Born in New York, NY, USA, 1963 |
| Education | |
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| 1986 |
School of Visual Arts New York, NY, USA |
| Solo Exhibitions | |
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| 2021 |
Joint Ventures: Day for Night presented by Modern Art, London KOW, Berlin, Germany |
| 2019 |
Alice Austen House, Staten Island, NY, USA |
| 2018 |
In Front of the Camera Modern Art, London |
| 2014 |
8 1/2 Women Karma, New York, NY, USA |
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8 Women 303 Gallery, New York, NY, USA |
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| 2011 |
Ars Cameralis Katowice, Poland |
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German Faces CoCA Kronika, Bytom, Upper Silesia, Poland |
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| 2010 |
Journals & Notebooks 303 Gallery, New York, NY, USA |
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Berardo Collection (as part of Photo España), Lisbon, Portugal |
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German Faces Modern Art, London |
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| 2009 |
Hier hielt die Welt den Atem an Galerie Barbara Weiss, Berlin, Germany |
| 2008 |
Blumen Villa Romana, Florence, Italy |
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There I Was Le Consortium, Dijon, France |
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Jens F Museum of Contemporary Art, Denver, CO, USA |
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| 2007 |
There I Was 303 Gallery, New York, NY, USA |
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Forests & Fields Badischer Kunstverein, Karlsruhe, Germany |
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| 2006 |
Other Women Modern Art, London |
| 2005 |
Jens F Roth, New York, NY, USA |
| 2004 |
Fotogalleriet Oslo, Norway |
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303 Gallery New York, NY, USA |
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Modern Art London |
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| 2002 |
Consorcio Salamanca Salamanca, Spain |
| 2001 |
303 Gallery New York, NY, USA |
| 2000 |
Emily Tsingou Gallery London |
| 1999 |
303 Gallery New York, NY, USA |
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Georg Kargl Gallery Vienna, Austria |
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Neue Soldaten Partobject Gallery, Carrboro, NC, USA |
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| 1998 |
Archipelago: New Rooms Stockholm Kultur 98, Stockholm, Sweden |
| 1997 |
303 Gallery New York, NY, USA |
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Galerie Drantmann Brussels, Belgium |
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| 1995 |
Galerie Drantmann Brussels, Belgium |
| 1994 |
303 Gallery New York, NY, USA |
| 1993 |
303 Gallery New York, NY, USA |
| 1991 |
303 Gallery New York, NY, USA |
| 1990 |
Standard Graphik Cologne, Germany |
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The Chase 303 Gallery, New York, NY, USA |
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| 1988 |
Cable Gallery New York, NY, USA |
| Selected Group Exhibitions | |
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| 2024 |
Modern Art London |
| 2023 |
Modern Art Paris, France |
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KW Institute for Contemporary Art, Berlin, Germany |
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| 2022 |
Ghostscript Modern Art, London |
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Love Songs: Photography and Intimacy Maison Européenne de la Photographie, Paris, France |
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After August Sander People of the 21st Century Museum für Gegenwartskunst Siegen gGmbH, Siegen, Germany |
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| 2021 |
Winter of Discontent 303 Gallery, New York, NY, USA |
| 2020 |
Masculinities: Liberation through Photography Barbican, London |
| 2019 |
Orlando, curated by Tilda Swinton Literaturhaus, Munich, Germany |
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Orlando, curated by Tilda Swinton Aperture Foundation, New York, NY, USA |
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Balticana, curated by Zane Onckule CCS Bard Galleries, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY, USA |
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Piracy (vol.5), selected by Louis-Philippe Van Eeckhoutte Super Dakota, Brussels, Belgium |
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| 2018 |
KALEIDOSCOPE Issue 33 Takeover Spazio Malocchi, Milan, Italy |
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Reynolda House Museum of American Art, Winston-Salem, NC, USA |
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The Arts Club, London |
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Nottingham Contemporary, Nottingham |
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A Page from My Intimate Journal (Part I) Gordon Robichaux, New York, NY, USA |
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| 2017 |
Like a Moth to a Flame Officine Grandi Riparazione / Fondazione Sandretto Re Rebaudengo, Turin, Italy |
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São Paolo Museum of Art, São Paolo, Brazil |
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National Gallery of Canada, Ottawa, Canada |
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Invitation – FRAC at Centre Pompidou Centre Pompidou, Paris, France |
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The Studio Museum in Harlem, New York, NY, and the Carnegie Museum of Art, Pittsburgh, PA, USA |
