, USA |
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The Metropolitan Museum of Art, New York, NY, USA |
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Καλλίρροος kallirroos schön-fliessend Kunstmuseum Winterthur, Winterthur, Switzerland |
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The Inevitable Husband Gemini, G.E.L., Los Angeles, CA, USA |
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Oklahoma State University Museum of Art, Stillwater, OK, USA |
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| 2015 |
Drawing Groups Annemarie Verna Gallery, Zurich, Switzerland |
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Separation Modern Art, London |
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Both/And Richard Tuttle Print and Cloth Fabric Workshop and Museum, Philadelphia, PA, USA |
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Pulitzer Arts Foundation, St. Louis, MO, USA |
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| 2014 |
A room within the collection and a drawing cabinet Kunstmuseum Winterthur, Winterthur, Switzerland |
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Hauser & Wirth Somerset |
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I Don’t Know or The Weave of Textile Language Turbine Hall, Tate Modern, London and Whitechapel Gallery, London. Travelled to: The Fabric Workshop and Museum, Philadelphia, PA, USA |
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Bowdoin College Museum of Art, Brunswick, ME, USA |
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1, 2, 3 Galleri Nicolai Wallner, Copenhagen, Denmark |
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Looking for the Map Pace Gallery, New York, NY, USA |
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Matter Marian Goodman, Paris, France |
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Walking in Air: An Exhibition by Richard Tuttle TAI Gallery, Santa Fe, NM, USA |
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The Thrill of the Ideal: Richard Tuttle; The Reinhart Project Pocket Utopia, New York, NY, USA |
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The Place in the Window Tomio Koyama Gallery, Kyoto, Japan |
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| 2012 |
Slide Bergen Kunsthall, Bergen, Norway |
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Hello The Roses, with Mei-mei Berssenbrugge Kunstverein Munich, Germany |
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Werke aus Münchner Privatsammlungen Pinakothek der Moderne, Munich, Germany |
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Systems, VIII–XII Pace Gallery, New York, USA |
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Paper Annemarie Verna Gallery, Zurich, Switzerland |
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| 2011 |
Light and Colour Modern Art, London |
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What’s the Wind Pace Gallery, New York, NY, USA |
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| 2010 |
Triumphs Dublin City Gallery, The Hugh Lane, Dublin, Ireland |
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A Drawing Retrospective Annemarie Verna, Zurich, Switzerland |
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New Works Galleri Nicolai Wallner, Copenhagen, Denmark |
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“Village V”, 2004 Sperone Westwater, New York, NY, USA |
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Metal Shoes Dunn and Brown Contemporary, Dallas, TX, USA |
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Metal Shoes Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA |
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Seeing Intimacy: Richard Tuttle on Paper Craig F. Starr Gallery, New York, NY, USA |
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| 2009 |
Renaissance Unframed 1-26 Carolina Nitsch Project Room, New York, NY, USA |
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L’nger than Life Modern Art, London |
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Walking on Air PaceWildenstein, New York, NY, USA |
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| 2008 |
Craft Annemarie Verna Gallery, Zurich, Switzerland |
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The Use of Time Kunsthaus Zug, Switzerland |
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| 2007 |
Memory Comes From Dark Extension Sperone Westwater, New York, NY, USA |
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Tomio Koyama Gallery Tokyo, Japan |
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5 x 5 x 5 Galleri Nicolai Wallner, Copenhagen, Denmark |
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| 2006 |
Half-Light Alphabet Galerie Ulrike Schmela, Düsseldorf, Germany and Galerie Lena Bruning, Berlin, Germany |
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The Kreutzer Sonata: Historical Work by Richard Tuttle Nyehaus and Zwirner & Wirth, New York, NY, USA |
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Reflection: In the Pool Sperone Westwater, New York, NY, USA |
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Unfold FRAC, Auvergne, France, travelled to: Domaine de Kerguehennec, Bignan, France, Haute Normandie, Sotteville les Rouen, France |
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Talks, Looks, Walks—Three Windows Annemarie Verna Galerie, Zurich, Switzerland |
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Jürgen Becker Hamburg, Germany |
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| 2005 |
The Art of Richard Tuttle San Francisco Museum of Modern Art, CA, USA; travelled to: Whitney Museum of American Art, New York, NY; Des Moines Art Center, Des Moines, IW; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art, Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, CA |
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Prints 1973–2005 Brooke Alexander, New York, NY, USA |
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Constructed Relief Paintings, 1964–65 Peter Freeman, Inc., New York, NY, USA |
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Lonesome Cowboy Griffin Contemporary, Santa Monica, CA, USA |
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Anthony Meier Fine Arts San Francisco, CA, USA |
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Wire Pieces CAPC Musée d’art contemporain, Bordeaux, France |
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| 2004 |
It’s a Room for 3 People Drawing Center, New York, NY, USA; travelled to: Aspen Art Museum, Aspen CO |
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Dogs in a Hurry De Kanselarij (organised by Foundation VHDG), Leewarden, Netherlands |
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Neue Arbeiten Galerie Schmela, Düsseldorf, Germany |
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Type Crown Point Press, San Francisco, CA, USA |
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| 2003 |
Twenty Pearls Sperone Westwater, New York, NY, USA |
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Costume Crown Point Press, San Francisco, CA, USA |
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Celebration Annemarie Verna Galerie, Zurich, Switzerland |
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| 2002 |
Tomio Koyama Gallery Tokyo, Japan |
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When We Were at Home Galerie Schmela, Düsseldorf, Germany |
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cENTER Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain |
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Memento Museu Serralves de Arte Contemporánea, Porto, Portugal |
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Dwight Hackett Projects Santa Fe, NM, USA |
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| 2001 |
Institute of Contemporary Art, University of Pennsylvania, PA, USA |
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Anthony Meier Fine Arts San Francisco, CA, USA |
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Galerie Yvon Lambert Paris, France |
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New Books and Portfolios Annemarie Verna Galerie, Zurich, Switzerland |
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Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection Kabinet Overholland, Stedelijk Museum, Amsterdam, Netherlands |
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| 2000 |
Two With Any To Sperone Westwater, New York, NY, USA |
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A/D New York, NY, USA |
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White Sails Annemarie Verna Galerie, Zurich, Switzerland |
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Richard Tuttle, 1981–1999 Galerie Meert Rihoux, Brussels, Belgium |
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Reservations BAWAG Foundation, Vienna, Austria |
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| 1999 |
Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999 Kunsthaus Zug, Switzerland |
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Mandevilla—Aquatints from Crown Point Press Greg Kucera Gallery, Seattle, WA, USA |
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New Work Galleria Marilena Bonomo, Bari, Italy |
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Community Arts Club of Chicago, IL, USA |
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70s Drawings Jürgen Becker, Hamburg, Germany |
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The Dust When You Come Over the Hill (Morocco) Rhona Hoffman Gallery, Chicago, IL, USA |
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Galleria Cardi Milan, Italy |
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Once Voice in Four Parts Cencebaugh Contemporary, New York, NY, USA |
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| 1998 |
Replace the Abstract Picture Plane, Books and New Works The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland |
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Die Konjunktion der Farbe Ludwig Forum für Internationale Kunst, Aachen, Germany |
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New Mexico, New York Sperone Westwater, New York, NY, USA |
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The Thinking Cap Fabric Workshop and Museum, Philadelphia, PA, USA |
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Chandeliers A/D, New York, NY, USA |
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Small Sculptures of the 70s Annemarie Verna Galerie, Zurich, Switzerland |
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New Etchings Crown Point Press, San Francisco, CA, USA |
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Church of Saint Paulinus Brough Park, Catterick (in collaboration with the Henry Moore Sculpture Trust) |
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| 1997 |
Brooke Alexander New York, NY, USA |
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California State Long Beach Art Museum Long Beach, CA, USA |
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Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996 Kunsthaus Zug, Switzerland |
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Symbol Galerie Limmer, Cologne, Germany |
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New and Early Work Art Gallery of York University, North York, Ontario, Canada |
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| 1996 |
Books and Prints Widener Gallery, Trinity College, Hartford, CT, USA; travelled to: New York Public Library, New York, NY |
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Source of Imagery Galleria Bonomo, Rome, Italy, Travelled to: Galleria Marilena Bonomo, Bari, Italy |
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Galerie Volker Diehl Berlin, Germany |
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Mies van der Rohe Haus Berlin, Germany |
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Grey Walls Work Camden Arts Centre, London; travelled to: Douglas Hyde Garden, Dublin, Ireland; Inverleith House, Royal Botanic Garden, Edinburgh |
