Peter Halley


Born in New York City, NY, USA 1953. Lives and works in New York.


Education

1978 MFA University of New Orleans, LA, USA
1975 BA Yale University, New Haven, CT, USA


Solo Exhibitions

2017
Paintings from the 1980s, Stuart Shave/Modern Art, London

2016
THE SCHIRN RING, Schirn Kunsthalle, Frankfurt, Germany
Jablonka Maruani Mercier Gallery, Knokke, Belgium

2015
Big Paintings, Florence Griswold Museum, CT, USA
Geometry of the Absurd: Recent Paintings by Peter Halley, Santa Barbara Museum of Art, CA, USA
Galerie Xippas, Geneva, Switzerland
Sommer Contemporary Art, Tel Aviv, Israel

2014
Galerie Thomas, Munich, Germany
Prisons, Friederich Schiller University, Jena, Germany
Since 2000, Museé D'Art Moderne, Saint Étienne Métropole, France (catalogue)
Galerie Forsblom, Helsinki, Finland (catalogue)

2013
Prints and Editions: 25 Years, Carl Solway Gallery, Cincinnati, OH, USA
Galerie Xippas, Paris, France
Mary Boone, New York, NY, USA (collaborative installation with Aslessandro Mendini) (catalogue)
Recent Works, Klaus Steinmetz Contemporary Art, San Jose, Costa Rica (catalogue)
Paintings 2012-2013, Waddington Custot Galleries, London (catalogue)
Patricia Low Contemporary, St Moritz, Switzerland
Mottahedan Projects, Dubai, UAE

2012
Galeria Massimo Minini, Brescia, Italy
Maruani & Noirhomme Gallery, Brussels, Belgium
8 Small Prisons and Other Works, Galeria Senda, Barcelona, Spain (booklet)
Prison, Disjecta, Portland, OR, USA

2011
Galerie Xippas, Geneva Switzerland
Galerie Thomas Modern, Munich, Germany (catalogue)
Peter Halley: Drawings, Four Decades, Gering and Lopez Gallery, New York, NY, USA

2010
Peter Halley-- Works from the 80’s, Galerie Andrea Caratsch, Zurich, Switzerland
Gary Tatintsian Gallery, Moscow, Russia (catalogue)
Maruani & Noirhomme, Knokke, Belgium
Peter Halley: Prints, Zane Bennett Contemporary Art, Santa Fe, NM, USA
Mary Boone Gallery, New York, NY, USA


2009
Galerie Forsblom, Helsinki, Finland (catalogue)
Peter Halley, Early Work: 1982 to 1987, Mary Boone Gallery, New York, NY, USA
Peter Halley: New Paintings, Baldwin Gallery, Aspen, CO, USA
Peter Halley: New Work, Waddington Galleries, London
Galerie Alain Noirhomme, Brussels, Belgium (catalogue)
Peter Halley: Cells and Conduits (Paintings 1987-2002) , El Sourdog Hex, Berlin, Germany

2008
Galeria Javier Lopez, Madrid, Spain
Peter Halley/ Alessandro Medini, Galeria Massimo Minini, Brescia, Italy
Peter Halley, Monotypes, Galerie Thaddaeus Ropac, Salzburg, Germany
Peter Halley: Works for Projects, Galleria In Arco, Turin, Italy (catalogue)
Peter Halley, Banca BSI Italia, Turin, Italy (catalogue)

2007
A Rebours, Collaboration with Matali Crasset, Galerie Thaddaeus Ropac, Paris, France
McClain Gallery, Houston, TX, USA (catalogue)
Waddington Galleries/Modern Art, London (catalogue)
Peter Halley/ Warren McArthur/ New Paintings/ Aluminum Furniture, Rohrer Fine Art, Laguna Beach, CA, USA

2006
Galerie Forsblom, Helsinki, Finland (catalogue)
Gary Tatintsian Gallery, Moscow, Russia (catalogue)
Art & Public, Geneva, Switzerland
Drawings, Galeria Javier Lopez, Madrid, Spain
Baldwin Gallery, Aspen, CO, USA
Imago Galleries, Palm Desert, CA, USA

