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Art Basel Miami Beach
Modern Art
Art Basel Miami Beach
Modern Art
Modern Art
Art Basel Miami Beach
4–8 December 2024
Mark Manders was born in 1968 in Volkel, Belgium, and he currently lives and works in Ronse, Belgium. His work has been the subject of recent solo exhibitions at Fondazione Re Rebaudengo, Turin (2024); Museum of Contemporary Art, Tokyo (2021); 21st Century Museum of Contemporary Art Kanazawa (with Michaël Borremans), (2020); Bonnefanten, Maastricht (2020); at Centro Galego de Arte Contemporanea, Santiago de Compostela (2014); Collezione Maramotti, Reggio Emilia (2014); De Vleeshal, Middelburg (2014); Carré d’Art – Musée d’art contemporain, Nîmes (2012); IMMA, Dublin (2005); The Art Institute, Chicago (2003); Renaissance Society, Chicago (2003); Pinakothek der Moderne, Munich (2003); amongst others. His solo show ‘Parallel Occurences / Documented Assignments’ travelled from the Hammer Museum in Los Angeles (2010) to Aspen Art Museum, Aspen (2011); Walker Art Center, Minneapolis (2011); and Dallas Museum of Art (2012). ‘The Absence of Mark Manders’ toured from Kunstverein Hannover (2007) to Kunsthall Bergen (2008); S.M.A.K. in Ghent (2008) and Kunsthaus Zürich (2009). In 2025, Manders will have a major exhibition at Museum Voorlinden, Wassenaar, Netherlands.
Justin Caguiat (b. 1989, Tokyo) lives and works in California and New York. He has been involved in organising artist-run spaces and collectives and has participated in readings and performances including in 2017 at the Kunsthalle Zürich, Switzerland. Recent solo exhibitions include Wesleyan Center for the Arts, Middletown (2024); Modern Art, London (2023); Greene Naftali, New York (2022); The Warehouse, Dallas (2022); Taka Ishii Gallery, Tokyo (2021); Modern Art, London (2020); and 15 Orient, New York (2018). His work is in the collections of the Dallas Museum of Art; the Hammer Museum, Los Angeles; Los Angeles Museum of Contemporary Art; Hessel Museum of Art, Annandale-On-Hudson, New York; San Francisco Museum of Modern Art; and Museum of Contemporary Art, Chicago, among others.
Francesca Mollett was born in 1991 and lives and works in London. Mollett's solo exhibitions include: GRIMM, New York (2024); Pond Society, Shanghai; Micki Meng, San Francisco (both 2023); Taymour Grahne Projects, London; Baert Gallery, Los Angeles (both 2022). Selected group exhibitions include: K11 Musea, Hong Kong; Center for International Contemporary Art, Vancouver (both 2023). Mollett’s work can be found in the collections of: K11 Art Foundation, Hong Kong; Kunstmuseum, The Hague, Netherlands; Pond Society, Shanghai, China; The University of Oxford, and St Hilda’s College Art Collection, Oxford. In 2025, Francesca Mollett will present a solo exhibition at The Warehouse, Dallas.
Frida Orupabo was born in 1986 in Sarpsborg and lives and works in Oslo. Selected solo exhibitions include Modern Art, London (2023); Nicola Vassell Gallery, New York, NY, USA (2022); Fotomuseum Winterthur, Switzerland (2022); Kunsthall Trondheim, Norway (2021); Stevenson, Johannesurg, South Africa (2020); Kunstnernes Hus, Oslo; Portikus, Frankfurt am Main, Germany (2019); and Galerie Nordenhake, Berlin, Germany (2019). Selected group exhibitions include Goldsmiths CCA, London (2023); The Photographers’ Gallery, London (2023); Modern Art, London (2022); Kiasma Finnish National Gallery, Oslo, Norway (2022); Hasselblad Foundation, Gothenburg, Sweden (2021); Huis Marseille, Amsterdam, the Netherlands (2020); Moderna Museet, Stockholm, Sweden (2019), Serpentine Gallery, London (2017). She has participated in the Munch Triennial, Munchmuseet, Oslo, Norway (2022); 34th Bienal de São Paulo, Fundação Bienal, São Paulo, Brazil (2021); and the 58th International Art Exhibition, Biennale Arte, Venice, Italy (2019). In 2025, a major solo exhibition of her work will open at Astrup Fearnley Museet, Olso, Norway, following her 2024 presentation at Bonniers Konsthall, Stockholm, Sweden.
