Born in Hampton, VA, USA, 1975 |
Education | |
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1998 |
BFA Ohio State University, Columbus, OH, USA |
Solo Exhibitions | |
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2023 |
Strange Strings: The Rhizome as it is Employed in Mapping the Psyche dépendance, Brussels, Belgium |
2022 |
Shadowrun Gladstone Gallery, New York, NY, USA |
Misako & Rosen Tokyo, Japan |
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An Exploration of How Time Only Exists in Half Steps Fondazione Giuliani, Rome, Italy |
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2021 |
Modern Art London |
2020 |
Gladstone Gallery Brussels, Belgium |
2019 |
Modern Art London |
Misako & Rosen Tokyo, Japan |
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2018 |
Enter the Mirror Bortolami Gallery, New York, NY, USA |
2017 |
Adrian Rosenfeld Gallery San Francisco, CA, USA |
Fun House dépendance, Brussels, Belgium |
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2016 |
Museum Dhondt-Dhaenens, Deurle, Belgium |
Eight Paintings Misako & Rosen, Tokyo, Japan |
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Time Stopped, Time Started Gladstone Gallery, New York, NY, USA |
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2015 |
Ten Years of Richard Aldrich from the Collection of Bob Nickas White Columns, New York, NY, USA |
2014 |
dépendance Brussels, Belgium |
Gladstone Gallery Brussels, Belgium |
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2013 |
Twins Misako & Rosen, Tokyo, Japan |
The Words of Tuck Tuck Tuck Karma, New York, NY, USA |
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Forget Your Dreams, All You Need is Love / A Day in the Life Bortolami Gallery, New York, NY, USA |
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2012 |
Half of What I Say dépendance, Brussels, Belgium |
2011 |
San Francisco Museum of Modern Art, San Francsico, CA, USA |
Once I Was… Bortolami Gallery, New York, NY, USA |
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Museo Corvi-Mora, London |
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Richard Aldrich and the 19th Century French Painting Contemporary Art Museum St. Louis, St. Louis, MO, USA |
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2010 |
Slide Paintings Marc Foxx, Los Angeles, CA, USA |
Misako & Rosen Tokyo, Japan |
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2009 |
dépendance Brussels, Belgium |
Art Statements Art Basel, Basel, Switzerland |
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Bortolami Gallery New York, NY, USA |
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2008 |
Narrative with 5 Characters Corvi-Mora, London |
2007 |
Marc Foxx Los Angeles, CA, USA |
Paintings Roger Björkholmen Gallery, Stockholm, Sweden |
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2006 |
Corvi-Mora London |
2004 |
Olivier Kamm/5BE Gallery New York, NY, USA |
Selected Group Exhibitions | |
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2023 |
South Willard, curated by Matt Connors and Matt Paweski Gordon Robichaux, New York, NY, USA |
Artists Choose Parrish, Part III Parrish Art Museum, Water Mill, NY, USA |
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Modern Art Paris, France |
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To Bend the Ear of the Outer World, curated by Gary Garrels Gagosian, London |
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Beautiful, Vivid, Self-Contained, curated by David Salle Hill Art Foundation, New York, NY, USA |
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Artists for Artists Space Artists Space, New York, NY, USA |
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Fusion in Serendipity YANG ARTS, Taipei, Taiwan |
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2022 |
Friends in a Field. Conversations with Raoul De Keyser, curated by Hanneke Skerath and Doug Fogle Mu.ZEE, Ostend, Belgium |
Di Semplicità e di brivido P420, Bologna, Italy |
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Entre Centre et Absence Loong Mah, New York, NY, USA |
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An Exhibition with Little Information Museum of Contemporary Art Busan, Busan, South Korea |
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My Pick Cadan Yurakucho, Tokyo, Japan |
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2021 |
Group Show Modern Art, London |
"Abstraction!" Cadan Yurakucho, Tokyo, Japan |
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New Visions: After De Keyser David Zwirner, OVR, Hong Kong |
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Approaches to Painting - Reprise Root K Contemporary, Tokyo, Japan |
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2020 |
J U N E dépendance, Brussels, Belgium |
2019 |
Abstraction: Aspects of Contemporary Art National Museum of Art, Osaka, Japan |
Richard Aldrich, William Carlos Williams, No Moss Parapet Real Humans, St. Louis, MO, USA |
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Another Music In a Different Kitchen: Studio Recordings & Records by Artists Karma Bookstore, New York, NY, USA |
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United Brothers Fukushima Android Series Franchise Green Tea Gallery, Paris, France |
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2018 |
Trance, curated by Albert Oehlen Aïshti Foundation, Antelias, Lebanon |
The Fragrance of Images: Works from colección olorVISUAL, Barcelona Kunst- und Kulturstiftung Opelvillen Rüsselsheim, Rüsselsheim am Main, Germany |
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Use Your Illusion Herald St, London |
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Defacement, curated by Amanda Schmitt The Club, Tokyo, Japan |
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Wexner Center for the Arts, Columbus, OH, USA |
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The Myriad Forms of Visual Arts: 196 Works with 19 Themes The National Museum of Art, Osaka, Japan |
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Doyers New York, NY, USA |
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Let’s See Action, curated by Misako & Rosen Pollock Gallery, Southern Methodist University, Dallas, TX, USA |
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2017 |