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The Coffins of Paa Joe and the Pursuit of Happiness Jack Shainman Gallery, New York, NY, USA |
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The Arcades: Contemporary Art and Walter Benjamin The Jewish Museum, New York, NY, USA |
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March Madness Fort Gansevoort, New York, NY, USA |
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Double Take Skarstedt Gallery, London |
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Victors for Art: Michigan's Alumni Collectors – Part 1: Figuration University of Michigan Museum of Art, Ann Arbor, MI, USA |
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Divided States of America The LGBT Community Center, New York, NY, USA |
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| 2016 |
National Portrait Gallery, Canberra, Australia |
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Systematically Open? New Forms of Contemporary Image Production, with Anne Collier Luma Foundation, Arles, France |
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NACHERLEBT: Zwischen Geschichtserfahrung und Karneval MeWo Kunstalle, Memmingen, Germany |
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Field Portraits of Contemporary Western Culture Southern Alberta Art Gallery, Lethbridge, Alberta, Canada |
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The Female Gaze, Part II: Women Look at Men Cheim & Read, New York, NY, USA |
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The Whitworth, Manchester, travelling to De La Warr Pavilion, Bexhill-on-Sea (2017); Glynn Vivian Art Gallery, Swansea (2017) |
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Theories of Modern Art Modern Art, London |
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Camera of Wonders (Reprint) Museo de Arte Moderno, Medellín, Colombia |
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Still Life with Fish: Photography from the Collection Hammer Museum, Los Angeles, CA, USA |
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The End of Innocence: Childhood Torments in the Contemporary Art Collection Wadsworth Atheneum Museum of Art, Hartford, CT, USA |
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Sculpture from the Hammer Contemporary Collection Hammer Museum, Los Angeles, CA, USA |
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The Bad Mood Show Plymouth Rock, Zürich, Switzerland |
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| 2015 |
NO MAN’S LAND: Women Artists from the Rubell Family Collection Rubell Family Collection, Miami, FL, USA |
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Camera of Wonders, curated by Jens Hoffmann Centro de la Imágen, Mexico City, Mexico |
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MoMA PS1, Long Island City, NY, USA |
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Popular Images Karma, New York, NY, USA |
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| 2014 |
Soft Target M+B, Los Angeles, CA, USA |
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1984-1999. The Decade, curated by Stéphanie Moisdon Centre Pompidou-Metz, Metz, France |
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Frac Nord-Pas de Calais, Dunkirk, France |
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Le Consortium, Dijon, France |
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| 2013 |
Lens Drawings: Section IV, Department of Light Recordings Marian Goodman Gallery, Paris, France |
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Under My Skin Flowers Gallery, New York, NY, USA |
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Lost Boys: The Territories of Youth Lewis Glucksman Gallery, University College Cork, Cork, Ireland |
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| 2012 |
Lost & Found: Anonymous Photography in Reflection Ambach & Rice, Los Angeles, CA, USA |
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Seuls quelques fragments de nous toucheront quelques fragments d’autrui Galerie Thaddaeus Ropac, Paris, France |
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The Perfect Show 303 Gallery, New York, NY, USA |
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The Abundant Throat Galerie Diana Stigter, Amsterdam, Netherlands |
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Myths and Realities School of Visual Arts - Visual Arts Gallery, New York, NY, USA |
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| 2011 |
Composed: Identity, Politics, Sex Jewish Museum, New York, NY, USA |
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Transformed Land Centre Calouste Gulbenkian, Paris, France |
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More American Photographs, curated by Jens Hoffmann CCA Wattis Institute for Contemporary Arts, San Francisco, CA, travelling to: Museum of Contemporary Art Denver, Denver, CO (2012); Wexner Center for the Arts, Columbus, OH (2013); California Museum of Photography, Riverside, CA, USA (2013-14) |
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Istanbul, Turkey |
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Commercial Break, curated by Neville Wakefield Garage Center for Contemporary Culture, Venice, Italy |
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Museum of Contemporary Art, Krakow, Poland |
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| 2010 |
You and Now Balice Hertling, Paris, France |
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The Art of Camo Cardi Black Box, Milan, Italy |
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Sent by Mail Galerie Barbara Weiss, Berlin, Germany |
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NOT IN FASHION Fashion and Photography in the 90s MMK Museum Für Moderne Kunst, Frankfurt am Main, Germany |
