Born in Kuala Lumpur, Malaysia, 1969 |
| Education | |
|---|---|
| 1993–1994 |
MA Fine Art Chelsea College of Art & Design, London |
| 1990–1993 |
BA Fine Art, Sculpture Chelsea College of Art & Design, London |
| 1988–1989 |
Foundation Course Middlesex Polytechnic, London |
| Solo Exhibitions | |
|---|---|
| 2021 |
Drunken Sailor Modern Art, London |
| 2019 |
Galleria Franco Noero Turin, Italy |
| 2018 |
In the half life Edouard Malingue Gallery, Hong Kong, China |
| 2016 |
Modern Art London |
| 2014 |
Camden Arts Centre, London |
| 2012 |
Visitor Galleria Franco Noero, Turin, Italy |
|
Modern Art London |
|
| 2009 |
Modern Art London |
|
Introduction and Jargon Transmission Gallery, Glasgow, Scotland |
|
| 2008 |
Open Container Galerie Giti Nourbakhsch, Berlin, Germany |
| 2007 |
A Metal Bar Fell On Someone's Head Or Something Galleria Franco Noero, Turin, Italy |
|
Free to Meet For Coffee Sometime Soon Modern Art, London |
|
| 2000 |
His Divine Grace Modern Art, London |
| 1997 |
The Showroom London, commissioned by The Showroom in collaboration with inIVA |
| Selected Group Exhibitions | |
|---|---|
| 2023 |
Mead Gallery, Warwick Arts Centre, Coventry (forthcoming) |
|
Ubiquitous no.14 Tube Gallery, Palma, Spain |
|
| 2022 |
Water Being Washed Away, curated by Alessandro Rabottini Galerie Hubert Winter, Vienna, Austria |
|
Kiang Malingue, Hong Kong, China |
|
|
Goldsmiths Centre for Contemporary Art, London |
|
| 2021 |
Galleria Franco Noero, Turin, Italy |
| 2019 |
Yona Lee, Phillip Lai, Hany Armanious Fine Arts, Sydney, Australia |
| 2018 |
The Hepworth Prize for Sculpture The Hepworth Wakefield, Wakefield |
|
Spinning (with Peter Robinson) Hopkinson Mossman, Auckland, New Zealand |
|
|
Fences & Windows Modern Art, London |
|
| 2016 |
Theories of Modern Art Modern Art, London |
|
Can I Step on It? Galleria Franco Noero, Turin, Italy |
|
|
When Did Intimacy Begin Width, curated by Torey Thornton Jeffrey Stark, New York, NY, USA |
|
| 2015 |
An Intervention John Hansard Gallery, Southampton University, Southampton |
| 2014 |
Interior Modern Art, London |
|
Nottingham Contemporary, Nottingham |
|
| 2013 |
In the wake of a view (with Jeremiah Day) Appartement Elisa Platteau, Brussels, Belgium |
|
Sculptures by Thomas Schütte and Phillip Lai Faggionato Fine Arts, London |
|
| 2012 |
London Twelve City Gallery Prague, Prague, Czech Republic |
| 2010 |
No Soul For Sale: A Festival of Independents (Mousse contribution, curated by Jonathan Griffin) Turbine Hall, Tate Modern, London |
| 2008 |
Seven Times Two or Three Cubitt, London |
| 2007 |
In The Poem About Love You Don't Write The Word Love Overgaden, Institute for Samtidskunst, Copenhagen, Denmark; Midway Contemporary Art, Minneapolis, MN, USA |
| 2006 |
In The Poem About Love You Don't Write The Word Love Artists Space, New York, NY, USA |
|
John Frumism (with Mike Nelson and Paul Thek) Hotel, London |
|
|
If it didn't exist you'd have to invent it: a partial Showroom history The Showroom, London |
|
| 2005 |
In The Poem About Love You Don't Write The Word Love CCA, Glasgow, Scotland |
| 2004 |
Uscita Pistoia SpazioA, Pistoia, Italy |
|
Strange Weather Modern Art, London |
|
|
Tag Team Experiment, two-person relay exhibition alternative project space, Edinburgh, Scotland |
|
| 2002 |
We Want Out CityLights Project, Melbourne, VIC, Australia |
| 2000 |
Senselessness-lessness Tramway, Glasgow, Scotland |
|
Death Race 2000 Threadwaxing Space, New York, NY, USA |
|
| 1999 |
Cities on the Move Hayward Gallery, London (included as part of Nasubi Gallery project) |
|
Black Box (continued screenings) Venues including Angel Row, Nottingham; Artezium, Luton |
|
|
New Video from Great Britain, (British Council tour to South America) Venues including Sala Mendoza, Caracas, Venezuela; Museo Carillo Gil, Mexico City, Mexico |
|
| 1998 |
Black Box, (commissioned by Film & Video Umbrella) Open Eye, Liverpool (ISEA); Lift (Pandæmonium festival), London; Aspex, Portsmouth; ARC, Stockton-on-Tees |
|
New Video from Great Britain MoMA, New York, NY, USA |
|
|
Bed and Workshop alternative space, Rennes, France |
|
|
Grey Area Bonnington Gallery, Nottingham |
|
| 1996 |
Deep Signal Gasworks, London |
|
Deep Signal Collective Gallery, Edinburgh, Scotland |
|
|
Off Camp/On Base (Pimple Life) Tokyo Big Sight Exhibition Centre, Japan, Tokyo |
|
|
I beg to differ Milch, London |
|
|
Update 96 The Old Turbine Hall, Copenhagen, Denmark |
|
| 1995 |
Fresh (continued screenings) Venues including Video Positive 95, Liverpool; Tate, London |
| 1994 |
The Institute of Cultural Anxiety Institute of Contemporary Arts, London |
|
Weirdos SAGA Basement, Copenhagen, Denmark |
|
|
Fresh, Film & Video Umbrella touring programme Venues including Institute of Contemporary Arts, London; CCA, Glasgow, Scotland; Ikon Gallery, Birmingham |
|
|
Miniatures The Agency, London |
|
|
No Vacancies alternative venue, Frankfurt, Germany |
| Selected Collections | |
|---|---|
|
Arts Council Collection London |
|
|
Astrup Fearnley Museum of Modern Art Oslo, Norway |
|
|
Camden Arts Centre London |
|
|
Nomas Foundation Rome, Italy |
|
|
Sifang Art Museum Nanjing, Jiangsu, China |
|
|
Tate London |