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Galleria Eva Menzio Turin, Italy |
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A Chair, a Table, a Book: Richard Tuttle Brian Kish Office for Architecture & Art, New York, NY, USA |
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Renaissance Unframed 1–26 Contemporary Art Museum, University of South Florida, Tampa, FL, USA; travelled to: University Art Museum, California State University, Long Beach, CA |
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Replace the Abstract Picture Plane Kunsthaus Zug, Switzerland |
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Gold and Silver on Easy Pieces Galerie Yvon Lambert, Paris, France |
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New and Early Work Sperone Westwater, New York, NY, USA |
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| 1995 |
Lampen, Sotel Carin Delcourt van Krimpen, Amsterdam, Netherlands |
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Mary Boone Gallery New York, NY, USA |
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Verbal Windows Galleria Marilena Bonomo, Bari, Italy |
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North/South Axis Museum of Fine Arts, Santa Fe, NM, USA |
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Anders Tornberg Gallery Lund, Sweden |
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Neue Arbeiten Galerie Fahnemann, Berlin, Germany |
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Selected Works, 1964–1994 Sezon Museum of Art, Tokyo, Japan |
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Time/Line Daniel Weinberg Gallery, San Francisco, CA, USA |
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Europe Wired, 1–10, 1994, and Mesa Pieces, 1995 Kohn Turner Gallery, Los Angeles, CA, USA |
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Source of Imagery Rhona Hoffman Gallery, Chicago, IL, USA |
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| 1994 |
Discontinuous Space Burnett Miller Gallery, Santa Monica, CA, USA |
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Texas Gallery Houston, TX, USA |
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Le Temps Retrouvé Galerie Yvon Lambert, Paris, France |
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Prints and Related Works Brooke Alexander Editions, New York, NY, USA |
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Galerie Jürgen Becker Hamburg, Germany |
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Second Floor Exhibition Space Reykjavik, Iceland |
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Galerie Meert Rihoux Brussels, Belgium |
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Annemarie Verna Gallery Zurich, Switzerland |
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A Lamp, a Chair, a Chandelier: A Work in Process A/D, New York, NY, USA |
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| 1993 |
Matrix: Richard Tuttle, Space/Sculpture University Art Museum, University of California, Berkeley, CA, USA |
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Small…edition! Wassermann Galerie, Munich, Germany |
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Arbeiten auf Papier Galerie Karsten Greve, Cologne, Germany |
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Chaos, the Form Staatliche Kunsthalle Baden-Baden, Germany |
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Galleria Marilena Bonomo Bari, Italy |
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Crown Point Press San Francisco, CA, USA |
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Drawing Works Jack Tilton Gallery, New York, NY, USA |
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Mary Boone Gallery New York, NY, USA |
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| 1992 |
Oxyderood / Red Oxide Museum Boymans-van Beuningen, Rotterdam, Netherlands |
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Studio la Cittá 2 Verona, Italy |
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New Work Annemarie Verna Gallery, Zurich, Switzerland |
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Galerie Yvon Lambert Paris, France |
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Mary Boone Gallery New York, NY, USA |
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Early Drawings Lawrence Markey Gallery, New York, NY, USA |
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New Work Laura Carpenter Fine Arts, Santa Fe, NM, USA |
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| 1991 |
New Works Victoria Miro Gallery, London |
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Richard Tuttle Institute of Contemporary Art, Amsterdam, Netherlands; travelled to: Kunstmuseum Winterthur, Switzerland as Richard Tuttle: Time to Do Everything—Floor Drawings and Recent Work; and Institut Valencià d’Art Modern, Spain; Indianapolis Museum of Art, IN, USA; Museum of Fine Arts, Santa Fe, NM, USA, as The Poetry of Form: Richard Tuttle, Drawings from the Vogel Collection |
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Rhona Hoffman Gallery Chicago, IL, USA |
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Crickets Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain |
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Sculptures et aquarelles Galerie Pierre Hubert, Geneva, Switzerland |
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Galerie Weber Alexander, y Cobo, Madrid, Spain |
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Oboes and Clarinets Feuerle, Cologne, Germany |
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| 1990 |
Inside the Still Pure Form Blum Helman Gallery, New York, NY, USA |
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Octavio for Annemarie Annemarie Verna Galerie, Zurich, Switzerland |
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Slats 1974 Lawrence Markey Gallery, New York, NY, USA |
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Einleitung Galeria Schmela, Düsseldorf, Germany |
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70s Drawings Brooke Alexander, New York, NY, USA |
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Yvon Lambert Paris, France |
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New Mexico Silver / Firenze Gold Galleria Victoria Miro, Florence, Italy, Travelled to: Galerie Hubert Winter, Vienna, Austria |
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In Memory of Writing Sprengel Museum Hannover, Germany |
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The Nature of the Gun: Richard Tuttle A/D, New York, NY, USA |
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| 1989 |
The Point from the Corner of the Room 1973–74, Galerie Hubert Winter, Vienna, Austria |
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Vienna Gotico Galeria Alessandra Bonomo, Rome |
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Lonesome Cowboy Styrofoam Gallery Casa sin Nombre, Santa Fe, NM |
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| 1988 |
Space in Finland Galerie Schmela, Düsseldorf, Germany |
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Portland Works Galerie Karsten Greve, Cologne, Germany, Travelled to: Thomas Segal Gallery, Boston, MA, USA |
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Galerie Meert Rihoux Brussels, Belgium |
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Richard Tuttle Installations: Early Works Blum Helman Gallery, New York, NY, USA |
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XX Blocks Galleria Marilena Bonomo, Bari, Italy |
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There’s No Reason a Good Man is Hard to Find Blum Helman Warehouse, New York, NY, USA |
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5 Pieces Richard Tuttle 1987 Annemarie Verna, Zurich, Switzerland |
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| 1987 |
New Work Blum Helman Gallery, Los Angeles, CA, USA |
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New Work Annemarie Verna Galerie, Zurich |
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The Baroque and Color / Das Barocke und die Farbe Neue Galerie am Landesmuseum Joanneum, Graz, Austria |
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Nimes au printemps Galerie des Arènes, Nîmes, France |
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Early & Recent Works Anders Tornberg Gallery, Lund, Sweden |
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Victoria Miro Gallery London |
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| 1986 |
Painted Sculpture Blum Helman Gallery, New York, NY, USA |
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I See in France ARC Musée d’art moderne de la ville de Paris, France |
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New Work Victoria Miro Gallery, London |
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Galerie Onnasch Berlin, Germany |
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Locus Solus IV: Richard Tuttle Galerie Hubert Winter, Vienna, Austria |
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Wire Pieces CAPC Musée d’art contemporain, Bordeaux, France |
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| 1985 |
Works 1964–84 Institute of Contemporary Arts, London, Travelled to: Fruitmarket Gallery, Edinburgh |
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Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room Galerie Schmela, Düsseldorf, Germany |
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Neve / Snow Galleria Marilena Bonomo, Bari, Italy |
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Galleria Toselli Milan, Italy |
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Städtisches Museum Abteiberg Mönchengladbach, Germany |
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Galerie Yvon Lambert Paris, France |
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| 1984 |
Studio La Città Verona, Italy |
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Galerie Yvon Lambert Paris, France |
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Wandobjekte Galerie Schmela, Düsseldorf, Germany |
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16 Works from India 1980 Galleriet, Lund, Sweden |
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Galleria Ugo Ferranti Rome, Italy |
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Recent Work Daniel Weinberg Gallery, Los Angeles, CA, USA |
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Annemarie Verna Galerie Zurich, Switzerland |
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Engineer Portland Center for the Visual Arts, Portland, OR, USA |
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New Sculpture Blum Helman Gallery, New York, NY, USA |
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| 1983 |
Zeichnungen 1968–1974 Städtisches Museum Abteiberg, Mönchengladbach, Germany |
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Taidemariliiton Galleria Helsinki, Finland |
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Galleria Ugo Ferranti Rome, Italy |
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Recent Sculpture Blum Helman, New York, NY, USA |
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Galerie Hubert Winter Vienna, Austria |
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| 1982 |
Pairs Musée de Calais, France |
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Nigel Greenwood Gallery London |
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Gallerie Ugo Ferranti Rome, Italy |
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Betty Parsons Gallery New York, NY, USA |
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| 1981 |
Annemarie Verna Galerie Zurich, Switzerland |
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Galerie Yvon Lambert Paris, France |
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Gallerie Ugo Ferranti Rome, Italy |
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Galerie Baronian-Lambert Ghent, Belgium |
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| 1980 |
Pairs 1973 Centre d’art contemporain, Geneva, Switzerland |
