Born in Philadelphia, PA, USA, 1979 |
Solo Exhibitions | |
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2024 |
Museum of Contemporary Art Los Angeles, CA, USA (forthcoming) |
2023 |
Josh Kline: Project for A New American Century Whitney Museum of American Art, New York, NY, USA |
2022 |
Adaption LAXART, Los Angeles, CA, USA |
2020 |
Astrup Fearnley Museet, Oslo, Norway |
Alternative Facts Various Small Fires, Seoul, Korea |
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2019 |
Climate Change: Part One 47 Canal, New York, NY, USA |
2017 |
Civil War Modern Art, London |
2016 |
Fondazione Sandretto Re Rebaudengo, Turin, Italy |
Portland Art Museum, Portland, OR, USA |
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47 Canal, New York, NY, USA |
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2015 |
Modern Art Oxford, Oxford |
2013 |
47 Canal, New York, NY, USA |
2011 |
47 Canal, New York, NY, USA |
2010 |
179 Canal, New York, NY, USA (with Anicka Yi) |
Selected Group Exhibitions | |
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2023 |
Adaptation, A Reconnected Earth MCAD Manila – Museum of Contemporary Art and Design, Manila, Philippines |
Fondazione Palazzo Strozzi, Florence, Italy |
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SUPERNATURAL: Sculptural Visions of the Body Taipei Fine Arts Museum, Taipei, Taiwan |
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Future Shock Lisson Gallery, New York, NY, USA |
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State of Flux Silverlens, New York, NY, USA |
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Drawings by Sculptors Helen Anrather, New York, NY, USA |
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2022 |
Backwards Ahead Fondazione Sandretto Re Rebaudengo, Turin, Italy |
A Gateway to possible worlds. Art & science fiction Centre Pompidou Metz, Metz, France |
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Dark Light: Realism in the Age of Post-Truths Aïshti Foundation, Antelias, Lebanon |
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The Tale Their Terror Tells, curated by Genna Brown and Lauren Guilford Lyles & King, New York, NY, USA |
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Open Storage: 25 Years of Collecting, curated by Allan Schwartzman The Warehouse, Dallas, TX, USA |
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2020 |
WasserLust... Badende in der Kunst! Museumslandschaft Hessen Kassel, Kassel, Germany |
Supernatural: Sculptural Visions of the Body Kunsthalle Tübingen, Tübingen, Germany |
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Psychic Wounds: On Art & Trauma The Warehouse, Dallas, TX, USA |
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Whitney Museum of American Art, New York, NY, USA |
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2019 |
Exodus curated by Paul Pfeiffer, Watergate Office Building, Washington D.C., USA |
Museum Folkwang, Essen, Germany |
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The Body Electric, curated by Pavel Pyś with Jadine Collingwood Walker Art Center, Minneapolis, MN, USA |
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New Order: Art and Technology in the Twenty-First Century Museum of Modern Art, New York, NY, USA |
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Luma Westbau, Zurich, Switzerland |
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People Jeffrey Deitch, Los Angeles, CA, USA |
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Laws of Motion Gagosian, San Francisco, CA, USA |
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2018 |
After the Finish Line, curated by Helga Christoffersen Galleri Susanne Ottesen, Copenhagen, Denmark |
Laws of Motion Gagosian, Hong Kong, China |
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The World's Your Oyster, curated by ARTUNER Palazzo Capris, Turin, Italy |
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Ghost:2561, curated by Korakrit Arunanondchai Various locations, Bangkok, Thailand |
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The Artist is Present, curated by Maurizio Cattelan Yuz Museum, Shanghai, China |
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FRONT International: Cleveland Triennial for Contemporary Art MOCA Cleveland, Cleveland, OH, USA |
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Dime-Store Alchemy, curated by Jonathan Rider The FLAG Art Foundation, New York, NY, USA |
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Evidence, organised by Josh Kline Metro Pictures, New York, NY, USA |
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Art in the Age of the Internet, 1989 to Today ICA Boston, Boston, MA, USA, travelling to: University of Michigan Museum of Art, Ann Arbor, MI, USA (2018-19) |
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2017 |
David Zwirner, London |
The Preservationists, curated by Ingrid Pui Yee Chu Duddell’s, Hong Kong, China |
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The Sweat of Their Face: Portraying American Workers Smithsonian National Portrait Gallery, Washington, D.C., USA |
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Group Shows at Shimizu Brand Shimizu Brand, Long Island City, NY, USA |
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Les Abattoirs, Toulouse, France |
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Cult! Legends, Stars and Icons Zeppelin Museum, Friedrichshafen, Germany |
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Petzel Gallery, New York, NY, USA |
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2016 |
Rubell Family Collection, Miami, FL, USA |
Human Interest: Portraits from the Whitney’s Collection Whitney Museum of American Art, New York, NY, USA |
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Gagosian, Athens, Greece |
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Gavin Brown’s enterprise, New York, NY, USA |
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Jessica Silverman Gallery, San Francisco, CA, USA |
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Good Dreams, Bad Dreams - American Mythologies Aïshti Foundation, Antelias, Lebanon |
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FOOD–Ecologies of the Everyday 13th Fellbach Small Sculpture Triennial 2016, Fellbach, Germany |
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9th Berlin Biennale for Contemporary Art Berlin, Germany |
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Julia Stoschek Collection, Berlin, Germany |
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Moderna Museet, Stockholm, Sweden |
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Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA |
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White Cube, London |
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Zabludowicz Collection, London |
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2015 |
Simon Lee, Hong Kong, China |
Office Space: The Modern Workplace Disrupted Yerba Buena Center for the Arts, San Francisco, CA, USA |