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Closed for Installation 303 Gallery, New York, NY, USA |
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They Have Not the Art to Argue with Pictures Cherry and Martin, Los Angeles, CA, USA |
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Pictures by Women: A History of Modern Photography Museum of Modern Art, New York, NY, USA |
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Postcards from the Edge Zieher Smith & Horton, New York, NY, USA |
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| 2009 |
Conflicting Tales: Subjectivity (Quadrilogy, Part 1) Burger Collection, Berlin, Germany |
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The Female Gaze: Women Look at Women Cheim & Read, New York, NY, USA |
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Photography Rotation Summer 2009 Museum of Modern Art, New York, NY, USA |
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Mixed Signals: Artists Consider Masculinity in Sports Cranbrook Art Museum, Bloomfield Hills, MI, travelling to: University of Maryland, Baltimore County, Baltimore, MD (2009); Wexner Center for the Arts, Columbus, OH (2010); Art Gallery of Calgary, Calgary, Canada (2010); Middlebury College Museum of Art, Middlebury, VT (2011); The Andy Warhol Museum, Pittsburgh, PA (2011); Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA (2011) |
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Weird Beauty: Fashion Photography Now International Center of Photography, New York, NY, USA |
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| 2008 |
Role Models: Feminine Identity in Contemporary American Photography The National Museum of Women in the Arts, Washington, D.C., USA |
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Listen Darling… The World is Yours, curated by Lisa Phillips Ellipse Foundation, Cascais, Portugal |
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Hard Targets: Masculinity and Sport, curated by Christopher Bedford Los Angeles County Museum of Art, Los Angeles, CA, USA |
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Freeway Balconies: Contemporary American Art, curated by Collier Schorr Deutsche Guggenheim, Berlin, Germany |
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| 2007 |
Fit to Print: Printed Media in Recent Collage Gagosian, New York, NY, USA |
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Star Power: Museum as Body Electric Museum of Contemporary Art Denver, Denver, CO, USA |
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History Will Repeat Itself: Strategies of Re-enactment in Contemporary Art, curated by Jens Hoffmann Hartware MedienKunstVerein at PHOENIX Halle Dortmund, Germany; travelling to KW Institute of Contemporary Art, Berlin, Germany (2007-8) |
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Three for Society 303 Gallery, New York, NY, USA |
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Institute of Contemporary Arts, London |
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Rebel Rebel: Remembering Karlheinz Weinberger Anna Kustera Gallery, New York, NY, USA |
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Reality Bites: Making Avant-Garde Art in Post-Wall Germany Mildred Lane Kemper Art Museum, Washington University, St Louis, MO, USA |
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Solomon R. Guggenheim Museum, New York, NY, USA |
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| 2006 |
Modern Photographs: The Machine, The Body, The City Miami Art Museum, Miami, FL, USA |
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Museo D’Arte Contemporanea Donnaregina, Naples, Italy |
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Artist's Choice: Herzog & de Meuron Perception Restrained Museum of Modern Art, New York, NY, USA |
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Human Game, curated by Francesco Bonami Fondazione Pitti, Stazione Leopolda, Florence, Italy |
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Die Jugend Von Heute (Youth of Today) Schirn Kunsthalle Frankfurt, Frankfurt, Germany |
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| 2005 |
The Forest: Politics, Poetics and Practice, curated by Kathy Goncharov Nasher Museum of Art at Duke University, Durham, NC, USA |
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Socrates Sculpture Park, Queens, New York, NY, USA |
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The Lost Paradise Zentrum für Kunst, Stiftung Opelvillen, Frankfurt, Germany |
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Seeing Double: Encounters with Warhol The Andy Warhol Museum, Pittsburgh, PA, USA |
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| 2004 |
Will Boys Be Boys? Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin The Salina Art Center, Salina, KS, travelling to: Museum of Contemporary Art Denver, Denver, CO (2005); Herbert F. Johnson Museum of Art, Ithaca, NY (2005-6); Indianapolis Museum of Art, Indianapolis, IN, USA (2006-7) |
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Photography: Inaugural Installation Museum of Modern Art, New York, NY, USA |
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Opportunity and Regret Grazer Kunstverein, Graz, Austria |
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Beyond Compare: Women Photographers on Beauty BCE Place, Toronto, Canada, travelling to: Fairview Mall, Toronto; Lifefest, Toronto; Manulife Place, Edmonton; Chinook Centre, Calgary; Pacific Place Centre, Vancouver; Complex Desjardins, Montreal; St. Laurent Center, Ottawa; Dam Square, Amsterdam, Netherlands; Pavilhão de Portugal, Lisbon, Portugal |
