Born in Ballarat, VIC, Australia, 1969 |
| Education | |
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| 1991–1992 |
Postgraduate Studies Victorian College of the Arts, Melbourne, VIC, Australia |
| 1987–1989 |
BFA Ballarat University College, Ballarat, VIC, Australia |
| Solo Exhibitions | |
|---|---|
| 2023 |
MASKEN Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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MASKEN Mackintosh Lane, London |
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| 2022 |
TarraWarra Museum of Art, Victoria, Australia |
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Modern Art London |
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| 2020 |
Art Gallery of Ballarat, Ballarat, VIC, Australia |
| 2019 |
Tapestries Anna Schwartz Gallery, Melbourne, VIC, Australia |
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Fremantle Arts Centre, Fremantle, WA, Australia |
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| 2018 |
Gertrude Contemporary, Melbourne, VIC, Australia |
| 2017 |
A Dark and Quiet Place Modern Art, London |
| 2016 |
Lead Light Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
| 2015 |
Roslyn Oxley9 Gallery Sydney, NSW, Australia |
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Rosenwald-Wolf Gallery University of the Arts, Philadelphia, PA, USA |
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Xavier Hufkens Brussels, Belgium |
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| 2014 |
Au 8 Rue Saint-Bon, Paris, France |
| 2013 |
Foxy Production New York, NY, USA |
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Collages Au 8, Rue Saint-Bon, Paris, France |
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Roslyn Oxley9 Gallery Sydney, NSW, Australia |
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| 2012 |
Modern Art London |
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Origami Xavier Hufkens, Brussels, Belgium |
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| 2011 |
St. Louis, MO, USA |
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Roslyn Oxley9 Gallery Sydney, NSW, Australia |
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| 2010 |
David Kordansky Gallery Los Angeles, CA, USA |
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SPIEL Washington Garcia (off-site), The Mitchell Library, Glasgow |
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| 2009 |
Australian Centre for Contemporary Art (ACCA) Melbourne, VIC, Australia |
| 2008 |
Baronian Francey Brussels, Belgium |
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London |
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MARKUS Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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Art : Concept Paris, France |
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| 2007 |
Palais de Tokyo Paris, France |
| 2006 |
David Kordansky Gallery Los Angeles, CA, USA |
| 2005 |
Images Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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Four New Films Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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Monash University Museum of Art, Melbourne, VIC, Australia |
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HOTEL London |
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| 2004 |
they became what they beheld Foxy Production, New York, NY, USA |
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they became what they beheld Three Walls, Chicago, IL, USA |
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Paintings Uplands Gallery, Melbourne, VIC, Australia |
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| 2003 |
Before and Now Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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Miriam Hall, (with Starlie Geikie) Clubs Projects Inc., Melbourne, VIC, Australia |
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SOWA (with Simon Trevaks) Artspace, Sydney, NSW, Australia |
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SOWA (solo and collaboration with Simon Trevaks) Foxy Production, New York, NY, USA |
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| 2002 |
Waldhaus Uplands Gallery, Melbourne, VIC, Australia |
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The Likening (with Simon Trevaks) Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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| 2001 |
The Likening (with Simon Trevaks) Studio 12, 200 Gertrude Street, Melbourne, VIC, Australia |
| 2000 |
more apt to be lost than got (with Simon Trevaks) Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
| 1998 |
Saturn Return 1st Floor, Melbourne, VIC, Australia |
| 1997 |
head on Karyn Lovegrove Gallery, Melbourne, VIC, Australia |
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head on Centre for Contemporary Art, Adelaide, SA, Australia |
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| 1995 |
Karyn Lovegrove Gallery Melbourne, VIC, Australia |
| 1993 |
POOL Karyn Lovegrove Gallery, Melbourne, VIC, Australia |
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Type 1-36 200 Gertrude Street, Melbourne, VIC, Australia |
| Selected Group Exhibitions | |
|---|---|
| 2023 |
Malediction and Prayer Modern Art, London |
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Thin Skin, curated by Jennifer Higgie Monash University Museum of Art, Melbourne, VIC, Australia |
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nightshifts Buxton Contemporary, Melbourne, VIC, Australia |
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| 2021 |
Ten Year Show Station Gallery, Melbourne, VIC, Australia |
| 2020 |