2005
Peter Halley: Present and Past, Louisiana Art & Science Museum, Baton Rouge, LA, USA (catalogue)
Galleria Cardi, Milan, Italy
Galerie Alain Noirhomme, Brussels, Belgium
CAIS Gallery, Seoul, Korea (installation, catalogue)
Peter Halley, Paintings 1995 – 2005, Galerie Xippas, Athens, Greece (catalogue)
Galería Javier Lopez, Madrid, Spain
Galería Senda, Barcelona, Spain
Galería dels Angels, Barcelona, Spain

2004
Galeria Presença, Porto, Portugal
Galerie Thaddaeus Ropac, Salzburg, Germany
Mary Boone Gallery, New York, NY, USA
Galerie Alain Noirhomme, Brussels, Belgium
Conspiracy Theory, Galerie Thaddaeus Ropac, Paris, France

2003
Galería Javier Lopez, Madrid, Spain
Galleria Cardi, Milan, Italy (catalogue)
Imago Galleries, Palm Desert, CA, USA

2002
Mary Boone Gallery, New York, NY, USA
Galería Senda, Barcelona, Spain
Galería dels Angels, Barcelona, Spain

2001
Waddington Galleries, London (catalogue)
Numark Gallery, Washington, D.C., USA
Kevin Bruk Gallery, Miami, FL, USA

2000
Galleria Massimo Minini, Brescia, Italy
Galleria Gian Enzo Sperone, Rome, Italy
Baldwin Gallery, Aspen, CO, USA
Galería Javier Lopez, Madrid, Spain
Galerie Thaddaeus Ropac, Paris, France

1999
CAIS Gallery, Seoul, Korea
Grant-Selwyn Gallery, New York, NY, USA
Waddington Galleries, London (catalogue)
Alan Koppel Gallery, Chicago, IL, USA

1998
Paintings of the 1990s, Museum Folkwang, Essen, Germany (catalogue)
Small Paintings, Galerie Bruno Bischofberger, Zurich, Switzerland
Jablonka Galerie, Cologne, Germany
Mario Diacono Gallery, Boston, MA, USA (catalogue)
Painting as Sociogram: 1981-1997, The Kitakyushu Municipal Museum of Art, Kitakyushu, Japan (catalogue)
Exploding Cell: Peter Halley, Soap Gallery, Kitakyushu, Japan
Paintings and Drawings, Tomio Koyama Gallery, Tokyo, Japan
MODULO, Lisbon, Portugal
Ace Gallery, Los Angeles, CA, USA

1997
New Concepts in Printmaking 1: Peter Halley, The Museum of Modern Art, New York, NY, USA
The Peter Halley Project, University Gallery, State University of New York, Buffalo, NY, USA
Galerie Thaddaeus Ropac, Salzburg, Germany
Galleria Massimo Minini, Brescia, Italy (catalogue)
Galleria Gian Enzo Sperone, Rome, Italy

1996
Baumgartner Galleries, Washington, D.C., USA
Edition Schellmann, Munich, Germany
Kohn Turner Gallery, Los Angeles, CA, USA
Contemporaneacomo 2, Como, Italy (catalogue)
Galería Javier Lopez, Madrid, Spain


1995
11, rue Larrey at Sidney Janis Gallery, New York, NY (catalogue)
Mario Diacono Gallery, Boston, MA, USA (catalogue)
Galerie Bruno Bischofberger, Zurich, Switzerland
TZ Art, New York, NY, USA
Exploding Cell, Edition Schellmann and Pace Prints, New York, NY, USA
Galerie Thaddaeus Ropac, Paris, France
The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, USA (catalogue) Traveled to: Greenberg Van Doren Gallery, St. Louis, MO, USA ; Rhona Hoffman Gallery, Chicago, IL, USA; Kohn Turner Gallery, Los Angeles, CA, USA
Schmidt Contemporary Art, St. Louis, MN, USA
Peter Halley - Paintings: 1980-1981, Turner, Byrne & Runyon, Dallas, TX, USA
Encounters 6, Dallas Museum of Art, Dallas, TX, USA

1994
Galerie Bruno Bischofberger, Zurich, Switzerland
Monoreliefs, Grand Salon, New York, NY, USA (catalogue)
The Broad Art Foundation, Santa Monica, CA, USA

1993
Jablonka Galerie, Cologne, Germany
Turner & Byrne, Dallas, TX, USA
Peter Halley: New Project, Edition Schellmann, New York, NY, USA
The Broad Art Foundation, Santa Monica, CA, USA
Works on Paper, Art & Public, Geneva, Switzerland