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12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980 Museum Haus Lange, Krefeld, Germany |
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From 210 Collage-Drawings Georgia State University Art Gallery, Atlanta, GA, USA. Travelled to: Baxter Art Gallery, California Institute of Technology, Pasadena, CA, USA |
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| 1979 |
Dallas Exercises Gallerie Ugo Ferranti, Rome, Italy |
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Title 1–6, Title I–IV, Title A–N, Title I1–I6, Titre 1–8, Titolo 1–8 Stedelijk Museum, Amsterdam, Netherlands |
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Annemarie Verna Galerie Zurich, Switzerland |
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48 1⁄2” Center-Point Works Brooke Alexander, New York, NY, USA |
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Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich |
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Yale Pieces, 6” x 4” Notebook Truman Gallery, New York, NY, USA |
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An Exhibition of the Works of Richard Tuttle College of Creative Studies, University of California, Santa Barbara, CA, USA |
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Galleria Marilena Bonomo Spoleto, Italy |
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CAPC Centre d’Arts Plastiques Contemporaine Bordeaux, France |
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| 1978 |
New Work at Betty Parsons Gallery Betty Parsons Gallery, New York, NY, USA |
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New York Young Hoffman Gallery, Chicago, IL, USA |
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An Exhibition of the Work of Richard Tuttle College of Creative Studies, University of California, Santa Barbara, CA, USA |
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David Winton Bell Gallery Brown University, Providence, RI, USA |
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Sticks Françoise Lambert, Milan, Italy |
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Museum Van Hedendaagse Kunst Ghent, Belgium |
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Daniel Weinberg Gallery San Francisco, CA, USA |
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Galerie Yvon Lambert Paris, France |
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Drawings Jean Marie Antone Gallery, Annapolis, MD, USA |
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Zeichnungen Galerie Schmela, Düsseldorf, Germany |
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Galleria Ugo Ferranti Rome, Italy |
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| 1977 |
Gesamte Grafiken, Ilustrierte Bücher Galerie Thomas Borgmann, Cologne, Germany |
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Hopkins Hall Gallery Ohio State University, Columbus, OH, USA |
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Undici carte de Richard Tuttle Galleria Marilena Bonomo, Bari, Italy |
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Galleria Ugo Ferranti Rome, Italy |
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New York, Zeichnungen und Aquarelle, 1968–1976 Kunsthalle Basel, Switzerland |
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Zwei mit Zwei / Two with Any Two Kunstraum München, Munich, Germany |
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Die Gesamte Druckgraphik und alle Bücher Galerie Heiner Friedrich, Munich, Germany |
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Maine Works, Two with Any Two Nigel Greenwood Inc. Ltd., London |
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| 1976 |
McIntosh Gallery University of Western Ontario, London, Ontario, Canada |
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Books and Prints, 1964-1976 Brooke Alexander, New York, NY, USA |
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North West Artist workshop Portland, OR, USA |
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2 Days Galerie Yvon Lambert, Paris, France |
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Northwest Artists Workshop Portland, OR, USA |
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The Cincinnati Pieces Julian Pretto, New York, NY, USA |
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Graeme Murray Gallery Edinburgh, Scotland |
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Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk Galerie Swart, Amsterdam, Netherlands |
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| 1975 |
Whitney Museum of American Art New York, NY, USA. Travelled to: Otis Art Institute Gallery of Los Angeles County, CA, USA |
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D’Alessandro-Ferranti Rome, Italy |
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Thirteen Spiral Drawings by Richard Tuttle Parsons-Truman Gallery, New York, NY, USA |
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Matrix 10: Richard Tuttle Wadsworth Atheneum, Hartford, CT, USA |
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“Paper Strips” Barbara Cusack Gallery, Houston, TX, USA |
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| 1974 |
Forty October Drawings + Interlude Nigel Greenwood Inc. Ltd, London |
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New Work: Richard Tuttle Betty Parsons Gallery, New York, NY, USA |
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New Works: Richard Tuttle Galleria Toselli, Milan, Italy |
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Galleria Marilena Bonomo Bari, Italy |
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Annemarie Verna Galerie Zurich, Switzerland |
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Galerie Yvon Lambert Paris, France |
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Artpark Lewiston State Park, Lewiston, New York, NY, USA |
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A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery Barbara Cusack Gallery, Houston, TX, USA |
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| 1973 |
Clocktower Gallery Institute for Art and Urban Resources, New York, NY, USA |
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Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall Kunstraum München, Munich, Germany |
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Galerie Heiner Friedrich Munich, Germany |
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Ten Kinds of Memory and Memory Itself Daniel Weinberg Gallery, San Francisco, CA, USA |
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Drawings: Richard Tuttle Galleria Françoise Lambert, Milan, Italy |
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| 1972 |
Richard Tuttle Will Show New Betty Parsons Gallery, New York, NY, USA |
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Projects: Richard Tuttle and David Novros, with David Novros The Museum of Modern Art, New York, NY, USA |
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Drahtstucke 1971–1972 Galerie Rudolf Zwirner, Cologne, Germany |
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New Work by Richard Tuttle Galerie Yvon Lambert, Paris, France |
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| 1971 |
Dallas Museum of Fine Arts Dallas, TX, USA |
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Helman Gallery St. Louis, MO, USA |
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| 1970 |
New Work by Richard Tuttle Betty Parsons Gallery, New York, NY, USA |
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Neue Arbeiten von Richard Tuttle Galerie Rudolf Zwirner, Cologne, Germany |
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Member’s Gallery Albright-Knox Art Gallery, Buffalo, NY, USA |
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| 1969 |
Nicholas Wilder Gallery New York, NY, USA |
| 1968 |
Galerie Schmela Düsseldorf, Germany |
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Ten Works by Richard Tuttle Betty Parsons Gallery, New York, NY, USA |
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| 1967 |
Betty Parsons Gallery New York, NY, USA |
| 1965 |
Constructed Paintings Betty Parsons Gallery, New York, NY, USA |
| Selected Group Exhibitions | |
|---|---|
| 2023 |
Calder/Tuttle: Tentative Pace Gallery, Los Angeles, CA, USA |
| 2022 |
Richard Tuttle & Choong Sup Lim: How Objects Grasp Their Magic Pace Gallery, Seoul, South Korea |
| 2021 |
Little Things: Parts I & II Pace Gallery, Geneva, Switzerland |
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A room with a… Pace Gallery, Palm Beach, FL, USA |
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WOOD WORKS: Raw, Cut, Carved, Covered Sperone Westwater, New York, NY, USA |
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| 2019 |
Untitled Peter Freeman, Inc., New York, NY, USA |
| 2018 |
The Thick Lines Between Here and There Owen James Gallery, New York, NY, USA |
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Hiding in Plain Sight FreedmanArt, New York, NY, USA |
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Wiggle Galerie Greta Meert, Brussels, Belgium |
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Painting amongst other things… Drill Hall Gallery, Australian Natinonal University, Canberra, Australia |
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40 + 10 + 1 Jahn und Jahn, Munich, Germany |
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Torrance Art Museum, Torrance, CA, USA |
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Summer Exhibition Modern Art, London |
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Picasso – Gorky – Warhol Kunsthalle Krems, Krems an der Donau, Austria |
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The Myriad Forms of Visual Art: 196 Works with 19 Themes The National Museum of Art, Osaka, Japan |
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Selected Works Annemarie Verna Galerie, Zürich, Switzerland |
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In Tribute to Jack Tilton: A Selection from 35 Years Tilton Gallery, New York, NY, USA |
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Warp & Weft: A History of Fabric at Gemini G.E.L. Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA |
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| 2017 |
Agnes Martin, Richard Tuttle: Crossing Lines Pace Gallery, New York, NY, USA |
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Summer Days (and Summer Nights) Pace Gallery, New York, NY, USA |
|
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Richard Tuttle, James Ensor’s ‘real’ color Kunstmuseum aan zee, Ostend, Belgium |
|
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Multiple Impressions Talley Dunn Gallery, Dallas, TX, USA |
|
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Summer Choices Crown Point Press, San Francisco, CA, USA |
|
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Why Draw? 500 Years of Drawings and Watercolors Bowdoin College Museum of Art, Brunswick, ME, USA |
|
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Minimal Art from the Marzona Collection Galerie Thaddaeus Ropac, London |
|
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Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA |
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| 2016 |
Drawing Room, London |
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Drawing Then: Innovation and Influence in American Drawings of the Sixties Dominique Lévy, New York, NY, USA |
|
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Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné Ruth and Elmer Wellin Museum of Art, Clinton, NY, USA |
|
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Rhona Hoffman 40 Years Rhona Hoffman Gallery, Chicago, IL, USA |
|
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I Still Believe in Miracles: Celebrating 30 Years of Inverleith House Inverleith House, Edinburgh |
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Embracing the Contemporary: The Keith L. and Katherine Sachs Collection Philadelphia Museum of Art, PA, USA |