Monster Theatres: 2020 Adelaide Biennial of Australian Art Art Gallery of South Australia, Adelaide, Australia, forthcoming |
| 2019 |
Bathurst, Australia |
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Museum of Old and New Art, Hobart, Australia |
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Drawing Biennial 2019 Drawing Room, London |
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| 2018 |
MEISENFLOO, curated by Michael Bauer Norma Mangione Gallery, Turin, Italy |
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L’immagine e il suo doppio Eduardo Secci, Florence, Italy |
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Fais ce qu’il te plaît billboard project organised by l’École des Beaux-Arts, Paris, France |
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Shadowed Forms, curated by Kevin Francis Gray Andersen’s Contemporary, Copenhagen, Denmark |
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Buxton Contemporary, Southbank, VIC, Australia |
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Images en lutte. La culture visuelle de l’extreme gauche en France (1968-1974) Palais des Beaux-Arts, Paris, France |
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| 2017 |
The Trick Brain, curated by Massimiliano Gioni Aïshti Foundation, Antelias, Lebanon |
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A Dark and Quiet Place, screening presented by Caro Sposo FIAC, Paris, France |
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Call of the Avant-Garde: Constructivism and Australian Art Heide Museum of Modern Art, Melbourne, VIC, Australia |
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9 x 5 Now Margaret Lawrence Gallery, The University of Melbourne, Melbourne, VIC, Australia |
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Every Brilliant Eye: Australian Art of the 1990s National Gallery of Victoria, Melbourne, VIC, Australia |
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Selected Works from the TarraWarra Museum of Art Collection TarraWarra Museum of Art, Healesville, VIC, Australia |
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Enter Stage Left: the craft of theatre in art Lewis Glucksman Gallery, University College Cork, Cork, Ireland |
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Return to Mulholland Drive, curated by Nicolas Bourriaud La Panacée, Centre for Contemporary Culture, Montpellier, France |
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| 2016 |
Primavera at 25: MCA Collection, curated by Megan Robson Museum of Contemporary Art Australia, Sydney, NSW, Australia; travelling to Murray Art Museum Albury, Albury, NSW (2017); Gold Coast City Art Gallery, Gold Coast, QLD (2017); Artspace Mackay, Mackay, QLD (2018); Glasshouse Port Macquarie, Port Macquarie, NSW (2018); Western Plains Cultural Centre, Dubbo, NSW, Australia (2018) |
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Revolt of the Sage Blain Southern, London |
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Theories of Modern Art Modern Art, London |
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The Mask Hunter/Whitfield, London |
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| 2015 |
Museum of Contemporary Art Chicago, Chicago, IL, USA |
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Lurid Beauty: Australian Surrealism and its Echoes The Ian Potter Centre, National Gallery of Victoria, Melbourne, VIC, Australia |
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Hiding in Plain Sight: A Selection of works from the Michael Buxton Collection Bendigo Art Gallery, Bendigo, VIC, Australia |
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Grand Illusion(s), curated by Christopher Eamon Simon Preston Gallery, New York, NY, USA |
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Undercover Bourouina Gallery, Berlin, Germany |
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Frac Nord - Pas de Calais, Dunkirk, France |
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Leeds Art Gallery, Leeds; travelling to Nottingham Castle Museum & Art Gallery, Nottingham (2015); Highlanes Gallery, Drogheda, Ireland (2015-16); The Atkinson, Southport (2016); Towner Art Gallery, Eastbourne (2016-17) |
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Busts Hopkinson Mossman, Auckland, New Zealand |
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| 2014 |
Menagerie, curated by Juliana Engberg Australian Centre for Contemporary Art, Melbourne, VIC, Australia |
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PUBLISH/CURATE TJ. Boulting Gallery, London |
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BASH: An Exhibition in Two Parts, curated by Daniel Mason Woodstock Byrdcliffe Guild, Woodstock, NY, USA |
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Below another sky Inverness Museum and Art Gallery, Inverness; travelling to Glasgow Print Studio, Glasgow, Scotland (2014); Aberdeen Art Gallery, Aberdeen, Scotland (2014-15) |
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| 2013 |
Winter Show/Exposition d’Hiver Marc Jancou Contemporary, New York, NY, USA |
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Black-and-White (and a Little Bit of Blue) Marc Jancou Contemporary, New York, NY, USA |
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TRANSIT Horsham Regional Art Gallery, Horsham, VIC, Australia |
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| 2012 |
Saatchi Gallery, London |
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Theatre of the World, curated by Jean-Hubert Martin Mona – Museum of Old and New Art in collaboration with TMAG – Tasmanian Museum of Art Gallery, Hobart, TAS, Australia; travelling to La Maison Rouge, Paris, France (2013-14) |
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Museum of Contemporary Art, Sydney, NSW, Australia |