1992
Gagosian Gallery, New York, NY, USA
Galerie Thaddaeus Ropac, Paris, France
Peter Halley: Paintings 1989-1992, Des Moines Art Center, Des Moines, IA, USA (catalogue)
Michael Kohn Gallery, Santa Monica, CA, USA
Drawings, Galería Senda, Barcelona, Spain

1991
Rhona Hoffman Gallery, Chicago, IL, USA
Galerie Bruno Bischofberger, Zurich, Switzerland
Drawings, Jason Rubell Gallery, Palm Beach, FL, USA
Peter Halley: Oeuvres de 1982 á 1991, CAPC Musée d'Art Contemporain, Bordeaux, France (catalogue) Traveled to: FAE/Musée d'Art Contemporain, Pully/Lausanne, Switzerland, 1991-1992 (catalogue); Museo Nacional Centro de Arte Reina Sofia, Madrid, 1992 (catalogue); Stedelijk Museum, Amsterdam, the Netherlands

1990
Kodaliths, 303 Gallery, New York, NY, USA
Daniel Weinberg Gallery, Santa Monica, CA, USA
Jablonka Galerie, Cologne, Germany
Mario Diacono Gallery, Boston, MA, USA (catalogue)
Relief Sculpture, Michael Kohn Gallery, Santa Monica, CA, USA

1989
Sonnabend Gallery, New York, NY, USA
Peter Halley: Recent Paintings, Krefelder Kunstmuseen, Museen Haus Esters, Krefeld, Germany (catalogue), Traveled to: Maison de la Culture et de la Communication de Saint-Etienne, Saint-Etienne, France; Institute of Contemporary Art, London (catalogue); Galleria Lia Rumma, Naples, Italy

1988
Rhona Hoffman Gallery, Chicago, IL, USA
Galerie Bruno Bischofberger, Zurich, Switzerland
Jablonka Galerie, Cologne, Germany (catalogue)

1987
Margo Leavin Gallery, Los Angeles, CA, USA
Sonnabend Gallery, New York, NY, USA

1986
Galerie Daniel Templon, Paris, France (catalogue)
International with Monument, New York, NY, USA

1985
International with Monument, New York, NY, USA

1984
Beulah Land, New York, NY, USA

1983
Peter Halley: Post-Classical Paintings and Drawings, P.S. 122, New York, NY, USA

1979
School of Art & Architecture, University of Southwestern Louisiana, Lafayette, LA, USA

1978
Contemporary Art Center, New Orleans, LA, USA


Selected Group Exhibitions

2017
Fast Forward: Painting from the 1980s, Whitney Museum of American Art, New York, NY, USA

2016
Bad Faith, James Fuentes, New York, NY, USA
The Promise of Total Automation, Kunsthalle Wien, Vienna, curated by Anne Faucheret
Low, Lyles & King, New York, NY, USA
In Different Ways, Almine Rech Gallery, London
Halley Meets Hortal, Galeria Senda, Barcelona, Spain (with Yago Hortal)

2015
12 New Yorkers, JMM Gallery, Brussels, Belgium
The Broad Museum (The Inaugural Exhibition), Los Angeles, CA, USA
Diagonal Histories, Art+Text Budapest, Budapest, Hungary (with Imre Bak)
Geometric Obsession. American School 1965-2015, Museo de Arte Contemporaneo Buenos Aires, Buenos Aires, Argentina
Background Image, Boston Museum of Fine Art, Boston, MA, USA
I Like America, Schauwerk Museum, Sindelfingen, Germany
Industriale Immaginario, The Maramotti Collection, Reggio Emilia
The Mannequin of History: Art After Fabrications of Critique and Culture, EXPO 2015, Modena, Italy
Dominos, Circuit, Centre d’art contemporain, Lausanne, Switzerland
Collecting and Sharing, Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, NH, USA
Vita di Cittá, Museum of Villa Olmo, Como, Italy
Under the Clouds: From Paranoia to the Digital Sublime, Serralves Museum, Porto, Portugal
The Shadow of Your Smile, Galerie Nikolaus Ruzicska, Salzburg, Germany
Three Narratives: Language, Caixa Forum, Fundació “la Caixa,” Barcelona, Spain
Bonsai #5, Maccarone, New York, NY, USA
Flat World, David Kordansky Gallery, Los Angeles, CA, USA
America is Hard to See, Whitney Museum of American Art, New York, NY, USA
Forming Loose, Galerie Jette Rudolph, Berlin, Germany
Rio, Office Baroque, Brussels, Belgium
Adventures of the Black Square, Whitechapel Gallery, London

