Born in Newark, NJ, USA, 1955 |
| Education | |
|---|---|
| 1983–1985 |
Mabou Mines Re.Cher.Chez. Theater Intensive, New York, NY, USA |
| 1979–1981 |
M.F.A. Mason Gross School, Rutgers University, New Brunswick, NJ, USA |
| 1975–1978 |
Whitney Museum Independent Studio Program New York, NY, USA |
| 1975–1978 |
B.A. Montclair State College, Montclair, NJ, USA |
| 1973–1975 |
Pratt Institute New York, NY, USA |
| Selected Solo Exhibitions | |
|---|---|
| 2023 |
South London Gallery, London |
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Farnsworth Art Museum, Rockland, ME, USA |
|
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de Appel Amsterdam, Amsterdam, The Netherlands |
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| 2022 |
Schinkel Pavillon, Berlin, Germany |
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The Ritual Is For All of us Vielmetter Los Angeles, Los Angeles, CA, USA |
|
| 2021 |
Notations, Holes, and Humour Modern Art, London |
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Portikus Frankfurt, Frankfurt am Main, Frankfurt, Germany |
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Neubauer Collegium, The University of Chicago, Chicago, IL, USA |
|
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Four Panels Mitchell-Innes & Nash, New York, NY, USA |
|
| 2019 |
Museum of Modern Art, New York, NY, USA |
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Instigation, Aspiration, Perspiration Whitney Museum of American Art, Public Art Fund, New York, NY, USA |
|
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Public Art Fund, New York, NY, USA |
|
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Whitney Museum of American Art, New York, NY, USA |
|
| 2018 |
One thing after another (part two) Mitchell-Innes & Nash, New York, NY, USA |
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One thing after another La Panacée, Montpellier, France, USA |
|
| 2017 |
Brown People Are the Wrens in the Parking Lot Logan Center Gallery, University of Chicago, Chicago, IL, USA |
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What Pipeline, Detroit, MI, USA |
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Proto-Skin Set Mitchell-Innes & Nash, New York, NY, USA |
|
| 2015 |
Forest Susanne Vielmetter, Los Angeles, CA, USA |
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Desert Steve Turner, Los Angeles, CA, USA |
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The Geffen Contemporary, Museum of Contemporary Art, Los Angeles, CA, USA |
|
| 2014 |
Gold People Shit In Their Valet Galerie Catherine Bastide, Brussels, Belgium |
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Claim Littman Gallery, Portland State University, Portland, OR, USA |
|
| 2013 |
Cage Unrequited Soto Vélez Cultural and Educational Center Performa, New York, NY, USA |
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Colored Waiting Room Mitchell-Innes & Nash, New York, NY, USA |
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Forlesen The Renaissance Society, University of Chicago, IL, USA |
|
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A Long White Cloud Te Tuhi, Auckland, New Zealand |
|
| 2012 |
Reenactor Williams Center Gallery at Lafayette College, Easton, PA; traveled to Hodgepodge Building on Strawberry Alley, Austin Peay State University, Clarksville, TN, USA |
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Three Projects Galerie Catherine Bastide, Brussels, Belgium |
|
| 2011 |
Child Eastside Projects, Birmingham |
| 2010 |
landscape + object + animal Mitchell-Innes & Nash, New York, NY, USA |
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color isn’t matter Samson Projects, Boston, MA, USA |
|
| 2009 |
The Black Factory Art Projects Art Basel Miami Beach, Miami, FL, USA |
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Corbu Pops Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, USA |
|
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William Pope.L Kenny Schachter ROVE, London |
|
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Yard (to harrow) Hauser & Wirth, New York, NY, USA |
|
| 2008 |
October Projects Mitchell-Innes & Nash, New York, NY, USA |
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Animal Nationalism: Small Cup, Animal Nationalism: Trinket |
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Biting Through Innocence Galerie Catherine Bastide, Brussels, Belgium |