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Open House: Working in Brooklyn Brooklyn Museum of Art, New York, NY, USA |
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The Muse Leslie Tonkonow Artworks + Projects, New York, NY, USA |
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| 2003 |
Hovering, curated by Daniele Balice and Anne du Boucheron Peres Projects, Los Angeles, CA, USA |
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Triennial of the International Center of Photography, New York, NY, USA |
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Terror Chic, curated by Eva Karecher Sprüth Magers, Munich, Germany |
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Attack! Art and War in Times of the Media Kunsthalle Wien, Vienna, Austria |
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The Fourth Sex: Adolescent Extremes, curated by Francesco Bonami and Raf Simons Fondazione Pitti, Stazione Leopolda, Florence, Italy |
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| 2002 |
Screen Memories Contemporary Art Center, Art Tower Mito, Mito, Japan |
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Some Options in Realism, curated by Klaus Kertess Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, USA |
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Whitney Museum of American Art, New York, NY, USA |
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Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography ICA Boston, Boston, MA, USA; travelling to Fotomuseum Winterthur, Switzerland |
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| 2001 |
American Tableaux, curated by Joan Rothfuss Walker Art Center, Minneapolis, MN, USA |
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P.S.1 Contemporary Art Center, Long Island City, NY, USA |
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Settings and Players: Theatrical Ambiguity in American Photography, curated by Louise Neri White Cube, London |
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| 2000 |
Lightness, curated by Amy Steigbigel The Visual Arts Gallery, New York, NY, USA |
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Photography Now: An International Survey of Contemporary Photography, curated by David S. Rubin Contemporary Arts Center, New Orleans, LA, USA |
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Innuendo, curated by Doug Wada Dee/Glasoe Gallery, New York, NY, USA |
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Presumed Innocent: Contemporary Art and Childhood CAPC Musée d’Art Contemporain de Bordeaux, Bordeaux, France |
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29th International Film Festival Rotterdam, Netherlands |
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| 1999 |
Prepared Georg Kargl Gallery, Vienna, Austria |
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Foul Play Thread Waxing Space, New York, NY, USA |
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| 1998 |
Bard Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY, USA |
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Stedelijk Museum, Amsterdam, Netherlands |
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Arkipelag Kultur 98, Stockholm, Sweden |
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| 1997 |
Heaven: Public View, Private View P.S.1 Contemporary Art Center, Long Island City, NY, USA |
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Bathroom, curated by Wayne Koestenbaum Thomas Healy Gallery, New York, NY, USA |
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| 1996 |
Ideal Standard Life Spiral Wacoal Art Center, Tokyo, Japan |
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Collier Schorr and Larry Clark Galleri Index, Stockholm, Sweden |
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Inbetweener Centre for Contemporary Arts, Glasgow, Scotland |
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a/drift: Scenes from a Penetrable Culture, curated by Joshua Decter Bard Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY, USA |
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Renaissance Society, Chicago, IL, USA, travelling to Kunsthalle Basel, Basel, Switzerland |
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Collier Schorr, Martin Honert, and Tom Gidley, curated by James Roberts Entwistle Gallery, London |
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| 1995 |
Portraits Janice Guy Gallery, New York, NY, USA |
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La Belle et la Bete: Un Choix de Jeunes Artistes Americains, curated by Lynn Gumpert Musee d'Art de la Ville de Paris, Paris, France |
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fag-o-sites, curated by Doug Ischar and John Paul Ricco Gallery 400, University of Illinois at Chicago, Chicago, IL, USA |
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Narcissistic Disturbance Otis Gallery, Otis College of Art and Design, Los Angeles, CA, USA |
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| 1994 |
Images of Masculinity Victoria Miro Gallery, London |
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In The Field: Landscape in Recent Photography Margo Leavin Gallery, Los Angeles, CA, USA |
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Stonewall 25: Imaginings of the Gay Past, Celebrating the Gay Present White Columns, New York, NY, USA |
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Bespoke Margo Leavin Gallery, Los Angeles, CA, USA |
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| 1993 |
Everyday Life, curated by Simon Watson Kim Light Gallery, Los Angeles, CA, USA |
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10 year anniversary exhibition Monika Sprüth, Cologne, Germany |