2014
dis order – Pattern and Structure in the Collection, Museum Folkwang, Essen, Germany
Post Pop: East Meets West, Saatchi Gallery, London
From Rauschenberg to Jeff Koons.
The Ileana Sonnabend Collection, Ca’Pesaro – International Gallery of Modern Art, Venice, Italy
Scacco Matto: Depero / Halley,  Galleria In Arco, Torino, Italy
Urban Theater: New York Art in the 1980’s, The Modern Art Museum of Fort Worth, Fort Worth, TX, USA
The Mysterious Device was Moving Forward,  Longhouse Projects, New York, NY, USA
Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium
30 Ans, collaboration with Alessandro Mendini, Foundation Cartier pour l’art contemporain, Paris, France
Speaking Through Paint: Hans Hoffmann’s Legacy Today, Lori Bookstein Fine Art, New York, NY, USA
93: 20th Anniversary Exhibition,  Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain

2013
Forty Years of Contemporary Art: Massimo Minini 1973-2013, La Triannale di Milano, Milan, Italy
Wall Works, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
Jew York, Zach Feuer Gallery, New York, NY, USA
When Now is Minimal. Die unbekannte Seite der Sammlung Goetz, Neues Museum, Nuremberg, Germany (catalogue), travelled to the Museion, Bozen, Italy
6th Prague Biennale, Prague, Czech Republic
Less Like an Object, More Like the Weather, Hessel Museum of Art, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York, NY, USA
Edge, Order, Rupture, Galerie Lelong, New York, NY, USA
Pasión II, Centro de Arte Contemporáneo, Málaga, Spain
NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY, USA
Yale University Art Gallery, New Haven, CT, USA
The Bigger Picture, The Artist’s Institute, New York, NY, USA, curated by Haim Steinbach
Abstraction Manifeste, Le Quartier, centre d’art contemporain de Quimper, France
Geometric Abstraction, Pace Prints, New York, NY, USA

2012
The Geometric Unconscious: A Century of Abstraction, Sheldon Museum of Art, University of Nebraska, Lincoln, NE, USA
Sense of Colors, Keitelman Gallery, Brussels, Belgium
Extended Minimalism, Galeria Javier Lopez, Madrid, Spain
Cellblock I & II, Andrea Rosen Gallery, New York, NY, USA
HEUTE. MALEREI, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany (catalogue)
Conceptual Abstraction, Hunter College Art Galleries, New York, NY, USA (catalogue)
ReFocus: Art of the 1980s, Museum of Contemporary Art, Jacksonville, FL, USA
1980 - Now, The Museum of Modern Art, New York, NY, USA
Contemporary Paintings: 1960 to the Present, San Francisco Museum of Modern Art, San Francisco, CA, USA
The Bewildered Image: American Painters from the 1980s, Patricia Low Contemporary, Geneva, Switzerland
A. Abstr_Action, Galerija Contra, Koper, Slovenia
Plastic Alphabet, Dean’s Gallery, MIT School of Management, Cambridge, MA, USA
This Will Have Been: Art, Love & Politics in the 1980s, MCA Chicago, travelling to the Walker Art Center, Minneapolis, MN, USA in 2012 and ICA Boston, MA, USA in 2013

2011
The Indiscipline of Painting, Tate St. Ives, Cornwall. Traveled to Mead Gallery, University of Warwick, Warwick
Situation New York 1986, Art & Public, Geneva, Switzerland
Simple Signs, Maruani & Noirhomme Gallery, Brussels, Belgium
Surreal versus Surrealism in Contemporary Art, IVAM, Valencia, Spain (catalogue)
Personal Structures, Palazzo Bembo, Venice, Italy
Obras Maestras de Pintura en la Colección del IVAM. Pasado, Presente y Futuro, IVAM, Valencia, Spain (catalogue)