|
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Shapeshifters Luhring Augustine, New York, NY, USA |
|
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Theories of Modern Art Modern Art, London |
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| 2015 |
Objects and Bodies at Rest and in Motion Moderna Museet, Malmö, Sweden. Travelled to: Moderna Museet, Stockholm, Sweden |
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Drawing Redefined deCordova Sculpture Park and Museum, Lincoln, MA, USA |
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Essential – The Line Annemarie Verna Galerie, Zurich, Switzerland |
|
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Drawings and Prints, Selections from the Permanent Collection The Metropolitan Museum of Art, New York, NY, USA |
|
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Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses ‘T’ Space, Rhinebeck, New York, NY, USA |
|
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Summer Group Show Pace Gallery, New York, NY, USA |
|
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Space and Matter Sperone Westwater, New York, NY, USA |
|
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Presque Rien Galerie Marian Goodman, Paris, France |
|
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Selections from The Kramarsky Collection David Zwirner, New York, NY, USA |
|
|
Whitney Museum of American Art, New York, NY, USA |
|
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Geometries On and Off the Grid: Art from 1950 to the Present The Warehouse, Dallas, TX, USA |
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Berman, Tuttle, Vollmer Jack Tilton Gallery, New York, NY, USA |
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| 2014 |
Line: The Maker’s Mark Museum of Fine Arts Houston, Houston, TX, USA |
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Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals-Cisneros Collection Cisneros Fontanals Art Foundation, Miami, FL, USA |
|
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De Zee – salut d’honneur Jan Hoet Mu. ZEE, Ostend, Belgium |
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Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 The Clark Art Institute, Williamstown, MA, USA |
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In the Round Pace Gallery, 32 East 57th Street, New York, NY, USA |
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Purple States & Cafe Dancer Pop-up Andrew Edlin Gallery, New York, NY, USA |
|
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The Annual 2014: Redefining Tradition National Academy Museum, New York, NY, USA |
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Summer exhibition Annemarie Verna Galerie, Zurich, Switzerland |
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The Shaped Canvas, Revisited Luxembourg & Dayan, New York, NY, USA |
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From Picasso to Sol LeWitt: The Artist’s Book since 1950 Museum Meermanno, The Hague, Netherlands |
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Carte Blanche Pace at Chesa Büsin, Zuoz, Switzerland |
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Dorothy and Herb Vogel: On Drawing Fleming Museum of Art, The University of Vermont, Burlington, VT, USA |
|
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The Age of Small Things Dodge Gallery, New York, NY, USA |
|
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Universal Limited Art Editions: Books Hiram Butler Gallery, Houston, TX, USA |
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| 2013 |
40 Years at the Daniel Weinberg Gallery Ambach & Rice, Los Angeles, CA, USA |
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Gli anni settanta. Arte a Roma Palazzo delle Esposizioni, Rome, Italy |
|
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Modern Drawings: Selections from the Howard Karshan Collection The Morgan Museum & Library, New York, NY, USA |
|
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Re-View: Onnasch Collection Hauser & Wirth, London |
|
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Word & Work Galerie Nächst St. Stephan, Vienna, Austria |
|
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Image and Abstraction Pace Gallery, 510 West 25th Street, New York, NY, USA |
|
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Rahway’s Own Rahway Arts District, NJ, USA |
|
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When Attitudes Become Form: Bern 1969/Venice 2013 Ca’ Corner della Regina, Fondazione Prada, Venice, Italy |
|
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Exhibition of Newly Elected Members and Recipients of Honors and Awards American Academy of Arts and Letters, New York, NY, USA |
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| 2012 |
Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses Kunstverein Munich, Munich, Germany |
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Summer Group Show 2012 Pace Gallery, New York, NY, USA |
|
|
Tracing the Century: Drawing from Tate Collection Tate Liverpool, Liverpool |
|
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Parasol Unit, London |
|
| 2011 |
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA |
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Drawn / Taped / Burned: Abstraction on Paper The Katonah Museum of Art, Katonah, NY, USA |
|
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Contemporary Collecting: The Neisser Family Collection Art Institute of Chicago, IL, USA |
|
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Paper A–Z Sue Scott Gallery, New York, NY, USA |
|
| 2010 |
25th Anniversary Show: 1985–2010 Michael Kohn Gallery, Los Angeles, CA, USA |
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On-Line: Drawing through the Twentieth Century Museum of Modern Art, New York, NY, USA |
|
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Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection Albright-Knox Art Gallery, Buffalo, NY, USA |
|
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\ (LEAN) Nicole Klagsbrun Gallery, New York, NY, USA |
|
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1968 Locks Gallery, Philadelphia, PA, USA |
|
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Contemporary Collecting: Selections from the Donna and Howard Stone Collection Art Institute of Chicago, IL, USA |
|
|
Grass Grows By Itself Marlborough Gallery, New York, NY, USA |
|
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Thrice Upon A Time Magasin 3, Stockholm Konsthall, Stockholm, Sweden |
|
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50 Years at Pace Pace Gallery, 545 West 22nd Street, New York, USA |
|
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Artpark: 1974–1984 University at Buffalo Art Gallery, Center for the Arts, Buffalo, NY, USA |
|
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Love in Vein: Editions Fawbush projects & artists 2005–2010 Gering and López Gallery, New York, NY, USA |
|
| 2009 |
If We Could Imagine Glenstone Foundation, Potomac, MD, USA |
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Sans-Titre #1: Peintures des années 1970–1980 OEuvres de la Collection Lambert, Collection Lambert, Avignon, France |
|
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Almost Nicelle Beauchene Gallery, New York, NY, USA |
|
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New York/New Drawings 1946–2007 Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain |
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The Third Mind: American Artists Contemplate Asia, 1860–1989 The Solomon R. Guggenheim Museum, New York, NY, USA |
|
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Unfolding Process: Conceptual and Material Practice on Paper The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA |
|
|
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection The Museum of Modern Art, New York, NY, USA |
|
|
Works On Paper William Shearburn Gallery, Santa Fe, NM, USA |
|
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Target Practice: Painting Under Attack 1949–78 Seattle Art Museum, Seattle, WA, USA |
|
|
25 for 25: A Tribute to Ron Warren Mary Boone Gallery, New York, NY, USA |
|
|
Tetsumi Kudo, Richard Tuttle Andrea Rosen Gallery, New York, NY, USA |
|
|
Zig Zag Sperone Westwater, New York, NY, USA |
|
|
Materialien, curated by Birte Kleemann Muenzsalon, Berlin, Germany |
|
| 2008 |
Collecting Collections: Highlights of the Permanent Collection Museum of Contemporary Art, Los Angeles, CA, USA |
|
Air Kissing: An Exhibition of Contemporary Art About the Art World Arcadia University Art Gallery, Philadelphia, PA USA |
|
|
Styrofoam The Museum of Art, Rhode Island School of Design, Providence, RL, USA |
|
|
Sculpture Texas Gallery, Houston, TX, USA |
|
|
Sparks! The William T. Kemper Collection Initiative Nelson-Atkins Museum of Art, Kansas City, MO, USA |
|
|
Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976 The Jewish Museum, New York, NY, USA |
|
|
Selections from the Collection of Helga and Walther Lauffs Zwirner & Wirth and David Zwirner, New York, NY, USA; travelled to: Hauser & Wirth, Zürich, Switzerland |
|
|
Summer in the City 2008 John Berggruen Gallery, San Francisco, CA, USA |
|
|
15 Year Anniversary Exhibition Galleri Nicolai Wallner, Copenhagen, Denmark |
|
|
Abstract Mash-up: Anne Appleby, Pia Fries, Mary Heilmann, Sol LeWitt, Dorothy Napangardi, Laurie Reid, Amy Sillman, and Richard Tuttle Crown Point Press, San Francisco, CA, USA |
|
| 2007 |
All for Art! Great Private Collections Among Us Museé des beaux-arts de Montréal, Canada |
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Mask James Cohan Gallery, New York, NY, USA |
|
|
Not For Sale P.S. 1 Contemporary Art Center, Long Island City, NY, USA |
|
| 2006 |
Hard Times: New York Painting 1967–1975 organised by Independent Curators International, New York, NY, USA. Travelled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Austria, ZKM/Center for Art and Media Karlsruhe, Germany |
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The Mediated Gesture Brooke Alexander Editions, New York, NY, USA |
|
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Contemporary Masterworks: Saint Louis Collects Contemporary Art Museum, St. Louis, MO, USA |
|
|
The Last Time They Met Stephen Friedman Gallery, London |
|
|
Chers Amis Domaine de Kerguehennec, Bignan, France |
|
|
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video Grimaldi Forum, Monaco |
|
|
Nothing and Everything Peter Freeman, Inc., New York, NY, USA |
|
|
Freeze! A Selection of Works from a New York Collection Robilant + Voena + Sperone, London |
|
| 2005 |
Pulitzer Foundation for the Arts, St. Louis, MO, USA |
|
Eccentric Modern Foundation To-Life, Inc., Mount Kisco, New York, NY, USA |
|
|
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper Andrea Rosen Gallery, New York, NY, USA |
|
|
A Little Romance: Highlights from the Permanent Collection Museum of Contemporary Art, North Miami, FL, USA |
|
|
Drawings from the Modern: 1945–1975 The Museum of Modern Art, New York, NY, USA |
|
|
Greater than the Sun: Selections from the Craig Robins Collection of Contemporary Art University Gallery, University of Florida, Gainesville, FL, USA |
|
| 2004 |
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, curated by Richard Tuttle Cooper Hewitt National Design Museum, New York, NY, USA. Travelled to: Museum of Design, Atlanta, GA, USA; Aspen Art Museum, Aspen, CO, USA; Beauty-in-Advertising, Wolfsonian, Florida International University, Miami, FL, USA |
|
Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York Neue Nationalgalerie, Berlin, Germany |
|
|
ULAE: The Print Show Oklahoma City Museum of Art, Oklahoma City, OK, USA |
|
|
Transmit + Transform Santa Fe Art Institute, Sante Fe, NM, USA |
|
|
Indonesian Textiles, curated by Richard Tuttle Tai Gallery / Textile Arts, Santa Fe, NM, USA |
|
|
Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, MN, USA |
|
| 2003 |
Recent Acquisitions of Contemporary Artists Books California Palace of the Legion of Honor, San Francisco, CA, USA |