|
| 2007 |
Drawing, Dreaming, Drowning The Art Institute of Chicago, IL, USA |
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Art After White People: time, trees, & celluloid… Santa Monica Museum of Art, Santa Monica, CA, USA |
|
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William Pope.L: snow, spraypaint, hair, sperm & baloney Kenny Schachter ROVE, London |
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William Pope.L: The Black Factory and Other Good Works Yerba Buena Center for the Arts, San Francisco, CA, USA |
|
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The Void Show MC Kunst, Los Angeles, CA, USA |
|
| 2006 |
Condoleezza Rice Day Galleria Civica, Trento, Italy |
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Trophy Room Kunsthalle Wien, Vienna, Austria |
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Under All, Above Most University of Cincinnati, Cincinnati, OH, USA |
|
| 2005 |
some things you can do with blackness…. Kenny Schachter ROVE, London |
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Props & Propositions Cleveland Institute of Art, Cleveland, OH, USA |
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| 2004 |
Five Ways to Say the Same Sadness University Art Museum, University at Albany, NY, USA |
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eRacism: electronica Contemporary Art Museum St Louis, St. Louis, MO, USA |
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reFunkt: prints & dvds The Project, New York, NY, USA |
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eRacism Rutgers University, New Brunswick, NJ, USA travelling to: Artists Space, New York, NY, USA; DiverseWorks, Houston, TX, USA (2003); Portland Institute of Contemporary Art, Portland, OR, USA (2003); ICA at Maine College of Art, Portland, ME, USA (2002) |
|
| 2003 |
Foddah Drew University, Madison, NJ, USA |
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Some: Of Place and Desire ArtHouse, Austin, TX, USA |
|
| 2002 |
What’s Inside a Boy The Project, Los Angeles, CA, USA |
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Incontinent Wood Street Gallery, Three Rivers Arts Festival, Pittsburgh, PA, USA |
|
| 2001 |
Hole Theory The Project, New York, NY, USA |
| 2000 |
eRacism: White Room ThreadWaxing Space, New York, NY, USA |
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The Hole Inside The Space Inside Yves Klein’s Asshole Concordia University, Montreal, Canada |
|
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Eating The Wall Street Journal And Other Current Consumptions Mobius, Boston, MA, USA |
|
| 1998 |
Recent Work The Project, New York, NY |
| 1996 |
Buddy Performance Objects, with Jim Calder Touchstone Theater, Bethlehem, PA, USA |
| 1993 |
William Pope.L Horodner Romley Gallery, New York, NY, USA |
| 1992 |
William Pope.L Drew University, Madison, NJ, USA |
| 1991 |
How Much is that Nigger in the Window, 30 performances, writings and installations Franklin Furnace, New York, NY, USA |
| Selected Group Exhibitions | |
|---|---|
| 2023 |
Irradiation What Pipeline, Detroit, MI, USA |
|
Modern Art Paris, France |
|
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This Machine Creates Opacities Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, US |
|
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Chopped and Screwed, curated by Courtney Willis Blair White Cube, New York, NY, USA |
|
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Perpetual Portrait Vielmetter Los Angeles, Los Angeles, CA, USA |
|
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Works on Paper: 100 Years Amanita Gallery, New York, NY, USA |
|
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True Love sometimes requires a little lying Cooper Brovenick, New York, NY, USA |
|
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Someone is getting rich Tropen Museum, Amsterdam, Netherlands |
|
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Artists for Artists Space Artists Space, New York, NY, USA |
|
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From Andy Warhol to Kara Walker. Scenes from the Collection Museum Brandhorst, Munich, Germany |
|
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with Wardrobe: Curatorial AIRspace Resident Exhibition 2022-23 Abrons Art Center, New York, NY, USA |
|
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Gordon Matta-Clark & Pope.L: Impossible Failures 52 Walker, New York, NY, USA |