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| 2011 |
A Darkness More Than Night QUAD Gallery, Derby The Ephemeral, Arndt, Berlin, Germany |
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Colazione in Barriera 2011 | The Keno Twins 5, curated by Michael Bauer Barriera, Turin, Italy |
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Monash University Museum of Art, Melbourne, VIC, Australia |
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Transmitter/Receiver: The Persistence of Collage from the Arts Council Collection Middlesbrough Institute of Modern Art, Middlesbrough; travelling to The Lightbox, Woking (2012); The New Art Gallery Walsall, Walsall (2012); Usher Gallery, Lincoln (2012); Aberystwyth Arts Centre, Aberystwyth, Wales (2013); Tullie House, Carlisle, Cumbria (2013) |
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The Ian Potter Center, National Gallery of Victoria, Melbourne, VIC, Australia |
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The Private Life of Plants Peles Empire, London |
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Tableaux MAGASIN - Centre National d'Art Contemporain, Grenoble, France |
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Everything You Can Imagine Is Real... Xavier Hufkens, Brussels, Belgium |
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Secret Societies. To Know, To Dare, To Will, To Keep Silence Schirn Kunsthalle, Frankfurt, Germany; travelling to CAPC de Bordeaux, Bordeaux, France |
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The Renaissance Society, The University of Chicago, Chicago, IL, USA |
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| 2010 |
British Art Show 7: In the Days of the Comet Nottingham Castle Museum & Art Gallery, Nottingham; travelling to Nottingham Contemporary, Nottingham (2010-11); Hayward Gallery, London (2010); Glasgow Centre for Contemporary Art, Glasgow (2011); Plymouth Arts Centre, Plymouth (2011) |
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King Rat Projects Arts Centre, Dublin, Ireland |
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Rive Gauche/Rive Droite, organised by Marc Jancou Paris, France |
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Scene Grammar Parra & Romero in collaboration with Merce Cunningham Dance Foundation, Madrid, Spain |
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THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age 17th Biennale of Sydney, Sydney, NSW, Australia |
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Entr'acte Galerie Catherine Bastide, Brussels, Belgium |
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Keno Twins 3 Galerie Susanne Zander, Cologne, Germany |
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Before and After Science, 2010 Adelaide Biennial of Australian Art Art Gallery of South Australia, Adelaide, SA, Australia |
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THE GATHERING: Building the Arts Council Collection 1973 – 2009 Yorkshire Sculpture Park, Longside Gallery, Wakefield, West Yorkshire |
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Glasgow International 2010 Washington Garcia at Mitchell Library, Glasgow |
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The Library of Babel / In and Out of Place 176 / Zabludowicz Collection, London |
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Stripped, Tired and Raw Marianne Boesky Gallery, New York, NY, USA |
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| 2009 |
Rubell Family Collection, Miami, FL, USA; travelling to Palm Springs Art Museum, Palm Springs, CA, USA (2013); Taubman Museum of Art, Roanoke, VA, USA (2014-15) |
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The Dark Monarch: Magic and Modernity in British Art Tate St Ives, Cornwall |
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Australian Centre for Contemporary Art, Melbourne, VIC, Australia |
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Opera Rock CAPC, Musée d'Art Contemporain de Bordeaux, France |
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Roots Wentrup, Berlin, Germany |
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Solaris Gio Marconi, Milan, Italy |
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Remote Memories, curated by Zdenek Felix Kai10, Düsseldorf, Germany |
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No Sound Aspen Museum of Art, Aspen, CO, USA |
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Tate Triennial, Tate Britain, London |
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Double Hemisphere Foxy Production, New York, NY, USA |
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| 2008 |
Sphinxx, curated by Alexis Vaillant Modern Art, London |
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Persona Parc Saint-Léger / Centre d'art contemporain, Paris, France |
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Faces and Figures (Revisited) Marc Jancou Contemporary, New York, NY, USA |
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Lost & Found: An Archeology of the Present, TarraWarra Biennial 2008 TarraWarra Museum of Art, Healesville, VIC, Australia |
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Expenditure Busan Biennale, Busan, South Korea |
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Imaginary Thing Aspen Art Museum, Aspen, CO, USA |
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That beautiful pale face is my fate (For Lord Byron) Nottingham Contemporary, Newstead Abbey, Nottinghamshire |
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In Geneva No One Can Hear You Screen Blondeau Fine Art Services, Geneva, Switzerland |