|
International Abstraction: Making Painting Real, Part II Seattle Art Museum, Seattle, WA, USA |
|
|
The Heroic Century: Masterpieces from The Museum of Modern Art—200 Paintings and Sculptures Museum of Fine Arts, Houston, TX, USA |
|
|
Flirting with Rodchenko Henry art Gallery, University of Washington, Seattle, WA, USA |
|
|
Primary Matters: The Minimalist Sensibility, 1959 to the Present San Francisco Museum of Modern Art, CA, USA Assemblage, Zwirner & Wirth, New York, NY, USA |
|
|
Dwight Hackett Projects Santa Fe, NM, USA |
|
|
Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle Brent Sikkema, New York, NY, USA |
|
|
Thinking about Sculpture The Rachofsky House, Dallas, TX, USA |
|
|
American Academy Invitational Exhibition of Painting and Sculpture American Academy of Arts and Letters, New York, NY, USA |
|
|
Spring Fever V: Group Exhibition Crown Point Press, San Francisco, CA, USA |
|
|
Divergent Galerie Lelong, New York, NY, USA |
|
|
Back to the Present: Minimalist Works from the Museum’s Collection Rhode Island School of Design Museum, Providence, RI, USA |
|
|
In Full View Andrea Rosen Gallery, New York, NY, USA |
|
|
Centro Galego de Arte Contemporanea Santiago de Compostela, Spain |
|
|
American Cutout New York Studio School, New York, NY, USA |
|
|
Arp Artschwager Tuttle Kent Gallery, New York, NY, USA |
|
| 2002 |
Drawings of Choice from a New York Collection Krannert Art Museum, University of Illinois, Urbana–Champaign, IL, USA. Travelled to: Arkansas Art Center, Little Rock, AR, USA; Georgia Museum of Art, Athens, GA, USA; Cincinnati Museum of Art, Cincinnati, OH, USA |
|
Works on Paper Lawrence Markey, New York, NY, USA |
|
|
The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing Open Studio Press, Boston, MA, USA |
|
|
Watercolor: In the Abstract Michael C. Rockefeller Arts Center Gallery, Fredonia State College, Buffalo, NY, USA To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, Queens, New York, NY, USA |
|
|
netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd Annemarie Verna Galerie, Zurich, Switzerland |
|
| 2001 |
Extra Art: A Survey of Artists’ Ephemera, 1960–1999 Logan Galleries, California College of the Arts, San Francisco, CA, USA; travelled to: Institute of Contemporary Art, London, 2002 |
|
The Onnasch Collection: Aspects of Contemporary Art Museum d’Art Contemporani de Barcelona, Spain; travelled to: Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal |
|
|
Letters, Signs and Symbols Brooke Alexander Editions, New York, NY, USA |
|
|
A Century of Drawing: Works on Paper from Degas to LeWitt National Gallery of Art, Washington, D.C., USA |
|
|
Extreme Connoisseurship Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, MA, USA |
|
|
A contretemps FRAC Picardie, Paris, France |
|
|
Peaks Kagan Martos Gallery, New York, NY, USA |
|
|
Objective Color Yale University Art Gallery, New Haven, CT, USA |
|
|
Poetry Plastique Marianne Boesky Gallery, New York, NY, USA |
|
|
Eye of Modernism Georgia O’Keeffe Museum, Santa Fe, NM, USA |
|
|
Measure/Mass: Rita McBride, Sylvia Plimack Mangold, Agnes Martin, James Bishop, Joseph Egan, Robert Ryman, Fred Sandback, Richard Tuttle Annemarie Verna Galerie, Zurich, Switzerland |
|
|
wall>sculpture Margarete Roeder Gallery, New York, NY, USA |
|
|
Art Express: Art minimal et conceptual américain, ètat d’une collection Cabinet des estampes au Musée d’art moderne et contemporain, Geneva, Switzerland |
|
|
Selections from the Permanent Collection Museum of Contemporary Art, Miami, FL, USA |
|
|
La Biennale di Venezia: Plateau of Humankind Venice, Italy |
|
|
Helmut Dorner, Richard Tuttle, Franz West Brooke Alexander, New York, NY, USA |
|
|
Green on Greene Sperone Westwater, New York, NY, USA |
|
|
Tramas y Ensamblajas Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico |
|
|
The Devil is in the Details Allston Skirt Gallery, Boston, MA, USA |
|
| 2000 |
Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America Palazzo Cavour, Turin, Italy |
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Hard Pressed: 600 Years of Prints and Process AXA Gallery, New York, NY, USA; travelled to: Boise Art Museum, Boise, ID; Museum of Fine Arts, Santa Fe, NM, USA; Naples Museum of Fine Art, Naples, FL, USA |
|
|
The Contemporary Illustrated Book: A Collaboration Between Artist and Author, 1960 to the Present Garcia Street Books, Santa Fe, NM, USA |
|
|
Soft Core Joseph Helman Gallery, New York, NY, USA |
|
|
Brand New Prints Karen McCready Gallery, New York, NY, USA |
|
|
Horizon 2000: Artist Woodturners Brookfield Craft Center, Brookfield. New York, NY, USA |
|
|
Whitney Museum of American Art, New York, NY, USA |
|
|
Soft White: Lighting Design by Artists University Gallery, Fine Arts Center, University of Massachusetts, Amherst, MA, USA |
|
|
Arte Americana: Ultimo decennio Loggetta lombardesca, Ravenna, Italy |
|
|
Cosmologies Sperone Westwater, New York, NY, USA |
|
|
The ‘70s at Crown Point Press and New Releases by Tom Marioni and Richard Tuttle Crown Point Press, San Francisco, CA, USA |
|
|
Pintura FRAC Auvergne, Clermont Ferrand, France |
|
|
Food for the Mind: Die Sammlung Udo und Anette Brandhorst Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst München, Munich, Germany |
|
|
In Depth: Recent Acquisitions in Prints Whitney Museum of American Art, New York, NY, USA |
|
|
Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000 Kunsthalle Bremen, Germany |
|
|
Group Show Grant Selwyn Fine Art, New York, NY, USA |
|
|
To Infinity and Beyond: Editions for the Year 2000 Brooke Alexander, New York, NY, USA |
|
|
Process/Reprocess: Japan and the West Leslie Tonkonow, New York, NY, USA |
|
| 1999 |
The American Century: Art and Culture 1900–2000; Part II, 1950–2000 Whitney Museum of American Art, New York, NY, USA |
|
Size Immaterial Department of Coins and Medals, British Museum, London |
|
|
Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, CA, USA |
|
|
Deutsch-amerikanischer Dialog Galerie Fahnemann, Berlin, Germany |
|
|
ITINERE 2 Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy |
|
|
Afterimage: Drawing through Process Museum of Contemporary Art, Los Angeles, CA, USA. Travelled to: Contemporary Arts Museum, Houston, TX, USA; Henry Art Gallery, Seattle, WA, USA |
|
|
White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel, Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung Museum für Gegenwartskunst, Basel, Switzerland |
|
|
Circa 1968 Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal |
|
|
That Certain Look: The Minimalist Tradition in New Mexico University Art Museum, University of New Mexico, Albuquerque, NM, USA |
|
|
Mixed Bag: Summer Group Show Schmidt Contemporary Art, St. Louis, MO, USA |
|
|
Twenty Years of the Grenfell Press Paul Morris Gallery, New York, NY, USA |
|
|
The Rocket Four: Artist Books of the Turkey Press Julie Cencebaugh Gallery, New York, NY, USA |
|
|
The Great Drawing Show Kohn Turner Gallery, Los Angeles, CA, USA |
|
|
Drawings from the 1970s by Mel Bochner, Sol LeWitt, Robert mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle Lawrence Markey, New York, NY, USA |
|
|
Drawings from the 1960s Curt Marcus Gallery, New York, NY, USA |
|
| 1998 |
Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery Anderson Gallery, State University of New York, Buffalo, NY, USA |
|
Art Wares Numark Gallery, Washington, D.C., USA |
|
|
Original Scale Apex Art, New York, NY, USA |
|
|
The Edward R. Broida Collection: A Selection of Works Orlando Museum of Art, FL, USA |
|
|
Agnes Martin/Richard Tuttle Modern Art Museum of Fort Worth, Texas, USA. Travelled to: SITE Santa Fe, NM, USA |
|
|
Drawing the Question: Dan Asher, Eva Hesse, Ree Morton, Sol LeWitt, Sheila Pepe, and Richard Tuttle Dorsky Gallery, New York, NY, USA |
|
|
Sculpture Rhona Hoffman Gallery, Chicago, IL, USA |
|
|
Art in New Mexico, Part 1: Works by Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle James Kelly Contemporary, Santa Fe, NM, USA |
|
|
Jürgen Becker Hamburg, Germany |
|
|
Spatiotemporal Magasin 3 Stockholm Konsthall, Stockholm, Sweden |
|
| 1997 |
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection Arthur M. Sackler Museum, Harvard University, Cambridge, MA, USA. Travelled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria; Kunstmuseum Winterthur, Winterthur, Switzerland; Kunst-Museum Ahlen, Ahlen, Germany; Akademie der Künste, Berlin, Germany; Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France; Parrish Art Museum, Southampton, NY, USA; Lyman Allyn Art Museum, New London, CT, USA; Northwestern University, Evanston, IL, USA; Contemporary Museum, Honolulu, HI, USA |
| 1997 |
At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996 Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA. Travelled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, MD, USA; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Windsor, Ontario, Canada; Virginia Beach Center for the Arts, Virginia Beach, VA, USA; Santa Monica Museum of Art, Santa Monica, CA, USA; Edmonton Art Gallery, Alberta, Canada, Center on Contemporary Art, Seattle, WA, USA |
|
Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis Öffentliche Kunstsammlung Basel, Switzerland |
|
|
New York on Paper Baumgartner Galleries, Washington, D.C., USA |
|
|
Works on Paper: James Bishop, Paul Feeley, Shirley Jaffe, Richard Tuttle Lawrence Markey, New York, NY, USA |
|
|
Wood Not Wood: Work Not Work A/D, New York, NY, USA |
|
|
Dan Asher, Richard Tuttle Galerie Bismarck, Bremen, Germany |
|
|
La Biennale di Venezia, 47th Esposizione Internazionale d’Arte Venice, Italy |
|
|
About Context: Eva Hesse, Roni Horn, Agnes Martin, Ree Morton, Sylvia Plimack Mangold, James Bishop, Giulio Paolini, Forrest Bess, Fred Sandback, Richard Tuttle Annemarie Verna Galerie, Zurich, Switzerland |
|
|
Obsession + Devotion Haines Gallery, San Francisco, CA, USA |
|
| 1996 |
Schwere-los Skulpturen Oberösterreichisches Landesmuseum, Landesgalerie Linz, Austria |
|
Retrospktiv II: Sol LeWitt und Richard Tuttle Annemarie Verna Galerie, Zurich, Switzerland On Paper II, Schmidt Contemporary Art, St. Louis, MO, USA |
|
|
West Meets East: Works on Paper Numark Gallery, Washington, D.C., USA |
|
| 1995 |
52nd Carnegie International Carnegie Museum of Art, Pittsburgh, PA, USA |
|
Works on Paper Jürgen Becker, Hamburg, Germany |
|
|
Abstrakt Galerie Klein, Bad Münstereifel-Mutscheid, Germany |
|
| 1994 |
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection National Gallery of Art, Washington, D.C. Travelled to: Portland Museum of Art, Portland, OR, USA; Archer M. Huntington Art Gallery, University of Texas, Austin, TX, USA; Wäinö Aaltonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Tel Aviv, Israel |
|
Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman Kunsthaus Zurich, Switzerland |
|
|
Western Artists/African Art Museum for African Art, New York, USA |
|
|
Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art Whitney Museum of American Art, Champion Branch, Stamford, CT, USA |
|
|
Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst Öffenliche Kunstsammlung, Basel, Switzerland |
|
|
Printed in the 1970s Brooke Alexander, New York, NY, USA |
|
|
Praticamente argento/Basically Silver Studio La Città, Verona, Italy |
|
|
Ethereal Materialism Apex Art, New York, NY, USA |
|
| 1993 |
Das Einfache ist das Schwierge Kunsthaus Zug, Switzerland |
|
Sculpture & Multiples Brooke Alexander, New York, NY, USA |
|
|
The Contemporary Artist’s Book: The Book as Art 871 Fine Arts, San Francisco, CA, USA |
|
| 1992 |
Arte Americana: 1930–1970 Fiat-Lingotto, Turin, Italy |
|
15th Anniversary Exhibition RHona Hoffman Gallery, Chicago, IL, USA |
|
|
Gifts and Acquisitions in Context Whitney Museum of American Art, New York, NY, USA |
|
|
Paolo Uccello: Battaglie nell’arte del XX secolo La Salerniana, Erice, Italy |
|
| 1991 |
Stubborn Painting: Now and Then Max Protetch Gallery, New York, NY, USA |
|
Drawings Brooke Alexander, New York, NY, USA |
|
|
Masterworks of Contemporary Sculpture Blum Helman Gallery, New York, NY, USA |
|
|
Ulrich Rückriem, Richard Tuttle, Remy Zaugg Brooke Alexander, New York, NY, USA |
|
|
Poets/Painters Collaborations Brooke Alexander, New York, NY, USA |
|
|