|
| 2022 |
Modern Art, London |
| 2021 |
The Paradox of Stillness: Art, Object, and Performance Walker Art Center, Minneapolis, MN, USA |
|
Climate Changing: On Artists Institutions, and the Social Environment Wexner Center for the Arts, Columbus, OH, USA |
|
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K as in knight Helena Anrather, New York, NY, USA |
|
| 2020 |
Stayin’ Alive ANOTHER SPACE, New York, NY, USA |
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Drawing 2020 Gladstone Gallery, New York, NY, USA |
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Rituals of Regard and Recollection Law Warschaw Gallery, Macalester College, Saint Paul, MN, USA |
|
| 2019 |
No thing: Pope.L, Adam Pendleton Galerie Eva Presenhuber, Zurich, Switzerland |
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Water After Fall Museum of Contemporary Art Chicago, Chicago, IL, USA |
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Direct Message: Art, Language, and Power Museum of Contemporary Art Chicago, Chicago, IL, USA |
|
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Great Force Institute for Contemporary Art, Virginia Commonwealth University, Richmond, VA, USA |
|
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Counter-Landscapes: Performative Actions from the 1970s - Now Scottsdale Museum of Contemporary Art, Scottsdale, AZ, USA |
|
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Small Talk Crystal Bridges Museum of American Art, Bentonville, AR, USA |
|
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Elements of Vogue (A case of radical performance) Museo Universitario del Chopo, Mexico City, Mexico |
|
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Embodiment Mitchell-Innes & Nash, New York, NY, USA |
|
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Mask: In Present Day Aargauer Kunsthaus, Aarau, Switzerland |
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Crossroads: Carnegie Museum of Art’s Collection: 1945 to Now Carnegie Museum of Art, Pittsburgh, PA, USA |
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The Foundation of the Museum: MOCA’s Collection The Geffen Contemporary at MOCA, Los Angeles, CA, USA |
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EBSPLOITATION Martos Gallery, New York, NY, USA |
|
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Prisoner of Love Museum of Contemporary Art Chicago, Chicago, IL, USA |
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Men of Steel, Women of Wonder: Modern American Heroes in Contemporary Times Crystal Bridges Museum of American Art, Bentonville, AK, USA travelling to: an Antonio Museum of Art, San Antonio, TX, USA; Addison Gallery of American Art in Andover, MA, USA |
|
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DREAMWEAVERS UTA Artist Space, Beverly Hill, CA, USA |
|
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From Theory to Practice: Trajectories of the Whitney University Hall Gallery, University of Massachusetts, Boston, MA, USA |
|
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Political Affairs - Language Is Not Innocent , Kunstverein in Hamburg, Hamburg, Germany |
|
| 2018 |
Other Walks, Other Lines San Jose Museum of Art, San Jose, CA, USA |
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Rubbish and Dreams: the Genderqueer Performance Art of Stephen Varble Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY, USA |
|
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Becoming American San Juan Island, WA, USA |
|
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Cheeky: Summer Butts Marinaro Gallery, New York, NY, USA |
|
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Other Mechanisms Association of Visual Artists Vienna Secession, Vienna, Austria |
|
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Agora The Highline, New York, NY, USA |
|
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Talisman in the Age of Difference Stephen Friedman Gallery, London |
|
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The Enemy of My Enemy Palais de Tokyo, Paris, France |
|
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Wanderlust: Actions, Traces, and Journeys 1967-2017 Des Moines Art Center, Des Moines, IA, USA |
|
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Against the Architecture Refectoire des Nonnes, Lyon, France |
|
