Born in Nancy, France, 1983 |
| Education | |
|---|---|
| 2007–2009 |
MA Sculpture Royal College of Art, London |
| 2002–2005 |
BA Sculpture Chelsea College of Art and Design, London |
| Solo Exhibitions | |
|---|---|
| 2022 |
Gargouilles Modern Art, London |
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Chambre froide Le Grand Café, Saint-Nazaire, France |
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Gargouilles Emergent, Veurne, Belgium |
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| 2021 |
Gargouilles Le Creux de l'Enfer, Thiers, France |
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Glissements FRAC Grand Large - Hauts-de-France, Dunkirk, France |
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Victoria Greenhouses of the Botanical Garden 019 Ghent, Ghent, Belgium |
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| 2019 |
Swans Modern Art, London |
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Hot Springs E-Werk fur Kunstrom, Luckenwalde, Germany |
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| 2018 |
Nicolas Deshayes at the Pleasure Gardens Pump House Gallery, London |
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Basement Roma, Rome, Italy |
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| 2016 |
Thames Water Modern Art, London |
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Battaglia Foundry Sculpture Prize Exhibition Fonderia Artistica Battaglia, Milan, Italy |
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| 2015 |
Glasgow Sculpture Studios, Glasgow, Scotland |
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Tate St Ives, Cornwall |
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Becoming Soil Jonathan Viner, London |
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| 2014 |
Molars Independent Projects, Jonathan Viner, New York, NY, USA |
| 2013 |
Crude Oil S1 Artspace, Sheffield |
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Snails Brand New Gallery, Milan, Italy |
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| 2012 |
Slugs Jonathan Viner, Liste 17, Basel, Switzerland |
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Browns in Full Colour Jonathan Viner, London |
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Vanille (with George Henry Longly) Galerie Chez Valentin, Paris, France |
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| 2011 |
PRECURSOR Event Gallery, London |
| 2010 |
A Killer Whale Breaching in Soft Focus (with Ed Atkins) Transmission Gallery, Glasgow, Scotland |
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Cultural Wood Concrete/Hayward Gallery, London |
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Stiff Peaks The Two Jonnys’ Project Space, London |
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| 2007 |
Neo RUN Gallery, London |
| 2006 |
Noble’s Island MOOT, Nottingham |
| Selected Group Exhibitions | |
|---|---|
| 2024 |
Sculpture in the Park (forthcoming) Compton Verney, Warwickshire |
| 2023 |
Modern Art Paris, France |
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Eartheaters Lustwarande, Tilburg, Netherlands |
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BLINK | Trond Mohn's Collection Stavanger Art Museum, Stavanger, Norway |
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Trickster Figures: Sculpture and the Body, curated by Jes Fernie MK Gallery, Milton Keynes |
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La Retour Musée régional d’art contemporain (MRAC), Sérignan, France |
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| 2022 |
019, Ghent, Belgium |
| 2021 |
Thanks for the Apples Falmouth Art Gallery, Cornwall |
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Little Frank and His Carp Elizabeth Xi Bauer Gallery, London |
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| 2020 |
58th October Salon Belgrade Biennial, Belgrade, Serbia |
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RESERVOIR 019 Ghent, Ghent, Belgium |
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Voidpull Koppe Astner, Glasgow, Scotland |
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| 2019 |
London Art Now, curated by Norman Rosenthal Ca'Pesaro, Venice, Italy |
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NOI Museoin, Bolzano, Italy |
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RESPAWN Antoine Levi, Paris, France |
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Drawing Biennial 2019 Drawing Room, London |
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| 2018 |
Lia Pasqualino Noto, curated by Geraldine Blais Casa Studio, Palermo, Italy |
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Tubologie: Nos Vies Dans Les Tubes FRAC Grand Large, Dunkirk, France |
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Le Paradoxe de L’iceberg FRAC Ile de France, Chateau de Rentilly, Bussy-Saint-Martin, France |
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| 2017 |
The Hive Mind Koppel Project Hive, London |
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Vein Section (Neighbours Vol.6) Berthold Pott, Cologne, Germany |
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Neither. Mendes Wood, Brussels, Belgium |
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Hypokeimenon – En Dessous du Sang GNF Gallery, Brussels, Belgium |
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Very Into You 29 Percy Street, London |
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That Continuous Thing: Artists and the Ceramics Studio, 1920 – Today Tate St Ives, Cornwall |
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Drawing Biennial 2017 Drawing Room, London |
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| 2016 |
Reconstructive Memory Galerie Valentin, Paris, France |
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British Art Show 8 Inverleith House, Edinburgh, Scotland |
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Theories of Modern Art Modern Art, London |
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Production Show Eastside Projects, Birmingham |
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A pudding that endless screw agglomerates Polish Institute, Berlin, Germany |
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Zabludowicz Collection, London |
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| 2015 |