Social Surfaces Artists Space, New York, NY, USA |
Children’s Games, curated by Vincenzo de Bellis Fondazione Antonio Dalle Nogare, Bolzano, Italy |
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Get Outta That Spaceship and Fight Like a Man Franklin Parrasch Gallery, New York, NY, USA |
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The Collectors Home Avlskarl, Copenhagen, Denmark |
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2021 Sydney, Sydney, Australia |
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University of Disasters Bortolami Gallery, New York, NY, USA |
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Thinking Out Loud: Notes for an Evolving Collection The Rachofsky Collection at The Warehouse, Dallas, TX, USA |
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Condo 2017 dépendance at Maureen Paley, London |
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2016 |
Art is Not a Competition, (Kaiga no tabi’06-’16) Redling Fine Art, Los Angeles, CA, USA |
Painters’ Painters Saatchi Gallery, London |
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Nice Weather Skarstedt, New York, NY, USA |
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The Lasting Concept, curated by Rob Halverson Portland Institute for Contemporary Art, Portland, OR, USA |
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Galerie Natalie Seroussi at dépendence dépendence, Brussels, Belgium |
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2015 |
Teoría del Duende Centro Federico García Lorca, Granada, Spain |
Works on Paper Greene Naftali Gallery, New York, NY, USA |
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The Radiants, curated by Jacob King and UNITED BROTHERS Bortolami Gallery, New York, NY, USA |
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New Acquisitions The Whitworth, The University of Manchester, Manchester |
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2014 |
The Forever Now: Contemporary Painting in an Atemporal World Museum of Modern Art, New York, NY, USA |
Hypothesis for an Exhibition Dominique Lévy, New York, NY, USA |
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Biennale of Painting: The Touch of the Painter Museum Dhondt-Dhaenens, Deurle, Belgium |
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Abstract Possibilities 2 Bjorkholmen Gallery, Stockholm, Sweden |
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The Hawker Carlos/Ishikawa, London |
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Stars + Stripes: American Art of the 21st Century from the Goldberg Collection Bathurst Regional Art Gallery, Bathurst, NSW, travelling to: Grafton Regional Art Gallery, Grafton, NSW (2015); Manly Art Gallery and Museum, Sydney, NSW (2015); Cowra Regional Art Gallery, Cowra, NSW (2015); Manning Regional Art Gallery, Taree, NSW (2015-16); Western Plains Cultural Centre, Dubbo, NSW (2016); Wagga Wagga Art Gallery, Wagga Wagga, NSW (2016); Latrobe Regional Art Gallery, Morwell, VIC (2016); Ipswich Art Gallery, Ipswich, QLD, Australia (2016) |
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Contemporary Arts Museum Houston, Houston, TX, USA |
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2013 |
My Crippled Friend Columbus College of Art and Design, Columbus, OH, USA |
Why Not Live For Art? II Tokyo City Opera, Tokyo, Japan |
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Roving Signs Matthew Marks Gallery, New York, NY, USA |
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10 Years Wallspace, New York, NY, USA |
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Inevitable Figuration Pecci Center for Contemporary Art, Prato, Italy |
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LAT. 41° 7' N., LONG. 72° 19' W Martos Gallery, East Marion, NY, USA |
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2012 |
Out Of The Blue Bortolami Gallery, New York, NY, USA |
Twenty Years After Björkholmen Gallery, Stockholm, Sweden |
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September Misako & Rosen, Tokyo, Japan |
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If There Would Be a Face, This Would Be a Cat dépendance, Brussels, Belgium |
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Institute of Contemporary Arts, London |
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How Do It Know Essex Street, New York, NY, USA |
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Contemporary Painting, 1960 to the Present: Selections from the SFMoMA Collection San Francisco Museum of Modern Art, San Francisco, CA, USA |
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Risk + Reward Foster Gallery at University of Wisconsin-Eau Claire, Eau Claire, WI, USA |
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2011 |
The 2011 Bridgehampton Biennial Martos Gallery, Bridgehampton, NY, USA |
Straw Hannah Barry Gallery, London |
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Catalogue of the Exhibition Triple V Gallery, Paris, France |
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Sculpture Center, New York, NY, USA |
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With One Color Van de Weghe Fine Art, New York, NY, USA |
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Provisional Painting, curated by Raphael Rubinstein Modern Art, London |
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Five Easy Pieces Galleria Franco Noero, Turin, Italy |
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Creating the New Century: Contemporary Art From the Dicke Collection Dayton Art Institute, Dayton, OH, USA |
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Rational Abstraction Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain |
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2010 |
Painting Extravaganza Cardi Black Box, Milan, Italy |
Re-Dressing Bortolami Gallery, New York, NY, USA |
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New Work From New York Golden Gallery, Chicago, IL, USA |
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Gradation Portugal Arte 10, Lisbon, Portugal |
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Next Generation, curated by Konrad Bitterli Kunstmuseum St.Gallen, St. Gallen, Switzerland |
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Le Tableau Cheim & Read, New York, NY, USA |