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Black Pulp!, organized by William Villalongo and Mark Gibson African American Museum, Philadelphia, PA travelling to: Edgewood Gallery, Yale School of Art, New Haven, CT, USA; International Print Center New York, New York, NY, USA |
|
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Counternarratives: Performance and Actions in Public Space Decker Gallery, Maryland Institute College of Art, Baltimore, MD, USA |
|
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Learning from the Land and the Water LookOut! Gallery, Michigan State University, East Lansing, MI, USA |
|
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Walking Point Greene Naftali, New York, NY, USA |
|
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20/20: Influential Artists of the 20th Century Mott-Warsh Collection, Flint, MI, USA |
|
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Reclamation! Pan-African Works from the Beth Rudin DeWoody Collection The Taubman Museum of Art, Roanoke, VA, USA |
|
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AMERICAN AFRICAN AMERICAN Phillips Auction House, New York, NY, USA |
|
| 2017 |
Elements of Vogue: A Case Study in Radical Performance Centro de Arte Dos de Mayo, Madrid, Spain |
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Mechanisms Wattis Institute for Contemporary Arts, San Francisco, CA, USA |
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ICA Collections: New Acquisitions ICA Boston, Boston, MA, USA |
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Active Ingredients: Prompts, Props, Performance Williams College Museum of Art, Williamstown, Massachusetts, USA |
|
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If Not Apollo, the Breeze KADIST, San Francisco, CA, USA |
|
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Survey Exhibition (Part I): Camerado, this is no book Pratt Institute, New York, NY, USA |
|
|
Documenta 14 Athens, Greece; Kassel, Germany |
|
|
Whitney Biennial The Whitney Museum of American Art, New York, NY, USA |
|
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Wanderlust: Actions, Traces, and Journey UB Art Gallery, Buffalo, NY, USA travelling to: Des Moines Art Center, Des Moines, Iowa, USA |
|
|
Person of the Crowd: The Contemporary Art of Flânerie Roberts Gallery, Barnes Foundation, Philedelphia, PA, USA |
|
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Punching Up Richard and Dolly Maass Gallery, Purchase College, State University of New York, Purchase, New York, USA |
|
| 2016 |
Pope.L and Will Boone Andrea Rosen Gallery, New York, NY, USA |
|
The Spot Museum of Modern Art Warsaw, Poland |
|
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Live Uncertainly, The 32nd Bienal de São Paulo São Paulo, Brazil |
|
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The Public Body Artspace, Sydney, Australia |
|
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Blackness in Abstraction Pace Gallery, New York, NY, USA |
|
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Less Than One Walker Art Center, Minneapolis, MN, USA |
|
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Body Superficial Sgorbati Projects, New York, NY, USA |
|
| 2015 |
Identity Pierogi, Brooklyn, NY, USA |
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(Counter)Public Art, Intervention, & Performance in Lower Manhattan from 1978-1993 Lower Manhattan Cultural Council, New York, NY, USA |
|
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TOWER Ibid, London |
|
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Mashup Sotheby's S|2 Gallery, New York, NY, USA |
|
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Works on Paper Greene Naftali, New York, NY, USA |
|
| 2014 |
Radical Presence: Black Performance in Contemporary Art Walker Art Center, Minneapolis, MN travelling to: Grey Art Gallery, New York, NY, USA; The Studio Museum in Harlem, New York, NY; Contemporary Arts Museum Houston, Houston TX, USA |
|
CON/TEXT Lynch Tham, New York, NY, USA |
|
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Days Inn Mitchell-Innes & Nash, New York, NY, USA |
|
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Itinerant Belongings Addams Gallery, University of Pennsylvania and Slought Foundation, Philadelphia, PA, USA |
|
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Pierogi X X, Twentieth Anniversary Exhibition Pierogi, Brooklyn, NY, USA |
