Born in Belgrade, Serbia, 1974 |
Solo Exhibitions | |
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2020 |
L'extime galerie frank elbaz, Paris, France |
Thank you for pointing to your perineum BQ, Berlin, Germany |
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2018 |
Sentimentality is the core Modern Art, London |
2016 |
invagination Modern Art, London |
2015 |
In the rear view mirror BQ, Berlin, Germany |
2014 |
In the rear view mirror Pinksummer, Genova, Italy |
2013 |
Gyrobifastigium Modern Art, London |
2012 |
Institut d'art Contemporain, Villeurbanne, France |
Rhombic Oath Leopold Hoesch Museum, Duren, Germany |
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A Curious Contortion in the Method of Progress Kunstmuseum Liechtenstein, Vaduz, Liechtenstein |
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2011 |
At Present BQ, Berlin, Germany |
2010 |
Modern Art London |
de Vleeshal, Middelburg, Netherlands |
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Le Grand Café St. Nazaire, France |
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Pinksummer Genova, Italy |
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At Present BQ, Berlin, Germany |
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2009 |
The breath-taker is the breath-giver Galerie Carlier Gebauer, Berlin, Germany |
2008 |
Kunstverein Hamburg, Germany |
MAMBO, Bologna, Italy |
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2007 |
Only After Dark Le Credac, Ivry, France |
untitled BQ, Cologne, Germany |
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Kissing the back of your hand sounds like a wounded bird Bawag Foundation, Vienna, Austria |
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2006 |
Sometimes a man gets carried away Kunstverein Heilbronn, Heilbronn, Germany |
To what extent should an artist understand the implications of his or her findings? Project Arts Centre, Dublin and The Model Arts – Niland Gallery, Sligo, Ireland |
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Replace the Irreplaceable Gallery Carlier Gebauer, Berlin, Germany |
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2005 |
Wanting without needing, Loving without leaning ArtPace Fondation, San Antonio, TX, USA |
Keep the illusion for the end BQ, Cologne, Germany |
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Everything makes sense in the reverse Pinksummer, Genova, Italy |
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2004 |
1954 Galerie Carlier Gebauer, Berlin, Germany |
2003 |
Verticality Downwards Kunstverein Munich, Munich, Germany |
Where the hand doesn’t enter, heat infuses IAC Institut d’Art Contemporain, Villeurbane/Lyon, France |
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2002 |
Spirit of Versatility and Inclusiveness BQ, Cologne, Germany |
Rien ne peut venir que d’ailleurs Centre d’Art Contemporain Bretigny, Bretigny sur Orge, France |
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Pinksummer Genova, Italy |
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Inova Milwaukee, WI, USA |
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TBA Inc. Chicago, IL, USA |
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2001 |
Eingang Links Kunstverein Dusseldorf, Dusseldorf, Germany |
Gallery Gebauer Berlin, Germany |
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Cover Versions Stedelijk Museum Bureau Amsterdam, Amsterdam, Netherlands |
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2000 |
Strange, I’ve seen that face before Modern Institute, Glasgow |
Favourite cloths worn while she or he worked Gesellschaft fur Aktuelle Kunst, Bremen, Germany |
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1999 |
It seems that an animal is in the world as water in the water BQ, Cologne, Germany, and Kunsthalle Lophem, Bruges, Belgium |
Irrigation-Fertilisation Salon 3, London |
Selected Group Exhibitions | |
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2023 |
MUSEION Kuratorin, Bolzano, Italy (forthcoming) |
2022 |
Looking Through the Threshold Galerie Carlier Gebauer, Berlin, Germany |
2021 |
58th October Salon, Belgrade Biennial, The Dreamers Belgrade, Serbia |
2020 |
All the time that came before this moment Kunst Raum Riehen, Basil, Switzerland |
2019 |
Delirious – Jubilee Edition, curated by Chris Driessen and David Jablonowski Lustwarande, Tilburg, Netherlands |
2018 |
Raymond, curated by Luca Trevisani Manifesta 12, Grand Hotel et des Palmes, Palermo, Italy |
ISelf Collection: Bumped Bodies Whitechapel Gallery, London |
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Décor Frac des Pays de la Loire, Carquefou, France |
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Kunstmuseum Liechtenstein, Vaduz, Liechtenstein |
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“Why are my friends such finks” 1998-2018 BQ, Berlin, Germany |
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2017 |
Don’t Look Like a Line Pinksummer, Turin, Italy |