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Revolving Doors: an exhibition in memory of Blair Trethowan Uplands Gallery, Melbourne, VIC, Australia |
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Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen The Bakery, Annet Gelink Gallery, Amsterdam, Netherlands |
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| 2007 |
Tokyo Redux Palais de Tokyo, Paris, France |
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Duet Lehmann Maupin Gallery, New York, NY, USA |
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The Present Order Is the Disorder of the Future De Hallen Haarlem, Haarlem, Netherlands |
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My Flashing Laundrette, Evan Holloway, David Noonan, Adam Putnam Galleria Raucci / Santamaria, Naples, Italy |
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Material Photographs, organised by Anthony Pearson Shane Campbell Gallery, Oak Park, IL, USA |
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Hotel Gallery London Galerie Guido W. Baudach, Berlin, Germany |
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| 2006 |
Tate Modern, London |
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Ulrich Museum of Art, Wichita State University, Wichita, KS, USA |
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Frank Hannon, Jacob Dahl Jürgensen and David Noonan Foxy Production, New York, NY, USA |
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| 2005 |
Slow Rushes Artspace, Auckland, New Zealand |
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The Four Color Pen Show Van Harrison Gallery, Chicago, IL, USA |
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The Difference between you and me The Ian Potter Museum of Art, Melbourne, VIC, Australia |
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If These Walls Could Talk Roslyn Oxley9 Gallery, Sydney, NSW, Australia |
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Bad Names for Good Books, curated by Matthew Brannon Kevin Bruk Gallery, Miami, FL, USA |
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| 2004 |
I feel mysterious today, curated by Dominic Molon PBICA, Palm Beach, FL, USA |
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Supernatural Artificial, curated by Natalie King Museum of Contemporary Photography, Tokyo, Japan |
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Instinct, curated by Liza Vasilou Monash University Museum of Contemporary Art, Melbourne, VIC, Australia |
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The Infinite Fill Show Foxy Production, New York, NY, USA |
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Glad Day Foxy Production, New York, NY, USA |
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| 2003 |
Blinky 2: The Screening Tate Britain, London |
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Rough Topography Vedanta Gallery, Chicago, IL, USA |
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Art + Film Centre for Contemporary Photography, Melbourne, VIC, Australia |
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Wallpaper Australian Galleries Works on Paper, Melbourne, VIC, Australia |
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| 2002 |
Museo Reina Sofía, Madrid, Spain; travelling to Govett Brewster Art Gallery, New Plymouth, New Zealand (2002); 200 Gertrude St, Melbourne, VIC, Australia (2002); Gus Fisher Gallery, University of Auckland, New Zealand (2003) |
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The Team Show Uplands Gallery, Melbourne, VIC, Australia |
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Resident Foxy Production, New York, NY, USA |
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PS1 Museum of Contemporary Art, New York, NY, USA |
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| 2001 |
Scenes, curated by Jeffrey Walkowiak Henry Urbach Architecture, New York, NY, USA |
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The Team Show: A Constructed World Uplands Gallery, Melbourne, VIC, Australia |
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Egofugal 7th Istanbul Biennale, Istanbul, Turkey |
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Egofugal, Selected Works from the 7th Istanbul Biennale Tokyo Opera City Gallery, Tokyo, Japan |
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the likening Studio 12, 200 Gertrude St, Melbourne, VIC, Australia |
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| 2000 |
Museum of Contemporary Art, Sydney, NSW, Australia |
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200 Gertrude St Studio Artists 2000 200 Gertrude St, Melbourne, VIC, Australia |
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Garson Garson Project Space, Melbourne, VIC, Australia |
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Passing Time, Moët & Chandon Commission, curated by Victoria Lynn Art Gallery of New South Wales, Sydney, NSW, Australia |
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Drive>power Progress>desire Govett Brewster Art Gallery, New Plymouth, New Zealand |
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| 1999 |
Primavera, curated by Rachel Kent Museum of Contemporary Art, Sydney, NSW, Australia |
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Blockbuster 99, curated by Ricky Swallow UKS Gallery, Oslo, Norway |
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Signs of Life, Melbourne International Biennial Melbourne, VIC, Australia |
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Exhumed II, curated by David Noonan Canberra Contemporary Art Space, Braddon, ACT, Australia |
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Nearest Habitat System, curated by Eliza Hutchison 1st floor, Melbourne, VIC, Australia |