|
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Poor Working Conditions Martos Gallery, New York, NY, USA |
|
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Ruffneck Constructivists Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA |
|
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30 Americans - The Rubell Family Collection Frist Center for Visual Arts, Nashville, TN travelling to: Corcoran Gallery of Art, Washington, DC, USA; North Carolina Museum of Art, Raleigh, NC, USA; Chrysler Museum of Art, Norfolk, VA, USA; Corcoran Gallery of Art, Washington, DC, USA; North Carolina Museum of Art, Raleigh, NC, USA; The Rubell Family Collection, Miami, FL, USA |
|
|
Warm Side of Zero Overduin & Co, Los Angeles, CA, USA |
|
| 2013 |
African American Art Since 1950: Perspectives from the David C. Driskell Center Taft Museum of Art, Cincinnati, OH, USA travelling to: The Harvey B. Gantt Center for African-American Arts + Culture, Charlotte, NC, USA; Akron Museum, Akron OH, USA; University of Maryland, College Park, MD, USA |
|
Blues for Smoke Whitney Museum of American Art, New York, NY, USA travelling to: Wexner Center for the Arts, Ohio State University, Columbus, OH, USA; The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA, USA |
|
|
Body Language Studio Museum in Harlem, New York, NY, USA |
|
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Burying the Lede Momenta Art, Brooklyn, NY, USA |
|
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Against the Grain; Wood in Contemporary Craft and Design, curated by Lowery Stokes Sims Museum of Art and Design, New York, NY, USA |
|
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Cliff and Better Reva and David Logan Center for the Arts, Chicago, IL, USA |
|
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The Eleventh Hour DiverseWorks, Houston, TX, USA |
|
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Hello Goodbye Thank You, Again, and Again, and Again Castillo/Corrales, Paris, France |
|
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Incognito 2013 Santa Monica Museum of Art, Santa Monica, CA, USA |
|
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Kaboom! Comics in Art Weserburg Museum of Modern Art, Bremen, German |
|
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Pull! Reading Room SPACES, Cleveland, OH, USA |
|
| 2012 |
Fax University of Hawaii Art Gallery, Honolulu, HI travelling to: DeVos Art Museum, Marquette, MI, USA; Simons Center for Geometry and Physics, Stony Brook University, Stony Brook, NY, USA; Utah Museum of Contemporary Art, Salt Lake City, UT, USA; San Francisco Arts Commission Gallery, San Francisco, CA, USA; Apex Gallery, South Dakota School of Mines and Technology, Rapid City, SD, USA; Saint Paul Street Gallery, Auckland, New Zealand; Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, USA; South London Gallery, London; Knoxville Museum of Art, Knoxville, TN, USA; Torrance Art Museum, Torrance, CA, USA; Plug In ICA, Winnipeg, MB, Canada; Barnaby Art Gallery, Burnaby, BC, Canada; Para/Site Art Space, Hong Kong, China; Dowd Gallery, State University of New York, Cortland, NY, USA; Museu de Arte Carrillo Gil, Mexico City, Mexico; New Galerie, Paris, France; The Drawing Center, New York, NY, USA; Contemporary Museum, Baltimore, MD, USA |
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Wall Text Reva and David Logan Center for the Arts, Chicago, IL, USA |
|
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superHUMAN Central Utah Art Center, Ephraim, Utah, USA travelling to Aljira Center for Contemporary Art, Newark, NJ, USA |
|
| 2011 |
After Images Musee Juif de Belgique, Brussels, Belgium |
|
Another Kind of Vapor White Flag Projects, St. Louis, MO, USA |
|
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The Bearden Project The Studio Museum in Harlem, New York, NY, USA |
|
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D’un Autre Monde Le Printemps de Septembre – à Toulouse, contemporary art festival, Toulouse, France |
|
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Göteborg International Biennial for Contemporary Art (GIBCA) Röda Sten Art Centre, Göteborg, Sweden |
|
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History of Disappearance: Live Art from New York 1975 - Present PhotoIreland Festival, Dublin, Ireland travelling to: Laznia Center, Gdansk, Poland |
|