The Ultimate Vessel Koppe Astner, Glasgow, Scotland |
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Crab Walk Northern Gallery for Contemporary Art, Sunderland |
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British Art Show 8 Leeds City Art Gallery, Leeds |
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Inhuman Fridericianum, Kassel, Germany |
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English Summer Elizabeth Dee, New York, NY, USA |
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Septic Finger Carl Kostyal, Stockholm, Sweden |
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Breaking up is Hard to Do KARST, Plymouth |
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| 2014 |
It Happens Without You Kendall Koppe, Glasgow, Scotland |
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Tomorrow: London South London Gallery, London |
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On the Devolution of Culture, Rob Tufnell, London |
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Pool Kestnergesellschaft, Hanover, Germany |
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Geographies of Contamination David Roberts Art Foundation, London |
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| 2013 |
Slip The Approach, London |
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The Time Machine, curated by Cura Frutta Gallery, Rome, Italy |
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Notes (On Declassing), curated by Vincent Honoré Galerie Opdhal, Stavanger, Norway |
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British British Polish Polish, curated by Tom Morton & Marek Gozdziewski Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland |
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£5.34, curated by Jess Flood-Paddock Carl Freedman Gallery, London |
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Half Abstract, David Roberts Art Foundation, London |
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New Order, Saatchi Gallery, London |
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Out of Memory Marianne Boesky Gallery, New York, NY, USA |
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Pop Tarts James Fuentes, New York, NY, USA |
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De Puristes et De Fauves Shanaynay, Paris, France |
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Relatively Absolute Wysing Arts Centre, Cambridge |
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The World is Almost Six Thousand Years Old: Contemporary Art and Archaeology from the Stone Age to the Present, curated by Tom Morton The Collection, Lincoln |
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Paradise Garage Eighty One., London |
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The Glass Sho Jonathan Viner, London |
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| 2012 |
Chimera Q.T.E. Cell projects, London |
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Original/Copy II Peles Empire, London and Cluj, Romania |
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GLAZE Galerie Chez Valentin, Paris, France |
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Changing States of Matter Brand New Gallery, Milan, Italy |
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Original/Copy III Peles Empire, Cluj, Romania |
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Surface to Surface Jonathan Viner, London |
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The Starry Rubric Set Wysing Arts Centre, Cambridge |
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A Painting, is a painting is a painting Rod Barton, London |
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Hotel Palenque (Nicolas Deshayes) Galleries Goldstein, London |
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| 2011 |
Like A Rowing Boat Facing the Way You Came Gallery Vela, London |
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Rain, curated by Nicolas Deshayes Cell Project Space, London |
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GLAZE, curated by George Henry Longly Bischoff/Weiss, London |
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176 Zabludowicz Collection, London |
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Keep Floors and Passages Clear White Columns, New York, NY, USA |
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| 2010 |
2010.101 MOT International, London |
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Radio IPS International Project Space, Birmingham |
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Keep Floors and Passages Clear One Thoresby Street, Nottingham |
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A Stranger's Window, curated by MOOT Nottingham Castle and Museum, Nottingham |
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Bolton Street curated by Lucy Chadwick, London |
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| 2009 |
Indoor Life Walden Affairs, The Hague, Netherlands |
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Bloomberg New Contemporaries Cornerhouse, Manchester and A Foundation, London Zoo 2009, with MOOT, London |
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Time is A Sausage DomoBaal, London |
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Once In a Lifetime New Model Army, Peckham Multiplex car park, London |
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| 2006 |
Artists' Choice Mogadishni CPH, Copenhagen |
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Year_06 Art projects Moot, Mary Ward House, London |
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From There Bloomberg SPACE, London |
| Selected Collections | |
|---|---|
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Arts Council Collection London |
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FRAC Grand Large – Hauts-de-France Dunkirk, France |
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Mona – Museum of Old and New Art Hobart, Australia |
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Saatchi Gallery London |
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Stavanger Art Museum Stavanger, Norway |
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Tate London |
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Zabludowicz Collection London |