Walter Price was born in Macon, Georgia and lives and works in New York. A solo exhibition of his work opened at the Walker Art Center, Minneapolis, in August 2024. Other recent solo exhibitions include: Modern Art, London (2024); Greene Naftali, New York (2022; 2020); Camden Art Centre, London (2021); Aspen Art Museum (2019); MoMA PS1, New York (2018); and Kölnischer Kunstverein, Cologne (2018). His work was included in the 2019 Whitney Biennial, and is in the permanent collections of the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; Tate, London; Centre Pompidou, Paris; the Studio Museum in Harlem, New York; Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Walker Art Center, Minneapolis; High Museum of Art, Atlanta; Astrup Fearnley Museet, Oslo; Fondation Louis Vuitton, Paris; Fondazione Sandretto Re Rebaudengo, Turin; Hessel Museum of Art, Annandale-on-Hudson, New York; Aïshti Foundation, Lebanon; and Rollins Museum of Art, Orlando, among others.
Joseph Yaeger was born in 1986 in Helena, Montana, and lives and works in London. He received his BFA from Rhode Island School of Design (2008) and completed his MFA at the Royal College of Art, London (2019). Selected solo exhibitions include: The Perimeter, London (2023); Antenna Space, Shanghai (2022); Project Native Informant, London (2021); V.O. Curations, London (2020). Selected group shows include: Modern Art, London (2024); Hauser & Wirth Somerset, Bruton (2024); Lisson Gallery, London (2024); k11, Shanghai (2023); Hannah Hoffman Gallery, Los Angeles (2022); David Lewis, New York (2022); The Perimeter, London (2022); and Mamoth, London (2020).
Eva Rothschild was born in Dublin, Ireland, in 1971. She lives and works in London. She received her BFA in 1993 from the University of Ulster, Belfast, and her MFA in 1999 from Goldsmiths College, London. Rothschild has mounted solo exhibitions at Modern Art, London (2024, 2022); the Australian Centre for Contemporary Art, Melbourne (2018); the Nasher Sculpture Centre, Dallas (2012); the Whitechapel Gallery, London (2012); Kunstverein Hannover, Hanover (2011); Public Art Fund, New York (2011); and Kunsthalle Zürich (2004). In 2009, she became the sixth artist to be awarded the prestigious Duveens Commission at Tate Britain, London. Her 2011 solo Hot Touch was the inaugural exhibition at The Hepworth Wakefield. In 2019, she represented Ireland at the 58th Venice Biennale. Rothschild’s works are held in public collections including the Arts Council Collection, London; the Columbus Museum of Art; the Dallas Museum of Art; MoMA, New York; Museum Voorlinden, Wassenaar; Tate, London; and the Walker Art Center, Minneapolis. In 2026 Rothschild will be the subject of a solo exhibition at Fruitmarket, Edinburgh.
Sanya Kantarovsky was born in Moscow in 1982 and emigrated to New York City when he was ten years old, where he continues to live and work. His work has been the subject of recent solo exhibitions at Modern Art, Paris (2024); Aspen Art Museum (2022); Modern Art, London (2021); Kunsthalle Basel (2018); and Fondazione Sandretto Re Rebaudengo, Turin (2017). He has participated in recent group exhibitions at Museum de Fundatie, Zwolle (2022); the FLAG Art Foundation, New York (2021); the Drawing Center, New York (2020); the Whitechapel Gallery, London (2020); Badischer Kunstverein, Karlsruhe (2019); and ICA Boston (2018). His works are held in collections including the Art Gallery of New South Wales, Sydney; the Buffalo AKG Art Museum, Bualo; the Courtauld Gallery, London; the Hammer Museum, Los Angeles; the Hirshhorn, Washington, D.C.; LACMA, Los Angeles; Museum of Contemporary Art, Chicago; Tate, London; and the Whitney Museum of American Art, New York.
Michael E. Smith was born in 1977 in Detroit, Michigan, and lives and works in Providence, Rhode Island. He received his BFA from the College for Creative Studies, Detroit (2006), and completed his MFA at Yale School of Art (2008). His work has been the subject of institutional solo exhibitions at the Kunst Museum Winterthur (2024); Henry Moore Institute, Leeds (2023); the Pinakothek der Moderne, Munich (2021); Secession, Vienna (2020); Kunsthalle Basel (2018); MoMA PS1, New York (2017); S.M.A.K., Ghent (2017); and Kunstverein Hannover, Hanover (2015) Most recently he showed at Modern Art, London (2023). Smith has participated in international group exhibitions including the Whitney Biennial (2022 and 2012); the 58th Venice Biennale (2019); and the 13th Baltic Triennial (2018). He has shown in recent group exhibitions at Nottingham Contemporary, Nottingham (2022); Fondation Carmignac, Hyères (2021); The Power Station, Dallas (2019); and Kunsthaus Zürich (2018). Smith’s sculptures are held in collections including the Columbus Museum of Art; Ludwig Forum für internationale Kunst, Aachen; MCA Chicago; Mudam, Luxembourg City; and the Whitney Museum of American Art, New York.