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Inti On Stellar Rays, New York, NY, USA |
|
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The Painting Show Eastside Projects, Birmingham |
|
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Prospect.2 New Orleans New Orleans, LA, USA |
|
| 2010 |
The 2010 DeCordova Biennial DeCordova Museum, Lincoln, MA, USA |
|
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA |
|
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History of Disappearance: Live Art from New York 1975 – Present Arhus Kunstbygning, Arhus, Denmark |
|
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The Last Newspaper New Museum of Contemporary Art, New York, NY, USA |
|
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The Process Show 37-A Gallery, Portland, ME, USA |
|
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Resurrectine Ronald Feldman Fine Arts, New York, NY, USA |
|
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Slightly Unbalanced Joel and Lila Harnett Museum of Art, Richmond, VA, USA travelling to: Huntington Museum of Art, Huntington, WV, USA; Rodman Hall Arts Center, St. Catharines, ON, Canada; Paul and Lulu Hilliard University Art Museum, Lafayette, LA USA; Museum London, London, ON, Canada |
|
| 2009 |
Allan Kaprow YARD (to Harrow) Hauser & Wirth, New York, NY, USA |
|
30 Seconds Off an Inch The Studio Museum in Harlem, New York, NY, USA |
|
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Broken Thorn Sweet Blackberry Sikkema Jenkins & Co, New York, NY, USA |
|
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Carnival Within – An Exhibition Made in America Uferhallen, Berlin, Germany |
|
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Collected: Propositions on the Permanent Collection The Studio Museum in Harlem, New York, NY, USA |
|
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Pour Installation at the Botanical Gardens, Art Projects at Art Basil Miami Beach, Mitchell-Innes & Nash in collaboration with Galerie Catherine Bastide, Miami Beach, FL, USA |
|
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Summer Exhibition Mitchell-Innes & Nash, New York, NY, USA |
|
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Trouble at the Front Galerie Marian Goodman, Paris, France |
|
| 2008 |
Paul Thek: In the Contexts of Today’s Contemporary Art (PART TWO) Sammlung Falkenburg, Hamburg, Germany |
|
Black Is, Black Ain’t The Renaissance Society at University of Chicago, IL, USA |
|
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Brainwave: Common Sense Exit Art, New York, NY, USA |
|
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Criminal: Art and Criminal Justice in America The International Center for the Arts at San Francisco State University, CA, USA |
|
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Disinhibition: Black Art and Blue Humor Hyde Park Art Center, Chicago, IL, USA |
|
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History of Disappearance: Live Art from New York 1975 - Present Sydney Underground Film Festival, Sydney College of the Arts, Sydney, Australia |
|
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Informal Architectures (Pt. 2) Winnepeg, CA, USA |
|
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Mergers and Acquisitions Contemporary Art Center, Atlanta, GA |
|
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Retail Value Dorsky Gallery, Long Island City, NY, USA |
|
| 2007 |
Port City: On Mobility and Exchange Arnolfini, Bristol |
|
History of Disappearance: Live Art from New York 1975 – Present Centro Cultural Palacio La Moneda, Santiago, Chile |
|
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Keeping Up With the Joneses Schroeder Romero, New York, NY, USA |
|
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New York – States of Mind House of World Culture, Berlin, Germany; Queens Museum of Art, Queens, NY, USA |
|
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Paul Thek: In the Context of Today’s Contemporary Art ZKM Center for Art and Media, Karlsruhe, Germany |
|
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Situation Comedy: Humor in Recent Art Museum of Art Fort Lauderdale, FL, USA |
|
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Informal Architectures The Banff Centre, Banff, AB, Canada |
|
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Get Lost New Museum of Contemporary Art, New York, NY, USA |