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Exhibition #3 The Emily Harvey Foundation, New York, NY, USA |
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Feint Art Kunstverein Freiburg, Freiburg, Germany |
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Whitney Museum of American Art, New York, NY, USA |
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Off The Wall Gustavsbergs Konsthall, Gustavsberg, Sweden |
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2009 |
Doors Galeria Marta Cervera, Madrid, Spain |
Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture The Kitchen, New York, NY, USA |
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Cave Painting Installment #1 Gresham's Ghost, New York, NY, USA |
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Richard Aldrich, Zak Prekop, Lesley Vance Roger Björkholmen Gallery, Stockholm, Sweden |
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My Summer Show Galerie Lelong, New York, NY, USA |
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Abstractionists Unite! Who Give You Just Enough To Last a Lifetime The Glendale College of Art Gallery, Glendale, CA, USA |
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Cave Painting PSM Gallery, Berlin, Germany |
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Collection of... White Columns, New York, NY, USA |
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Strip/Stripe The Emily Harvey Foundation, New York, NY, USA |
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House Call Three's Company, New York, NY, USA |
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2008 |
Sphinxx, curated by Alexis Vaillant Modern Art, London |
Catawampus (for H.D.) Midway Contemporary Art Center, Minneapolis, MN, USA |
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Here's Why Patterns, Here's Why Patterns Misako & Rosen, Tokyo, Japan |
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Bob Nickas – Recent Acquisitions, Gifts and Works from Various Exhibitions 1985-2007 White Columns, New York, NY, USA |
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Black Noise Centre National Edition Art Image, Chatou, France |
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2007 |
Black Noise MAMCO, Geneva, Switzerland |
Catawampus (for H.D.) Shane Campbell Gallery, Chicago, IL, USA |
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People Take Pictures of Each Other LaMontagne Gallery, Boston, MA, USA |
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Laying Bricks Wallspace, New York, NY, USA |
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Palais De Tokyo, Paris, France |
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Abstract Paintings and a Sculpture Fireplace Project, East Hampton, NY, USA |
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Richard Aldrich & Meredyth Sparks Elizabeth Dee, New York, NY, USA |
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Beneath the Underdog Gagosian Gallery, New York, NY, USA |
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Painting as Fact, Fact as Fiction, curated by Bob Nickas de Pury & Luxembourg, Zurich, Switzerland |
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M R A I T C T H A A N M D Y The Mandrake, Los Angeles, CA, USA |
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The Back Room Celda Contemporánea, Mexico City, Mexico |
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2006 |
Bunch Alliance and Dissolve Contemporary Arts Center, Cincinnati, OH, USA |
P.S.1 Contemporary Art Center, Long Island City, NY, USA |
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Flesh Records Haswellediger, New York, NY, USA |
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An Ongoing Low-Grade Mystery Paula Cooper Gallery, New York NY, USA |
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Endless Summer West London Projects, London |
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Audio Cabinet des Estampes, Geneva, Switzerland |
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Surfing the Surface Galleria Paolo Bonzano, Rome, Italy |
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Supports Roger Björkholmen Gallery, Stockholm, Sweden |
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Marc Foxx Los Angeles, CA, USA |
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2005 |
Richard Aldrich + Paul-Aymar Mourgue d’Algue Galleria Paolo Bonzano, Rome, Italy |
Marc Foxx Los Angeles, CA, USA |
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Lesser New York Fia Backstrom Production, Brooklyn, NY, USA |
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P.S.1 Contemporary Art Center, Long Island City, NY, USA |
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KA/VH:RA/AG Oliver Kamm/5BE Gallery, New York, NY, USA |
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Marc Foxx Los Angeles, CA, USA |
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2003 |
The Club in the Shadow Kenny Schachter Gallery, New York, NY, USA |
Selected Performances | |
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2013 |
An American Tuk Tuk in Paris Green Tea Gallery, Paris, France |
2012 |
A Ridding Regina Rex, Brooklyn, NY, USA |
2011 |
Mandolin Bortolami Gallery, New York, NY, USA |
Selected Collections | |
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Aïshti Foundation Antelias, Lebanon |
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Il Giardino dei Lauri San Litardo, Città della Pieve, Italy |
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Museum Dhondt-Dhaenens Deurle, Belgium |
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The Museum of Modern Art New York, NY, USA |
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National Museum of Art Osaka, Japan |
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The Rachofsky Collection Dallas, TX, USA |
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San Francisco Museum of Modern Art San Francisco, CA, USA |
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Smithsonian American Art Museum Washington, D.C., USA |
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Whitney Museum of American Art New York, NY, USA |
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The Whitworth Art Gallery, University of Manchester Manchester |