FADE IN 2: EXT. MODERNIST HOME – NIGHT Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Belgrade, Serbia |
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MANIERA 12 & 13: Christ & Gantenbein and Bojan Šarčević Maniera, Brussels, Belgium |
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Marta Herford, Herford, Germany |
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2016 |
Theories of Modern Art Modern Art, London |
Geographies of Dust and Air Mary Mary, Glasgow |
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2015 |
Political Landscape: Art, Resistance Salzkammergut, Institute for Art in Public Sphere Styria/ Joanneum Universal Museum, Salzkammergut, Austria |
John Hansard Gallery, Southampton University, Southampton |
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2014 |
The Reluctant Narrator Berardo Museum of Modern and Contemporary Art, Lisbon, Portugal |
2013 |
DIE BLENDUNG Galerie Sandra Buergel, Berlin, Germany |
After JGM. Galerie, commissioned by Marjolaine Lévy, Paris, France |
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Film as Sculpture, curated by Elena Filipovic Wiels, Brussels, Belgium |
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Jupiter Artland, Edinburgh |
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1966-79, commissioned by Laurent Montaron Institut d’Art Contemporain, Villeurbanne, France |
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The Drawing Room, London |
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2012 |
Drawing:Sculpture Leeds Art Gallery, Leeds |
Thank You for the Music - How Music Moves Us Kiasma, Museum of Contemporary Art, Helsinki, Finland |
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Hirschfaktor, Die Kunst des Zitierens ZKM | Zentrum für Kunst und Medien, Karlsruhe, Germany |
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2011 |
Dallas Museum of Art, Dallas, TX, USA |
Suspense: Suspended sculptures EX3 Centro per l’Arte Contemporanea, Florence, Italy |
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The Horizon Behind Us Kaleidoscope, Milan, Italy |
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2010 |
RE-DRESSING Bortolami Gallery, New York, NY, USA |
Perth Institute of Contemporary Art, Perth, WA, Australia |
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Aporien Der Liebe BQ, Berlin, Germany |
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2009 |
Contemporary Fine and Applied Arts: 1928-2009 Tate St Ives, Cornwall |
GAMeC, Bergamo, Italy |
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Transitory Objects Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
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Videos Europa Le Fresnoy, Tourcoing, France |
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Sammlung Haubrok, Berlin, Germany |
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2008 |
Notorious Frac Ile-de-France / Le Plateau, Paris, France |
No Information available Barbara Gladstone Gallery, Brussels, Belgium |
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Many Challenges Lie Ahead in the Near Future Kölnischer Kunstverein, Cologne, Germany |
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Eurasia: Geographic Cross-Overs in Art Mart, Trento & Rovereto, Italy |
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SEE history 2008 Kunsthalle, Kiel, Germany |
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Vertrautes Terrain: Aktuelle Kunst in und über Deutschland ZKM, Karlsruhe, Germany |
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Der große Wurf Museen Haus Lange – Haus Esters, Krefeld, Germany |
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Wenn ein Reisender in einer Winternacht MARTa, Herford, Germany |
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2007 |
Kunstverein Nürnberg, Nürnberg, Germany |
Like Leaves Gallery Tanya Bonakdar, New York, NY, USA |
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Anachronism Argos, Brussels, Belgium |
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Thilo Heinzmann, Antoni Llena and Bojan Šarčević Gallery Bortolami, New York, NY, USA |
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Fondation d’entreprise Ricard, Paris, France |
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Après la pluie Musée Départemental dArt Contemporain de Rochechouart, Rochechouart, France |
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MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain |
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The Secret Theory of Drawing The Drawing Room, London; Niland Gallery, Sligo, Ireland |
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2006 |
Personal Affairs Museum Morsbroich, Leverkusen, Germany |
Planting the Tele Mary Mary, Glasgow |
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Drawing Room, London |
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Dorothea von Stetten-Kunstpreis Kunstmuseum Bonn, Germany |