|
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Conceptual Paper Arndt & Partner, Zurich, Switzerland |
|
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Plug Sister Gallery, Los Angeles, CA, USA |
|
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Silicone Valley PS-1 Contemporary Art Center, Long Island City, NY, USA |
|
| 2006 |
South Bronx Contemporary: Longwood 25th Anniversary Longwood Art Gallery, Bronx,NY, USA |
|
A Noir, E Blanc, I Rouge, U Vert, O Bleu: Farben Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany |
|
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History of Disappearance: Live Art from New York 1975 – Present Galleria Neon, Milan, Italy travelling to: MANmuseum at the Liverpool Biennial, Liverpool |
|
|
Shed Piece Frieze, London |
|
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7e Biennale de l’Art Africaine Contemporaire Dakar, Senegal |
|
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Civil Restitutions Thomas Dane Gallery, London |
|
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Newark Between Us 744 Gallery/Newark Arts Council, Newark, NJ, USA |
|
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Stories Santa Fe Art Institute, Santa Fe, NM, USA |
|
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Situation Comedy Winnipeg Art Gallery, Winnipeg,Canada; Chicago Cultural Center, Chicago, IL, USA |
|
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Skowhegan at 60 Center for Maine Contemporary Art, Rockport, ME, USA |
|
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Humor Me H & R Block Artspace, Kansas City Art Institute, Kansas City, MO, USA |
|
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Relics and Remnants Jamaica Center for Arts and Learning, New York, NY, USA |
|
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Dreaming of a More Better Future Cleveland Institute of Art, Cleveland, OH, USA |
|
| 2005 |
Hero Center for Contemporary Arts, Santa Fe, NM, USA |
|
History of Disappearance: Live Art from New York 1975 - Present Baltic Centre for Contemporary Art, Gateshead |
|
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Incognito Santa Monica Museum of Art, Santa Monica, CA, USA |
|
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Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper Andrea Rosen Gallery, New York, NY, USA |
|
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Moving Collection: Body-Con Tactical Museum at Nadiff, Tokyo, Japan |
|
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Reverse Engineers Carnegie Art Center, North Towanda, NY, USA |
|
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Landmark Portland Institute for Contemporary Art, Portland, OR, USA |
|
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RAPSIDA Gallery 138, New York, NY, USA |
|
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Double Consciousness Museum of Contemporary Arts Houston, Houston, TX, USA |
|
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Situation Comedy Contemporary Museum, Honolulu, HI, USA |
|
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Decarie Saidye Bronfman Center for the Arts, Montreal, Canada |
|
|
Defense Sweeney Art Gallery, University of California, Riverside, CA |
|
| 2004 |
The Interventionists: Art in the Social Sphere MASS MoCA, North Adams, MA Watch What We Say, Schroeder Romero, Brooklyn, NY, USA |
|
The Big Nothing Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA |
|
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5 x 7 Exhibition Art House Gallery, Austin, TX, USA |
|
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Harlem Postcards: Spring 2004 The Studio Museum in Harlem, New York, NY, USA |
|
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Romantic Detachment PS-1 Contemporary Art Center, Long Island City, NY, USA |
|
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Brown v. Board of Education 1954-2004 Gallery 138, New York, NY, USA |
|
|
Republican Like Me Parlour Projects, Brooklyn, NY, USA |
|
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Moving Collection: Body-Con Fukui Prefectural Museum of Art, Fukui, Japan |
|
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Reverse Engineers Herndon Gallery, Antioch College, Yellow Springs, OH, USA |
|
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Only Skin Deep International Center for Photography, New York, NY, USA |