Ellsworth Kelly, Robert Moskowitz, Richard Tuttle Blum Helman Gallery, New York, NY, USA |
|
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Drawing by Sculptors Greenberg Gallery, St. Louis, MO, USA |
|
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Essentially Raw Sue Spaid Fine Art, Los Angeles, CA, USA |
|
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Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts Kunstmuseum Basel, Switzerland |
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Den Gedanken auf der Spur blieben Museum Haus Lange and Museum Haus Esters, Krefeld, Germany |
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Discarded Emerson Gallery, Rockland Center for the Arts, West Nyack, NY, USA |
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| 1990 |
Contemporary Illustrated Books: Word and Image, 1967–1988 Franklin Furnace Archive, New York, NY, USA. Travelled to: Nelson-Atkins Museum of Art, Kansas City, MO, USA; University of Iowa Museum of Art, Iowa City, IA, USA |
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The New Sculpture 1965–75: Between Geometry and Gesture Whitney Museum of American Art, New York, NY, USA. Travelled to: Museum of Contemporary Art, Los Angeles, CA, USA |
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Quotations, Part III Annemarie Verna Galerie, Zurich, Switzerland |
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Minimal Art Blum Helman Gallery, New York, NY, USA |
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About Round, Round About: A Collection of Circles, Spheres, & Other Round Matter Anders Tornberg Gallery, Lund, Sweden |
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Group Show Blum Helman Gallery, New York, NY, USA |
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Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona Kunsthalle Bielefeld, Bielefeld, Germany |
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Accrochage Galerie Schmela, Düsseldorf, Germany |
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Stendhal Syndrome: The Cure Andrea Rosen Gallery, New York, NY, USA |
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John Cage, Alan Saret, Richard Tuttle Christine Burgin Gallery, New York, NY, USA |
|
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The Garden A/D, New York, NY, USA |
|
| 1989 |
Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York North Carolina Museum of Art, Raleigh, NC, USA. Travelled to: Albany Museum of Art, Albany, GA, USA; San Jose Museum of Art, San Jose, CA, USA |
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The Library A/D, New York, NY, USA |
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The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art Whitney Museum of American Art, Fairfield County, Stamford, CT, USA |
|
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Object of Thought: A Collection of Objects and Small Sculptures Anders Tornberg Gallery, Lund, Sweden |
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Galerie Schmela Galerie Schmela, Düsseldorf, Germany |
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Alan Kirili, Richard Tuttle, William Wegman Holly Solomon Gallery, New York, NY, USA |
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A/D A/D, New York, NY, USA |
|
|
Rain of Talent: Umbrella Art Fabric Workshop and Museum, Philadelphia, PA, USA |
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|
Group Show Blum Helman Gallery, New York, NY, USA |
|
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Richard Tuttle, Michael Young, José María Sicilia Blum Helman Gallery, New York, NY, USA |
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Domenico Bianchi, Robert Ryman, Richard Tuttle Sperone Westwater, New York, NY, USA |
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| 1988 |
Skulpturen Republik Kunstraum Wien im Messepalast, Vienna, Austria; travelled to: John Hansard Gallery, Southampton University, Southampton |
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From the Collection of Dorothy and Herbert Vogel Arnot Art Museum, Elmira, NY, USA; travelled to: Grand Rapids Art Museum, MI, USA; Terra Museum of American Art, Chicago, IL, USA; Laumeier Sculpture Park, St. Louis, MI, USA; Art Museum at Florida International University, Miami, FL, USA |
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Works on Paper Blum Helman Gallery, New York, NY, USA |
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Three Decades: The Oliver-Hoffmann Collection Museum of Contemporary Art, Chicago, IL, USA |
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Source and Inspiration: A Continuing Tradition Hirschl & Adler Folk, New York, NY, USA |
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(C)Overt: A Series of Exhibitions P.S. 1, Institute for Art and Urban Resources, New York, NY, USA |
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Group Show Blum Helman Gallery, New York, NY, USA |
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Amerikkalaista nykytaidetta Sara Hildén Art Museum, Tampere, Finland, travelled to: Kunstnernes Hus, Oslo |
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Richard Artschwager, Multiples; Dan Flavin, Sculptures; Donald Judd, Sculptures; Richard Tuttle, Objects Galerie Tanit, Munich, Germany |
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Group Exhibition Blum Helman Gallery, New York, NY, USA |
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Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern Staatliche Graphische Sammlung München, Munich, Germany |
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Black and White Fabric Workshop, Philadelphia, PA, USA |
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Köln sammelt: Zeitgenössiche Kunst aus Kölner Privatbesitz Museum Ludwig, Cologne, Germany |
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| 1987 |
Sculptors on Paper: New Work Madison Art Center, Madison, WI, USA. Travelled to: Pittsburgh Center for the Arts, Pittsburgh, PA, USA; Kalamazoo Institute of Arts, Kalamazoo, MI, USA; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE, USA |
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White Blum Helman Gallery, New York, NY, USA |
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Selections from the Roger and Myra Davidson Collection of International Contemporary Art Art Gallery of Ontario, Ontario, Toronto, Canada |
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Rauschenberg, Schwitters, Tuttle Blum Helman Gallery, New York, NY, USA |
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|
Metaphor: Myron Stout, Richard Tuttle. Richard Wentworth, Win Knowlton Kent Fine Art, New York, NY, USA |
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1967: At the Crossroads Institute of Contemporary Art, University of Pennsylvania, PA, USA |
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Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung Kunstmuseum Bern, Switzerland |
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1987 Biennial Exhibition Whitney Museum of American Art, New York, NY, USA |
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Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy and Herbert Vogel, New York Kunsthalle Bielefeld, Bielefield, Germany |
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Summer Group Show Blum Helman Gallery, New York, NY, USA |
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Skulptur Projekte in Münster 1987 Westfälische Landesmuseum, Münster, Germany |
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Early Concepts of the Last Decade Holly Solomon Gallery, New York, NY, USA |
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| 1986 |
Drawings from the Collection of Dorothy and Herbert Vogel Department of Art Galleries, University of Arkansas, Little Rock, AR, USA. Travelled to: Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, USA; Museum of Art, Pennsylvania State University, State College, PA, USA |
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SkulpturSein Städtische Kunsthalle Düsseldorf, Düsseldorf, Germany |
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Beelden in Glas / Glass Sculpture Fort Asperen, Leerdam, Netherlands |
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Wien Fluss, 1986 Wiener Secession am Steinhof-Thaterbau, Vienna, Austria |
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Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975 Palacio de Velázquez, Parque del Retiro, Madrid, Spain |
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Prospect 86 Frankfurter Kunstverein, Frankfurt, Germany |
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Esculturas sobre la pared Galería Juana de Aizpuru, Madrid, Spain |
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| 1985 |
Sculptures, première approach pour un parc Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France |
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American Eccentric Abstraction Blum Helman Gallery, New York, NY, USA |
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Vom Zeichnen: Aspekte der Zeichnung 1960–1985 Frankfurter Kunstverein, Frankfurt, Germany. Travelled to: Kasseler Kunstverein, Kassel, Germany; Museum Moderner Kunst Wien, Vienna, Austria |
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Spuren, Skulpturen und Monumente ihrer präzisen Reise Kunsthaus Zurich, Zurich, Switzerland |
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Correspondences: New York Art Now Laforet Museum Harajuku, Tokyo, Japan. Travelled to: Tochigi Prefectural Museum of Fine Arts, Japan |
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Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art Museum of Art, School of Design, Providence, Rhode Island, USA. Travelled to: San Diego Museum of Art, San Diego, CA, USA; Portland Museum of Art, Portland, OR, USA |
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Drawings by Sculptors Brooke Alexander, New York, NY, USA |
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In offener Form Museum Haus Esters, Krefeld, Germany |
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Drawings Acquisitions: 1981–1985 Whitney Museum of American Art, New York, NY, USA |
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Wasserfarbenblatter von Joseph Beuys, Nicola De Maria, Gerhard Richter, Richard Tuttle Westfälischer Kunstverein, Muenster, Berlin, Germany |
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Dan Flavin, Morris Louis, Brice Marden, Richard Serra, Richard Tuttle: Neue Daierleihgaben aus der Sammlung Reinhard Onnach, Berlin Städtisches Museum Abteiberg, Mönchengladbach, Germany |
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Affiliations: Recent Sculpture and Its Antecedents Whitney Museum of American Art, Fairfield County, Stamford, CT, USA |
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American/European Part I: Painting Sculpture 1985 LA Louver, Venice, CA, USA |
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Accrochage Galerie Schmela, Düsseldorf, Germany |
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Dreissig Jahre durch die Kunst: Museum Haus Lange, 1950–1985 Museum Haus Lange and Museum Haus Esters, Krefeld, Germany |
|
|
hree Sculptors: John Duff, Joel Shapiro, Richard Tuttle Krannert Art Museum, University of Illinois, Urbana-Champaign, IL, USA |
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| 1984 |
Aquarelle Kasseler Kunstverein, Kassel, Germany |
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In Existum Cuiusdam Annemarie Verna Gallery, Zurich, Switzerland |
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Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art Visual Arts Gallery, Florida International University, Miami, FL, USA. Travelled to: Aspen Art Museum, Aspen, CO, USA; Art Museum of South Texas, Corpus Christi, TX, USA; Philbrook Arts Center, Tulsa, OK, USA |
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Forms That Function Katonah Gallery, Katonah, NY, USA |
|
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The Tremaine Collection: Twentieth-Century Masters The Spirit of Modernism, Wadsworth Atheneum, Hartford, CT, USA |