Richard Aldrich was born in 1975 in Hampton, VA, and lives and works in New York City. His work has been the subject of solo exhibitions at Modern Art, London (2024); Fondazione Giuliani, Rome (2022); Modern Art, London (2021); Museum Dhondt- Dhaenens, Deurle (2016); SFMOMA, San Francisco (2011); and the Contemporary Art Museum St. Louis (2011). He has participated in recent group exhibitions at the Museum of Contemporary Art Busan (2022); the National Museum of Art, Osaka (2019); Aïshti Foundation, Beirut (2018); and the Wexner Center for the Arts, Columbus (2018). Aldrich’s works are held in collections including MoMA, New York; the Smithsonian American Art Museum, Washington, D.C.; SFMOMA, San Francisco; the Whitworth Art Gallery, University of Manchester, UK; and the Whitney Museum of American Art, New York.
Richard Tuttle was born in 1941 in Rahway, New Jersey. He lives and works in New York and Abiquiú, New Mexico. His expansive practice has been the subject of recent solo exhibitions at Modern Art, London (2023, 2020); Bard Graduate Center, New York (2022); M WOODS, Beijing (2019); The Phillips Collection, Washington, D.C. (2018); Mu.ZEE, Ostend (2017); The Metropolitan Museum of Art, New York (2016); and Kunstmuseum Winterthur (2016). Tuttle’s work is held in collections including Centre Pompidou, Paris; Louisiana Museum of Modern Art, Humlebæk; Museum Ludwig, Cologne; MoMA, New York; the Stedelijk Museum, Amsterdam; Des Moines Art Center, Iowa; Serralves Museum, Porto; Kunstmuseum Winterthur, Winterthur; Moderna Museet, Stockholm; Museum of Modern Art, New York; Museum Brandhorst, Munich; Ludwig Museum, Cologne; SMAK, Ghent; Whitney Museum of American Art; Tate Gallery, London; and the Walker Art Center, Minneapolis. In 2024, Tuttle was awarded the prestigious Smithsonian Archives of American Art Medal to celebrate his contribution to art in the United States.
Ricky Swallow was born in 1974 in San Remo, Australia, and lives and works in Los Angeles. In 2005, he represented Australia at the 51st Venice Biennale with the exhibition This Time Another Year. Solo and two-person exhibitions include Modern Art, London (2022); The Huntington Library, San Marino (2012); the National Gallery of Victoria, Melbourne (2009); The Douglas Hyde Gallery, Dublin (2007); and MoMA PS1, Brooklyn (2006). Swallow has also participated in recent group exhibitions at the National Gallery of Australia, Canberra (2018); the National Gallery of Victoria, Melbourne (2017); the Hammer Museum, Los Angeles (2014); and the Whitney Museum of American Art, New York (2014). His works are held in collections including the British Museum, London; LACMA, Los Angeles; MoMA, New York; and the Yokohama Museum of Art. He has contributed writing to catalogues for Christina Ramberg: A Retrospective at The Art Institute of Chicago (Spring 2024); Magdalena Suarez Frimkess: The Finest Disregard at LACMA (Fall 2024); Brilliant Earth: The Ceramic Sculpture of Tony Marsh at Long Beach Museum of Art (2022); and Woody De Othello (KARMA/Jessica Silverman, New York, 2021). Additionally, he curated exhibitions on the work of Doyle Lane at David Kordansky Gallery, Los Angeles (2020) and New York (2023) Co-editing and contributing a text for the accompanying catalogue (2023).
Susan Cianciolo was born in 1969 in Providence, Rhode Island, and lives and works in New York. Between 1995 and 2001, she created eleven ‘runs’ of handmade, unique garments under her label RUN, which at one time was alternatively incarnated as a popup restaurant. Her presentations blended fashion with music, film, performance, and food. Cianciolo has held academic appointments at Städelschule, Parsons School of Design, Yale School of Art and NYU Steinhardt. Since 2013, she has been Assistant Professor of Fashion Design at Pratt Institute. Her work has been the subject of recent solo exhibitions at Modern Art, London (2024); Community Centre, Pantin (2022); the Lumber Room, Portland (2021); South London Gallery (2019); Yale Union, Portland (2016); and 365 S. Mission Road, Los Angeles (2016). Her participation in the 2017 Whitney Biennial saw the reprisal of RUN Restaurant as Run Restaurant Untitled, a three-day installation and gastronomic event.