|
| 2003 |
Moving Collection: Body-Con Wanakio Festival, Naha, Okinawa, Japan diSTILLation. Fylkingen, Stockholm, Sweden |
|
In Heat Pierogi 2000, Brooklyn, NY, USA |
|
|
Motion Studies Lower Manhattan Cultural Council, New York, NY, USA |
|
|
White Bill Maynes Gallery, New York, NY, USA |
|
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Ameri©an Dre@m Ronald Feldman Fine Arts Gallery, New York, NY, USA |
|
| 2002 |
Art & Outrage Robert Miller Gallery, New York, NY Wallow, The Project, New York, NY, USA |
|
Whitney Biennial Whitney Museum of American Art, New York, NY, USA |
|
|
Reactions Exit Art Gallery, New York, NY, USA |
|
|
Moving Collection: Body-Con Govett Brewster Art Gallery, New Zealand |
|
| 2001 |
Video Jam Palm Beach Institute of Contemporary Art, Palm Beach, FL, USA |
| 2000 |
Pix Lance Fung Gallery, New York, NY, USA |
|
Friendships in Arcadia: Writers and Artists at Yaddo in the 90s Art in General, New York, NY; The Hyde Collection, Glens Falls, NY, USA |
|
|
Söma Söma Söma Sculpture Center, New York, NY, USA |
|
| 1999 |
Out of Actions Museum of Contemporary Art, Tokyo, Japan; Museu d’Art Contemporani, Barcelona, Spain |
|
The History of the Future Franklin Furnace, New York, NY, USA |
|
|
Paradise 8 Exit Art, New York, NY, USA |
|
| 1998 |
warming The Project, New York, NY, USA |
|
Out of Actions Museum of Contemporary Art, Los Angeles, CA; MAK, Vienna, Austria |
|
|
Apocalypse Now HERE Art Gallery, New York, NY, USA |
|
|
Freedom, Liberation and Change: Revisiting 1968 Longwood Art Gallery, Bronx, NY, USA |
|
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A Negro Sleeps Beneath the Susquehanna Hide and Seek Residency, Bucknell University, Lewisburg, PA, USA |
|
|
Peek HERE Art Gallery, New York, NY, USA |
|
| 1997 |
Available Culture HERE Art Gallery, New York, NY, USA |
|
Birdhouses Robin Hutchins Gallery, Maplewood, NJ, USA |
|
|
Birds of a Feather Newark Museum, Newark, NJ, USA |
|
|
Habitat for Humanity: (bird)Houses New Jersey Performing Arts Center, Newark, NJ, USA |
|
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Out on a Limb Midland Gallery, Montclair, NJ, USA |
|
| 1996 |
Exquisite Corpse Danforth Gallery, Portland, ME, USA |
| 1995 |
Art in the USA since 1950 Snug Harbor Cultural Center, Staten Island, NY, USA |
|
Dysfunctional Art Tompkins Cove Art Center/Hudson Arts at Franklin Furnace, New York, NY, USA |
|
|
Outside The Frame: Performance & the Object: A Survey History of Performance Satellite Choice: Young Curators Explore Diversity Artists Space, New York, NY, USA |
|
| 1994 |
Art in the USA since 1950 Cleveland Center for Contemporary Art, Cleveland, OH, USA |
|
Outside The Frame: Performance & the Object: A Survey History of Performance The Return of the Cadavre Exquis Santa Monica Museum of Art (SMMOA), Santa Monica, CA, USA travelling to: Corcoran Gallery of Art, Washington, DC, USA; Forum for Contemporary Art, St. Louis, MO, USA; American Center, Paris, France |
|
| 1993 |
The Return of the Cadavre Exquis Drawing Center, New York, NY Transient Décor, Roger Smith Hotel, New York, NY, USA |
|
Various Objects Rutgers University, New Brunswick, NJ, USA |
|
| 1991 |
Looking for Aunt Jenny Art in General, New York, NY, USA |
| 1990 |
Action and Artifact Weatherspoon Gallery at the University of North Carolina, Greensboro, NC, USA |
| 1985 |
Post-Modern Icons Franklin Furnace, New York, NY, USA |
| 1984 |
Found Language Franklin Furnace, New York, NY, USA |
|
Radical Culture Fashion Moda Gallery, Bronx, NY, USA |
|
| 1983 |
Rutgers Invitational Rutgers University, New Brunswick, NJ, USA |
| Selected Collections | |
|---|---|
|
Art Institute of Chicago, Chicago, IL, USA |
|
|
Bates College Museum of Art, Lewiston, ME, USA |
|
|
Bronx Museum of the Arts, Bronx, NY, USA |
|
|
Carnegie Museum of Art, Pittsburgh, PA, USA |
|
|
Columbus Museum of Art, Columbus, OH, USA |
|
|
CCS Bard Hessel Museum, Annandale-On-Hudson, NY, USA |
|
|
Institute of Contemporary Art, Boston, CT, USA |
|
|
Museum Brandhorst, Munich, Germany |
|
|
Museum of Contemporary Art, Chicago, IL, USA |
|
|
Museum of Contemporary Art, Los Angeles, CA, USA |
|
|
Museum of Modern Art, New York, NY, USA |
|
|
Portland Museum of Art, Portland, ME, USA |
|
|
Spencer Museum of Art, Lawrence, KS, USA |
|
|
The Studio Museum in Harlem, New York, NY, USA |
|
|
Walker Art Center, Minneapolis, MN, USA |
|
|
Whitney Museum of American Art, New York, NY, USA |