|
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Painting and Sculpture Today, 1984 Indianapolis Museum of Art, Indianapolis, IN, USA |
|
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Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection Montreal Museum of Fine Arts, Montreal, Canada. Travelled to: Vancouver Art Gallery, British Columbia, Canada; Nickle Arts Museum, Calgary, Alberta, Canada; Seagram Building, New York, NY, USA; London Regional Art Gallery, Ontario, Canada |
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Zeichnungen für die dritte Dimension (eigene Bestände) Basel Museum für Gegenwartskunst, Basel, Switzerland |
|
|
American Sculpture Margo Leavin Gallery, Los Angeles, CA, USA |
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| 1983 |
American Works on Paper: 100 Years of American Art History organised by Smith Kramer Art Connections, Kansas City, MI, USA |
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15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld Kaiser Wilhelm Museum, Krefeld, Germany |
|
|
The First Show: Painting and Sculpture from Eight Collections 1940–1980 Museum of Contemporary Art, Los Angeles, CA, USA |
|
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Abstract Painting: 1960–1969 P.S. 1, Institute for Art and Urban Resources, New York, NY, USA |
|
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Drawings—Disegni—Zeichnungen I Annemarie Verna Galerie, Zurich, Switzerland |
|
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Small Is Beautiful Freedman Gallery, Albright College, Reading, PA, USA. Travelled to: Center Gallery, Bucknell University, Lewisburg, PA, USA |
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When Art Becomes Book, When Books Become Art Annemarie Verna Galerie, Zurich, Switzerland |
|
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Objects, Structures, Artifice SVC Fine Arts Gallery, University of South Florida, Tampa, FL, USA. Travelled to: Center Gallery, Bucknell University, Lewisburg, PA, USA |
|
|
Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection Whitney Museum of American Art, New York, NY, USA |
|
|
10 Jahre Kunstraum München Jubiläumsausstellung, Kunstraum München, Munich, Germany |
|
|
Ars 83 Helsinki Ateneumin taidemuseo, Helsinki, Finland |
|
|
Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle Annemarie Verna Galerie, Zurich, Switzerland |
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| 1982 |
20th Anniversary Exhibition of the Vogel Collection Brainerd Art Gallery, State University College of Arts and Science, Potsdam, NY, USA. Travelled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, IA, USA |
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Arbeiten auf Papier Galerie Schmela, Düsseldorf, Germany |
|
|
Artists’ Photographs Crown Point Gallery, Oakland, CA, USA |
|
|
Du livre Concurrent exhibition at: Musée des Beaux-Arts, Rouen, France; Bibliothèque Minicipale, Rouen, France, Galerie Déclinaisons, Rouen, France; École des Beaux-Arts, Rouen, France; C.R.D.P., Mont-Saint-Aignan, France |
|
|
‘60–’80: Attitudes/Concepts/Images Stedelijk Museum, Amsterdam, Netherlands |
|
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Prints by Contemporary Sculptors Yale University Art Gallery, New Haven, CT, USA |
|
|
25 Jahre Galerie Schmela: 1957–1982 Galerie Schmela, Düsseldorf, Germany |
|
|
American Painting and Sculpture: 74th Annual Art Institute of Chicago, Chicago, IL, USA |
|
|
Documenta 7 Museum Fridericianum, Kassel, Germany |
|
|
Papyrus Abstractus: From Drawing to Sculpture Town Hall Gallery, Westport, CT, USA |
|
|
Ryman/Tuttle/Twombly: New Work Blum Helman Gallery, New York, NY, USA |
|
|
Marilena Bonomo: Invitation à un voyage à travers l’art contemporain Centre d’art contemporain, Geneva, Switzerland |
|
| 1981 |
Drawing Distinction: American Drawings of the Seventies Louisiana Museum of Modern Art, Humlebæk, Denmark; travelled to: Kunsthalle Basel, Basel, Switzerland; as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich, Germany; Wihelm-Hack-Museum, Ludwigshafen, Germany |
|
Selections from the Chase Manhattan Bank Art Collection University Gallery, University of Massachusetts, Amherst, MA, USA; travelled to: Robert Hull Fleming Museum, University of Vermont, Burlington, VT, USA; David Winton Bell Gallery, Brown University, Providence, RI, USA |
|
|
Amerikanische Malerei: 1930–1980 Haus der Kunst, Munich, Germany |
|
|
Art Materialized: Selections from the Fabric Workshop organised by Independent Curators Incorporated, New York, NY, USA. Travelled to: New Gallery for Contemporary Art, Cleveland, OH, USA; Gibbes Art Gallery, Charleston, SC, USA; Hudson River Museum, Yonkers, NY, USA; University of South Florida Art Galleries, Tampa, FL, USA; Art Museum and Galleries, CA, USA; State University, Long Beach, CA, USA; Alberta College of Art Gallery, Calgary, Alberta, Canada; Pensacola Museum of Art, Pensacola, FL, USA |
|
|
Galerie Schmela Galerie Schmela, Düsseldorf, Germany |
|
|
Murs Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris, France |
|
|
New Works of Contemporary Art and Music Fruitmarket Gallery, Edinburgh |
|
|
Vonal Pésci Galéria, Pécs, Hungary |
|
|
Heidi Glück, Joshua Neustein, David Reed, Joel Shapiro, Richard Tuttle Bertha Urdang Gallery, New York, NY, USA |
|
|
Westkunst: Zeitgenössische Kunst seit 1939 Museen der Stadt, Cologne |
|
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l limite svelato: Artista, cornice, pubblico Museo Civico di Torino, Mole Antonelliana, Turin, Italy |
|
|
Drawing Acquisitions, 1978–1981 Whitney Museum of American Art, New York, NY, USA |
|
|
Relief(s): Richard Tuttle, Nancy Bowen, Don Hazlitt Institut Franco-Américain, Rennes, France |
|
|
No Title: The Collection of Sol LeWitt Wesleyan University Art Gallery and Davidson Art Center, Middleton, CT, USA |
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| 1980 |
Maximum Coverage: Wearables by Contemporary American Artists John Michael Kohler Arts Center, Sheboygan, WI, USA; travelled to: University of North Dakota, Grand Forks, ND, USA |
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Art/Book/Art organised by Detroit Institute of Arts, Michigan. Travelled to: Slusser Gallery, University of Michigan, Ann Arbor, MI, USA; Mid-Michigan Community College, Harrison, MI, USA; Urban Institute for Contemporary Art, Grand Rapids, MI, USA; Willard Library, Battle Creek, MI, USA; Ella Sharp Museum, Jackson, MI, USA |
|
|
Die Sammlung der Emanuel Hoffman-Stiftung Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland |
|
|
Printed Art: A View of Two Decades The Museum of Modern Art, New York, NY, USA |
|
|
Explorations in the ‘70s Pittsburgh Plan for Art, Pittsburgh, PA, USA |
|
|
Pier + Ocean: Construction in the Art of the Seventies Hayward Gallery, London. Travelled to: Rijkmuseum Kröller-Müller, Otterlo, Netherlands |
|
|
Skulptur im 20. Jahrhundert Wenkenpark, Riehen, Basel, Switzerland |
|
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Zeichnungen” Neuerwerbungen, 1976–80 Museum Haus Lange, Krefeld, Germany |
|
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Drawn in Space Washington Project for the Arts, Washington, D.C., USA |
|
|
Selected Works from the Betty Parsons Gallery Heath Gallery, Atlanta, GA, USA. |
|
| 1979 |
Drawings About Drawings Today Ackland Memorial Museum, University of North Carolina, Chapel Hill, NC, USA |
|
Drawing and Sculpture Adler Gallery, Los Angeles, CA, USA |
|
|
Pittura-Ambiente Palazzo Reale, Milan, Italy |
|
|
Material Pleasures: The Fabric Workshop at ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA |
|
|
New York: A Selection from the Last Ten Years Otis Art Institute, Los Angeles, CA, USA |
|
|
American Abstract Artists: The Language of Abstraction Betty Parsons Gallery and Marilyn Pearl Gallery, New York, NY, USA |
|
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Fabric Workshop Marian Locks Gallery, Philadelphia, PA, USA |
|
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Re: Figuration Max Protetch Gallery, New York, NY, USA |
|
| 1978 |
Brooke Alexander: A Decade of Print Publishing Boston University Art Gallery, Boston, MA, USA |
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20th Century American Drawings: Five Years of Acquisitions Whitney Museum of American Art, New York |
|
|
New Editions Brooke Alexander, New York, NY, USA |
|
|
Sol LeWitt, Richard Long, Richard Tuttle Yale School of Art, New Haven, CT, USA |
|
|
Door beeldhouwer gemaakt Stedelijk Museum, Amsterdam, Netherlands |
|
| 1977 |
Works from the Collection of Dorothy and Herbert Vogel University of Michigan Museum of Art, Ann Arbor, MI, USA |
|
Brooke Alexander Brooke Alexander, New York, NY, USA |
|
|
Selected Works on Paper Published by Brooke Alexander Hansen-Cowles Gallery, Minneapolis, MN, USA |
|
|
1977 Biennial Exhibition Whitney Museum of American Art, New York, NY, USA |
|
|
Ideas in Sculpture: 1965–1977 Renaissance Society at the University of Chicago, Chicago, IL, USA |
|
|
Documenta 6 Orangerie, Kassel, Germany |
|
|
20th-Century American Art from Friends’ Collection Whitney Museum of American Art, New York, NY, USA |
|
|
American Drawing, 1927–1977 Minnesota Museum of Art, St. Paul, MN, USA |
|
|
A View of a Decade Museum of Contemporary Art, Chicago, IL, USA |
|
|
Small Objects Whitney Museum of American Art, Downtown Branch, New York, NY, USA |
|
|
Marta & Maria Galleria d’arte Spagnoli, Florence, Italy |
|
| 1976 |
American Artists: A New Decade Detroit Institute of Arts, Detroit, MI, USA. Travelled to: Fort Worth Art Museum, Fort Worth, TX, USA; Grand Rapids Art Museum, Grand Rapids, MI, USA |
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The Book as Art Fendrick Gallery, Washington, D.C., USA |
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Drawing Now The Museum of Modern Art, New York, NY, USA; travelled to: Kunsthalle Basel, Basel, Switzerland; Kunsthaus Zurich, Zurich, Switzerland; Staatliche Kunsthalle Baden-Baden, Baden Baden, Germany; Graphische Sammlung Albertina, Vienna, Austria; Sonja Henie-Niels Onstad Museum, Oslo, Norway; Tel Aviv Museum, Tel Aviv, Israel |
|
|
Line Visual Arts Museum, New York, Ny, USA; travelled to: Philadelphia College of Art, Philadelphia, PA, USA |
|
|
Two Hundred Years of American Sculpture Whitney Museum of American Art, New York, NY, USA |
|
|
Davidson National Print and Drawing Competition Stowe Gallery, Davidson College, Davidson, NC, USA |
|
|
Critical Perspectives in American Art Fine Arts Center Gallery, University of Massachusetts, Amherst, MA, USA. Travelled to: 37th La Biennale di Venezia. |
|
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Ideas on Paper 1970–1976 Renaissance Society at the University of Chicago, Chicago, IL, USA |
|
|
Rooms P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, NY, USA |
|
|
Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A. Burckhardt-Kpechlin-Fonds Kunsthalle Basel, Basel, Switzerland |
|
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New York in Europa Nationalgalerie Berlin, Berlin, Germany |
|
|
Torn, Folded, and Crumpled Parsons-Dreyfuss Gallery, New York, NY, USA |
|
|
Private Notations: Artists’ Sketchbooks II Philadelphia College of Art, Philadelphia, PA, USA |
|
|
100 dessins de Musée de Grenoble, 1900–1976 Musée de Grenoble, Grenoble, France |
|
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Artists’ Books organised by the Arts Council of Great Britain |
|
|
Soft Works of the Late Sixties Buecker & Harpsichords, New York, NY, USA |
|
| 1975 |
Recent Drawings organised by the American Federation of the Arts, New York, NY, USA |
|
Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA. Travelled to: Contemporary Arts Center, Cincinnati, OH, USA |
|
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Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle Contemporary Arts Center, Cincinnati, OH, USA |
|
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Color organised by the International Council of The Museum of Modern Art, New York, NY, USA; travelled to: Museo de Arte Moderno, Bogotá, Columbia; Museo de Arte de São Paolo, São Paolo, Brazil; Museu de Arte Moderna, Rio de Janeiro, Brazil; Museo de Bellas Artes, Caracas, Venezuala; Museo de Arte Moderno, Mexico City, Mexico |