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Witte de With, Center for Contemporary Art, Rotterdam, Netherlands |
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Where the Wild Roses Grow Transmission Gallery, Glasgow |
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Walkmen, Ricky Swallow, David Jolly & David Noonan Synasesthesia Music, Melbourne, VIC, Australia |
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| 1998 |
Habitat; morning star evening star, Melbourne-Scotland cultural exchange Centre for Contemporary Photography, Melbourne, VIC, Australia |
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Exhumed, curated by David Noonan RMIT Project Space, Melbourne, VIC, Australia |
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Moët & Chandon touring National Gallery of Australia, Canberra, ACT, Australia; National Gallery of Victoria, Melbourne, VIC, Australia; Queensland Art Gallery, Brisbane, QLD, Australia; Art Gallery of South Australia, Adelaide, SA, Australia; Art Gallery of New South Wales, Sydney, NSW, Australia; Storey Hall, RMIT University, Melbourne, VIC, Australia (1998-99) |
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Work station 1st Floor, Melbourne, VIC, Australia |
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Special issue 1st Floor, Melbourne, VIC, Australia |
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| 1997 |
World Speak Dumb, curated by Geoff Lowe & Sarah Ritson Karyn Lovegrove Gallery, Melbourne, VIC, Australia |
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Eurovision, curated by Dominic Eichler & Esther Pireni 205 Russel St, Melbourne, VIC, Australia |
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Mars Field, curated by Alex Pittendrigh 1st Floor, Melbourne, VIC, Australia |
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| 1996 |
See Through Brain Transmission Gallery, Glasgow |
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Klick, curated by Kate Daw Transmission Gallery, Glasgow, Scotland; travelling to 1st Floor, Melbourne, VIC, Australia (1997) |
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Mrs Birds House, collaboration with Jennifer Higgie Melbourne, VIC, Australia |
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Photography is dead! long live photography! Museum of Contemporary Art, Sydney, NSW, Australia |
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| 1995 |
Lindy Lee & David Noonan Level 2 Projects, Art Gallery of New South Wales, Sydney, NSW, Australia |
| 1994 |
Projection: Filming the Body Basement Project, Melbourne, VIC, Australia |
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Deception: Melinda Harper, David Noonan & Philip Watkins 200 Gertrude Street, Melbourne, VIC, Australia |
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| 1993 |
Australian Perspecta 1993 Art Gallery of New South Wales, Sydney, NSW, Australia |
| Selected Collections | |
|---|---|
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Art Gallery of Ballarat Ballarat, Australia |
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Art Gallery of New South Wales Sydney, Australia |
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Art Gallery of Ontario Toronto, Canada |
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Art Gallery of South Australia Adelaide, Australia |
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Art Gallery of Western Australia Perth, Australia |
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British Council London |
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CAA Art Museum, China Art Academy Hangzhou, Zhejiang, China |
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Center for Curatorial Studies Bard College, Annandale-on-Hudson, NY, USA |
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Dallas Museum of Art Dallas, TX, USA |
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Depart Foundation Rome, Italy |
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Galerie de l’UQAM Montréal, Canada |
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Les Abbatoirs Toulouse, France |
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Los Angeles County Museum of Art Los Angeles, CA, USA |
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MAMCO Geneva, Switzerland |
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Mona – Museum of Old and New Art Hobart, Australia |
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Monash University Museum of Art Melbourne, Australia |
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Museum of Contemporary Art Chicago, Chicago, IL, USA |
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Museum of Contemporary Art Sydney, Australia |
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The Museum of Modern Art New York, NY, USA |
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National Gallery of Australia Canberra, Australia |
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National Gallery of Canada Ottawa, Canada |
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National Gallery of Victoria Melbourne, Australia |
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RISD Museum, Rhode Island School of Design Providence, RI, USA |
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Saatchi Gallery London |
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TarraWarra Museum of Art Healesville, Australia |
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University of Ballarat Art Collection Ballarat, Australia |
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Whitney Museum of American Art New York, NY, USA |
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Zabludowicz Collection London |