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Über-Leben Bonner Kunstverein, Bonn, Germany |
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The Subject of Rape Whitney Museum of Art, New York, NY, USA |
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Fall from Fashion The Aldrich Museum of Contemporary Art, Ridgefield, CT, USA |
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| 1992 |
Benefit Auction New Museum of Contemporary Art, New York, NY, USA |
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Boys & Girls Together/ Recent Photography Beaver College Art Gallery, Galerie Rizzo, Paris, France |
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The Edge of Childhood Heckscher Museum, Huntingdon, NY, USA |
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MOCArt Auction '92 Museum of Contemporary Art, Los Angeles, CA, USA |
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Drawings Stuart Regen Gallery, Los Angeles, CA, USA |
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Songs of Innocence, Songs of Experience Whitney Museum at the Equitable Center, New York, NY, USA |
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One Leading to Another 303 Gallery, New York, NY, USA |
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How It Is, curated by Jonathan Seliger Tony Shafrazi Gallery, New York, NY, USA |
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| 1991 |
All Grown Up, curated by Liz Dalton & Cindy Smith at CUNY The Graduate Center in collaboration with Catherine Clarke, New York, NY, USA |
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Childs Play: Steven Beyer, James Croak, Kate Moran, Collier Schorr, curated by Catherine Liu Lawrence Oliver Gallery, Philadelphia, PA, USA |
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Liz Larner, Karen Kilimnik, Collier Schorr, Anne Walsh Richard Kuhlenschmidt Gallery, Santa Monica, CA, USA |
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| 1991 |
When Objects Dream And Talk In Their Sleep, curated by Janine Cirincione Jack Tilton Gallery, New York, NY, USA |
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The Subversive Stitch Simon Watson Gallery, New York, NY, USA |
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Someone or Somebody, curated by Simon Watson Meyers/Bloom Gallery, Los Angeles, CA, USA |
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Gulliver's Travels Galerie Sophia Ungers, Cologne, Germany |
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From Desire... A Queer Diary, curated by Nan Goldin St. Lawrence College, New York, NY, USA |
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Something Pithier and More Psychological Simon Watson Gallery, New York, NY, USA |
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Group Exhibition 303 Gallery, New York, NY, USA |
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| 1990 |
All But the Obvious Los Angeles Contemporary Exhibitions, Los Angeles, CA, USA |
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In the Beginning, curated by Bill Radawec Cleveland Center for Contemporary Art, Cleveland, OH, USA |
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Commitment, curated by Tom Folland The Power Plant, Toronto, Canada |
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| 1989 |
New Langton Arts San Francisco, CA, USA |
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Erotophobia: A Forum on Sexuality Simon Watson Gallery, New York, NY, USA |
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After the Gold Rush, curated by Howard Halle Milford Gallery, New York, NY, USA |
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| 1988 |
A Drawing Show, curated by Jerry Saltz Cable Gallery, New York, NY, USA |
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Collier Schorr, Brenda Miller, Svetlana Kapanskaya Cable Gallery, New York, NY, USA |
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| 1987 |
Group Exhibition, curated by Collier Schorr 303 Gallery, New York, NY, USA |
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Galerie Hufkens Brussels, Belgium |
| Selected Collections | |
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The Art Institute of Chicago Chicago, IL, USA |
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Burger Collection Hong Kong, China |
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Cleveland Center for Contemporary Art Cleveland, OH, USA |
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Fondazione Sandretto Re Rebaudengo Turin, Italy |
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Hammer Museum Los Angeles, CA, USA |
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Henry Art Gallery Seattle, WA, USA |
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The Jewish Museum New York, NY, USA |
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The Museum of Modern Art New York, NY, USA |
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Neuberger Berman New York, NY, USA |
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North Carolina Museum of Art Raleigh, NC, USA |
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Rubell Family Collection Miami, FL, USA |
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San Francisco Museum of Modern Art San Francisco, CA, USA |
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Solomon R. Guggenheim Museum New York, NY, USA |
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Wadsworth Atheneum Museum of Art Hartford, CT, USA |
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Walker Art Center Minneapolis, MN, USA |
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Whitney Museum of American Art New York, NY, USA |