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Strange, I’ve seen that face before Staedtisches Museum Abteiberg, Moenchengladbach, Germany |
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Para/Site, Hong Kong, HKSAR, China |
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2005 |
Menschensgladbach Städtisches Museum Abteiberg, Mönchengladbach, Germany |
36x27x10 White Cube Berlin, Berlin, Germany |
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Model Modernism Artists Space, New York, NY, USA |
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Material Time/Work Time/Life Time Reykjavik Arts Festival, Reykjavik, Iceland |
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Universal Experience: Art, Life, and the Tourist’s Eye Museum of Contemporary Art, Chicago, IL, USA |
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It takes some time to open an oyster Centre Cultural Andratx, Mallorca, Spain |
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2004 |
Time Zones Tate Modern, London |
Adaptive Behaviour New Museum, New York, NY, USA |
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Formalismus Moderne Kunst, heute, Kunstverein Hambourg, Hamburg, Germany |
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Real World: the dissolving space of experience Modern Art Oxford, Oxford |
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Tracers Witte de With, Rotterdam, Netherlands |
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The Auschwitz Trial: 40 years later Buergerhaus Gallus, Frankfurt, Germany |
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3rd Berlin Biennale Berlin, Germany |
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Photography, Video, Mix media 2 DaimlerChrysler Contemporary, Berlin, Germany |
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Animals Haunch of Vension, London |
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Here & Now Matrichit street site, Bangkok, Thailand |
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2003 |
Deplacements Musee d’Art Moderne de la ville de Paris, Paris, France |
Clandestines 50th Venice Biennale, Venice, Italy |
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2002 |
My head is on fire but my heart is full of love Charlottenborg, Copenhagen, Denmark |
2001 |
Ars 01 Kiasma, Helsinki, Finland |
Traversee ARC, Musee d’Art Modern de la ville de Paris, Paris, France |
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Le detour par la simplicite Confort Moderne, Poitiers, France |
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Szenarien Bonner Kunstverein, Bonn, Germany |
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Tracking’ CCAC Institute, San Francisco, CA, USA |
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Le Tribu dell’Arte Galleria Communalle d’Arte Moderna e Contemporana, Rome, Italy |
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2000 |
Bleibe Akademie der Kunst, Berlin, Germany |
Model, Model NeuAachenerKunstverein, Aachen, Germany |
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Watou Projects Watou, France |
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Centre Soleil d’Afrique Bamako, Mali |
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1999 |
Soft Resistance Galerie Gebauer, Berlin, Germany |
Passage Setagaya Art Museum Tokyo, Japan |
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1998 |
Guarene Arte 98 Fondazione Sandretto Re Rebaudengo, Turin, Italy |
Manifesta 2 Luxembourg, Luxembourg |
Selected Collections | |
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21st Century Museum of Contemporary Art Kanazawa, Japan |
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Daimler Contemporary Berlin, Germany |
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Dallas Museum of Art Dallas, TX, USA |
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Fondazione Morra Greco Naples, Italy |
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FRAC Auvergne Clermont-Ferrand, France |
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FRAC Poitou-Charentes Angoulême, France |
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Institut d'art contemporain Villeurbanne, France |
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Kiasma – Museum of Contemporary Art Helsinki, Finland |
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Kunstmuseum Liechtenstein Vaduz, Liechtenstein |
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MUDAM – Musée d'Art Moderne Grand-Duc Jean Luxembourg City, Luxembourg |
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Museum Abteiberg Mönchengladbach, Germany |
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MMK – Museum für Moderne Kunst Frankfurt, Germany |
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Sammlung Boros Berlin, Germany |
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Sammlung Haubrok Berlin, Germany |
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TBA21 – Thyssen-Bornemisza Art Contemporary Vienna, Austria |