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Abstract Watercolors: 1942–1975 Buecker & Harpsichords, New York, NY, USA |
|
|
Fourteen Artists Baltimore Museum of Art, Baltimore, MD, USA |
|
|
Selections from the Collection of Dorothy and Herbert Vogel Clocktower Gallery, Institute for Art and Urban Resources, New York, NY, USA |
|
|
Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection Yale University Art Gallery, New Haven, CT, USA |
|
|
The Small Scale in Contemporary Art Society for Contemporary Art and the Art Institute of Chicago, Chicago, IL, USA |
|
|
USA Zeichnungen 3 Städtisches Museum Schloss Morsbroich, Leverkusen, Germany |
|
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Galleria Marilena Bonimo Galleria Marilena Bonimo, Bari, Italy |
|
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Tendances actuelles de la nouvelle peinture americaine ARC 2, Musée d’art moderne de la ville de Paris, France |
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Art on Paper 1975: The Weatherspoon Annual Exhibition University of South Carolina, Greensboro, SC, USA |
|
| 1974 |
Line as Language: Six Artists Draw Art Museum, Princeton University, New Jersey, USA |
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Works on Paper Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, NY, USA |
|
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Printed, Cut, Folded, Pasted and Torn The Museum of Modern Art, New York, NY, USA |
|
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Painting and Sculpture Today, 1974 Contemporary Art Society of the Indianapolis Museum of Art, Indianapolis, IN, USA. Travelled to: Contemporary Arts Center and Taft Museum, Cincinnati, OH, USA |
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The Bay Are Collects: Sandra and Breck Caldwell University Art Museum, University of California, Berkeley, CA, USA |
|
|
Recent Prints Brooke Alexander, New York, NY, USA |
|
| 1973 |
A Selection of American and European Paintings from the Richard Brown Baker Collection San Francisco Museum of Art, San Fransisco, CA, USA. Travelled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA |
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Contemporanea Parcheggio di Villa Borghese, Rome, Italy |
|
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Drawings Barbara Cusack Gallery, Houston, TX, USA |
|
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Hand Colored Prints Brooke Alexander, New York, NY, USA. Travelled to: Webb and Parsons, Bedford Village, NY, USA; Graphics I & II, Boston, MA, USA |
|
|
Yngre Amerikansk Kunst: Tenginger og grafik Gentofte Rädhus, Charlottenlund, Norway. Travelled to: Åarhus Kunstmuseum, Aarhus, Denmark; Henie Onstad Kunstsenter Oslo, Norway; Hamburger Kunsthalle, Hamburg, Germany; Moderna Museet, Stockholm, Sweden |
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|
Bilder, Objekte, Filme, Konzepte Stadtische Galerie in Lenbachhaus, Munich, Germany |
|
|
Options and Alternatives: Some Directions in Recent Art Yale University Art Gallery, New Haven, CT, USA |
|
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Arte come arte Centro Comunitario de Brera, Milan, Italy |
|
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Art in Evolution Xerox Square Exhibition Center, New York, NY, USA |
|
|
American Drawings 1963–1973 Whitney Museum of American Art, New York, NY, USA |
|
|
Of Paper Newark Museum, Newark, NJ, USA |
|
|
New American Graphic Art Fogg Art Museum, Harvard University, Cambridge, MA, USA |
|
| 1972 |
Amerikanische Graphik seit 1960 Bünder Kunsthaus, Chur, Switzerland. Travelled to: Kunstverein Solothurn, Solothurn, Switzerland; Musée d’art et d’historie, Geneva, Switzerland; Kunsthaus Aarau, Aarau, Switzerland; Kunsthalle Basel, Basel, Switzerland |
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Small Series Paula Cooper Gallery, New York, NY, USA |
|
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Recent Painting and Sculpture Munson-Williams Proctor Institute, Utica, NY, USA |
|
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Meisterwerke des 20 Jahrhunderts, Galerie Schmela, Düsseldorf, Germany |
|
|
Drawing in Space: 19 American Sculptors Katonah Gallery, Katonah, NY, USA |
|
|
Documenta 5: Befragung der Realitat Bildwelten heute, Museum Fridericianum, Kassel, Germany |
|
|
Book as Artwork 1960/72 Nigel Greenwood, London |
|
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Actualite d’un Bilan Galerie Yvon Lambert, Paris, France |
|
|
[Drawing] The Museum of Modern Art, Oxford |
|
| 1971 |
Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971 Kunstmuseum Basel, Basel, Switzerland |
|
Paintings Without Supports Bennington College, Bennington, VT, USA |
|
|
Funf Sammler: Kunst unserer Zeit Von der Heydt-Museum, Wuppertal, Germany |
|
| 1970 |
Die Sammlung der Emanuel Hoffman-Stiftung Kunstmuseum Basel, Basel, Switzerland |
|
Paperworks, Art Lending Services, Penthouse Gallery The Museum of Modern Art, New York, NY, USA |
|
|
New Materials: Procedures in Sculpture Austin Arts Center, Trinity College, Hartford, CT, USA |
|
|
Using Walls (Indoors) Jewish Museum, New York, NY, USA |
|
|
Zeichnungen Amerikanischer Künstler Galerie Ricke, Cologne, Germany |
|
|
American Drawings Galerie Yvon Lambert, Paris, France |
|
| 1969 |
Here & Now Washington University Gallery of Art, St. Louis, MO, USA |
|
Thirty-First Biennial Exhibition of Contemporary American Painting Corcoran Gallery of Art, Washington, D.C., USA |
|
|
Soft Art New Jersey State Museum Cultural Center, Trenton, NJ, USA |
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When Attitudes Become Form—Works—Concepts—Processes—Situations—Informations Kunsthalle Bern, Germany, Museum Haus Lange, Krefeld, Germany, Institute of Contemporary Arts, London |
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Sammlung Helmet Klinker Städtische Kunstgalerie Bochum, Germany |
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Anti-Illusion: Procedures/Materials Whitney Museum of American Art, New York, NY, USA |
|
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Other Ideas Detroit Institute of the Arts, Detroit, MI, USA |
|
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Young Artists from the Collection of Charles Cowles Aldrich Museum of Contemporary Art, Ridgefield, CT, USA |
|
|
Art on Paper 1969: The Weatherspoon Annual Exhibition University of North Carolina, Greensboro, NC, USA |
|
| 1968 |
Some Younger American Painters and Sculptors organised by the American Federation of the Arts, New York, NY, USA |
|
Preview 1968 Widener Gallery, Trinity College, Hartford, CT, USA |
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Painting: Out from the Wall Des Moines Art Center, Des Moines, IA, USA |
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|
Betty Parsons’ Private Collection Finch College Museum of Art, New York, USA. Travelled to: Cranbrook Academy of Art, Bloomfield, MI, USA; Brooks Memorial Art Gallery, Memphis, TN, USA |
|
|
Anti-Form John Gibson Gallery, New York, NY, USA |
|
|
Group Show Bykert Gallery, New York, NY, USA |
|
| 1966 |
Selections from the Art Lending Service Penthouse Gallery, The Museum of Modern Art, New York, NY, USA |
|
2e Salon International de Galeries Pilates Musée cantonal des Beaux-Arts, Palais de Rumine, Lausanne, Switzerland |
|
|
Twenty-Five Paintings ’65 organised by Betty Parsons Gallery, New York, NY, USA. Travelled to: Virginia Museum of Fine Arts, Richmond, VA, USA; and six additional venues in Virginia |
|
|
A Selection of Contemporary American Paintings and Sculpture from the Atheneum’s Permaneny Collection Wadsworth Atheneum, Hartford, CT, USA |
|
|
Twentieth Anniversary, 1946–1966: Pattern Art Betty Parsons Gallery, New York, NY, USA |
|
|
Contemporary American Painting: 12th Annual Exhibition Ralph Wilson Gallery, Lehigh University, Bethlehem, PA, USA |
|
| 1965 |
The Seventh Selection of the Society for the Encouragement of Contemporary Art: A New York Collector Selects San Francisco Museum of Art, San Francisco, CA, USA |
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A New York Collector Selects, Mrs. B. Tremaine San Francisco Museum of Art, San Francisco, CA, USA |
|
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The Box Show Byron Gallery, New York, NY, USA |
|
|
Contemporary American Painting: 11th Annual Exhibition Ralph Wilson Gallery, Lehigh University, Bethlehem, PA, USA |
|
|
Drawings from the Collection of Betty Parsons Virginia Museum of Fine Arts Richmond, Richmond, VA, USA |
| Selected Collections | |
|---|---|
|
Akron Art Museum, Akron, OH, USA |
|
|
Albright-Knox Art Gallery, Buffalo, NY, USA |
|
|
Allen Memorial Art Museum, Oberlin, OH, USA |
|
|
Art Institute of Chicago, Chicago, IL, USA |
|
|
Baltimore Museum of Art, Baltimore, MD, USA |
|
|
Birmingham Museum of Art, Birmingham, AL, USA |
|
|
Blanton Museum of Art, The University of Texas, Austin, TX, USA |
|
|
Bowdoin College Museum of Art, Brunswick, ME, USA |
|
|
Brooklyn Museum, Brooklyn, NY, USA |
|
|
Carnegie Museum of Art, Pittsburgh, PA, USA |
|
|
Centre Pompidou, Paris, France |
|
|
Cleveland Museum of Art, Cleveland, OH, USA |
|
|
Columbus Museum of Art, Columbus, OH, USA |
|
|
Contemporary Art Museum, Honolulu, HI, USA |
|
|
David Roberts Foundation, London |
|
|
Des Moines Art Center, Des Moines, IA, USA |
|
|
Dublin City Gallery, The Hugh Lane, Dublin, Ireland |
|
|
Fogg Art Museum, Harvard University Art Museums, Cambridge, MA, USA |
|
|
Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France |
|
|
Funda9ao Serralves, Porto, Portugal |
|
|
Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Italy |
|
|
High Museum of Art, Atlanta, GA, USA |
|
|
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA |
|
|
Hood Museum of Art, Dartmouth College, Hanover, NH, USA |
|
|
Indianapolis Museum of Fine Art, Indianapolis, IN, USA |
|
|
Institut Valencià d’Art Modern, Valencià, Spain |
|
|
Israel Museum, Jerusalem, Israel |
|
|
Kaiser Wilhelm Museum, Krefeld, Germany |
|
|
Kolumba, Cologne, Germany |
|
|
Kunsthaus Zug, Zug, Switzerland |
|
|
Kunstmuseum Winterthur, Winterthur, Switzerland |
|
|
Los Angeles County Museum of Art, Los Angeles, CA, USA |
|
|
Louisiana Museum of Modern Art, Humlebæk, Denmark |
|
|
Ludwig Museum, Cologne, Germany |
|
|
The Metropolitan Museum of Art, New York, NY, USA |
|
|
Mies Van der Rohe Museum, Berlin, Germany |
|
|
Mildred Lane Kemper Art Museum, Washington D.C., USA |
|
|
Modern Art Museum of Fort Worth, TX, USA |
|
|
Moderna Museet, Stockholm, Sweden |
|
|
Mu.ZEE, Ostend, Belgium |
|
|
Musée Cantonal des Beaux-Arts de Lausanne, Switzerland |
|
|
Museum Brandhorst, Munich, Germany |
|
|
Museum of Art, Rhode Island School of Design, Providence, RI, USA |
|
|
Museum of Contemporary Art, Chicago, IL, USA |
|
|
Museum of Contemporary Art, Los Angeles, CA, USA |
|
|
Museum of Fine Arts, Boston, MA, USA |
|
|
Museum of Fine Arts, Santa Fe, NM, USA |
|
|
Museum of Modern Art, New York, NY, USA |
|
|
National Gallery of Art, Washington, D.C., USA |
|
|
National Gallery of Canada, Ottawa, Canada |
|
|
New York Public Library, New York, NY, USA |
|
|
Norton Museum of Art, Palm Beach, FL, USA |
|
|
Orlando Museum of Art, Orlando, FL, USA |
|
|
Philadelphia Museum of Art, Philadelphia, PA, USA |
|
|
Rijksmuseum Twenthe, Enschede, Netherlands |
|
|
S.M.A.K – Municipal Museum of Contemporary Art, Ghent, Belgium |
|
|
San Francisco Museum of Modern Art, San Francisco, CA, USA |
|
|
Seattle Art Museum, Seattle, WA, USA |
|
|
Sprengel Museum Hannover, Hanover, Germany |
|
|
Staatliche Kunstammlungen, Kassel, Germany |
|
|
Städtisches Museum Abteiberg, Mönchengladbach, Germany |
|
|
Stedelijk Museum, Amsterdam, Netherlands |
|
|
Taguchi Art Collection, Tokyo, Japan |
|
|
Tate, London |
|
|
University of South Florida Contemporary Art Museum, Tampa, FL, USA |
|
|
Victoria and Albert Museum, London |
|
|
Wadsworth Atheneum, Hartford, CT, USA |
|
|
Walker Art Center, Minneapolis, MN, USA |
|
|
Whitney Museum of American Art, New York, NY, USA |
|
|
Yale University Art Gallery, New Haven, CT, USA |