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The Extreme Present Metropolitan Art Society, Beirut, Lebanon |
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Various Small Fires, Los Angeles, CA, USA |
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No Shadows in Hell Pilar Corrias, London |
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All Watched Over, curated by Tina Kukielski James Cohan Gallery, New York, NY, USA |
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America Is Hard to See Whitney Museum of American Art, New York, NY, USA |
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Overtime: The Art of Work, organised by Cathleen Chaffee Albright-Knox Art Gallery, Buffalo, NY, USA |
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Open Source: Art at the Eclipse of Capitalism Galerie Max Hetzler, Berlin, Germany |
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2015 Triennial: Surround Audience, organised by Lauren Cornell and Ryan Trecartin New Museum, New York, NY, USA |
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Till the stars turn cold Glasgow Sculpture Studios, Glasgow, Scotland |
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Looking Back/The 9th White Columns Annual - Selected by Cleopatras White Columns, NY, USA |
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2014 |
To Have and to Hold Rubell Family Collection, Miami, FL, USA |
Till the stars turn cold S1 Artspace, Sheffield |
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As We Were Saying: Art and Identity in the Age of “Post”, curated by Claire Barliant, EFA Project Space, New York, NY, USA |
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ICA@50: Pleasing Artists And Publics Since 1963, curated by Liz Park Institute of Contemporary Art, Philadelphia, PA, USA |
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The Husk Untitled, New York, NY, USA |
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Infinite Jest curated by Matthias Ulrich, Schirn Kunsthalle Frankfurt, Germany |
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Art Post-Internet, curated by Karen Archey and Robin Peckham UCCA, Beijing, China |
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Archeo, curated by Cecilia Alemani High Line, New York, NY, USA |
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Season of the Which castillo/corrales, Paris, France |
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2013 |
Designed in California Night Gallery, Los Angeles, CA, USA |
Speculations on Anonymous Materials Fridericianum, Kassel, Germany |
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Spectators, Rendered and Regulated Koenig & Clinton, New York, NY, USA |
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ProBio, organised by Josh Kline MoMA PS1, Long Island City, NY, USA |
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Screens Murray Guy, New York, NY, USA |
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Out of Memory Marianne Boesky Gallery, New York, NY, USA |
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DIS Image Studio Susan Geiss Company, New York, NY, USA |
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2012 |
New Pictures of Common Objects curated by Christopher Y. Lew MoMA PS1, Long Island City, NY, USA |
Public Relations Night Gallery, Los Angeles, CA, USA |
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Summer Show Galerie Christine Mayer, Munich, Germany |
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Too Old For Toys, Too Young For Boys OHWOW, Los Angeles, CA, USA |
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2011 |
Looking Back / The 6th White Columns Annual, selected by Nick Mauss and Ken Okiishi White Columns, New York, NY, USA |
I Feel Like I'm Disappearing... West, The Hague, Netherlands |
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I don’t know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly..., curated by Howie Chen & Tim Saltarelli (Dispatch, NY IMO, Copenhagen, Denmark |
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Skin So Soft, organised by Josh Kline Gresham’s Ghost, New York, NY, USA |
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HOW DO YOU DO, organised by Margaret Lee NOMA Gallery, San Francisco, CA, USA |
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2010 |
179 Canal / Anyways, organised by Margaret Lee White Columns, New York, NY, USA |
Sculpture Sabbath, curated by Bridget Donahue Socrates Sculpture Park, Long Island City, NY, USA |
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Big Apple Clifton Benevento, New York, NY, USA |
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2009 |
Magic Jackpot Galerie Christine Mayer, Munich, Germany |
The Living and The Dead, curated by Darren Bader Gavin Brown’s enterprise, New York, NY, USA |
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TIME-LIFE Part II Taxter & Spengemann, New York, NY, USA |
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Today and Everyday, curated by Margaret Lee X-Initiative, New York, NY, USA |
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Nobodies New York 179 Canal, New York, NY, USA |
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Cleopatra’s: Trade Secrets John Connelly Presents, New York, NY, USA |
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If The Dogs Are Barking Artists Space, New York, NY, USA |
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On From Here Guild & Greyshkul, New York, NY, USA |
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2008 |
Workspace, curated by Antoine Catala Galerie Christine Mayer, Munich, Germany |
O Natural 400 Morgan, Brooklyn, NY, USA |
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Cube Passerby 2008 Gavin Brown’s Enterprise at Passerby, New York, NY, USA |
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2007 |
The Poster Project, curated by Devon Costello and Ilya Lipkin Participant Inc. and Printed Matter, New York, NY, USA |
Selected Collections | |
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Aïshti Foundation, Antelias, Lebanon |
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The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL, USA |
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Astrup Fearnley Museum of Modern Art, Oslo, Norway |
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Fondazione Sandretto Re Rebaudengo, Turin, Italy |
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Julia Stoschek Collection, Düsseldorf, Germany |
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The Museum of Modern Art, New York, NY, USA |
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Rubell Family Collection, Miami, FL, USA |
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Solomon R. Guggenheim Museum, New York, NY, USA |
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Whitney Museum of American Art, New York, NY, USA |
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Zabludowicz Collection, London |