2010
Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA, USA
Art of the Eighties, Nymphius Projekte, Berlin, Germany
Color and Form, Los Angeles County Museum of Art, Los Angeles, CA, USA
Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY, USA
VaXiNation, Xippas Gallery, Athens, Greece
Track and Traces, Galleria in Arco, Turin, Italy
Abstract Vision 2010, Art + Art Gallery, Moscow, Russia
The 80’s Revisited: The Bischofberger Collection, Kunsthalle, Bielefeld, Germany (catalogue)
Painting Panel Exhibition in conjunction with the CAA Annual Conference, Shane Campbell Gallery, Chicago, IL, USA
Time-Space-Existence, Künstlerhaus Palais Thurn, Bregenz, Austria
Pictures about Pictures: Discursive Painting from Albers to Zobernig, the Daimler Art Collection and Mumok, Vienna
Espana/America: The redefined Abstraction, Galeria Max Estrella, Madrid, Spain

2009
The 80's: The Triumph of Painting from Schifano to Basquiat, Arengario e Serrone della Villa Reale, Monza, Italy (catalog)
Minus Ideology, Art + Art, Moscow
Beg Borrow and Steal, Rubell Family Collection, Miamim FL, USA
Object of Desire, Alain Noirhomme Gallery, Brussels, Belgium
A Tribute to Ron Warren, Mary Boone Gallery, New York, NY, USA
Constellations: Painting from the MCA Collection, Museum of Contemporary Art, Chicago, IL, USA
Group Show, Gary Tatintsian Gallery, Moscow, Russia
Farbklange, Galerie Thomas, Munich, Germany
Malerei, Galerie Albrecht, Berlin, Germany
Aye Pop Ping! Patricia Low Contemporary, Gstaad, Switzerland
Now New: New Works, New Space, Elgiz Museum of Contemporary Art, Isatanbul, Turkey
Strip/Stripe, Emily Harvey Foundation, New York, NY, USA
Quant la première ivresse des succès bruyants…, CAPC Museum of Contemporary Art and Collection Louis Negre, Bordeaux (catalogue)
H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude Gallery, New Orleans, LA, USA (catalogue)
Fuentes, Galerie Thaddaeus Ropac, Salzburg, Germany
Synthetics, Whitney Museum of American Art, New York, NY, USA

2008
Weight Watchers, Galerie Xippas, Paris, France
Fifty Works for Fifty States, The Dorothy and Herbert Vogel Collection, The National Gallery of Art, Washington D.C., USA (catalogue)
Summer Exhibition, Waddington Galleries, London
Abstract Vision, Thomas Ammas, Paul Kasmin Gallery, New York, NY, USA
The Big Bang, Museo Carlo Bilotti, Rome (catalonn Fine Art, Zurich, Switzerland (catalogue)

2007
The Shapes of Space, Solomon R. Guggenheim Museum, New York, NY, USA
RESET: Works from the Marx Collection, Hamburger Banhof-- Museum Für Gegenwart, Berlin, Germany
War and Discontent, Museum of Fine Arts, Boston, MA, USA
Create Your Own Museum, Gary Tatintsian Gallery, Moscow, Russia (catalogue)
PLASTIC: A Proposal of John Tremblay, Cabinet des estampes, Geneva, Switzerland (catalogue)
Passion for Art: 35th Anniversary of the Essl Museum Collection, Sammlulng Essl and Schömer-Haus, Vienna (catalogue)

2006
30 Years of New Graphics, Firehouse Gallery, Burlington, VT, USA (catalogue)
Freeze! Robilant + Voena, London
BCL/BCN: Jordi Bernadó and Peter Halley, Galeria Espai 2nou2, Barcelona, Spain
Big City Lab, Art Forum Berlin, Berlin, Germany
2006 Alumni Society Auction, School of Visual Arts, New York, NY, USA
Idée de la Peinture - Hommage á Martin Barré, Galeria Nathalie Obadia, Paris, France (catalogue)
Minimalism an After IV: New Acquisitions from the DaimlerChrysler Collection, Daimler Chrysler Contemporary, Potsdamer Platz, Berlin, Germany
American Academy Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY, USA
Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago Collections, Museum of Contemporary Art, Chicago, IL, USA
The Downtown Show: The New York Art Scene 1974–1984, Grey Art Gallery, New York, NY, USA (catalogue) Traveled to: Andy Warhol Museum, Pittsburgh; Austin Museum of Art, Austin, TX, USA

2005
Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel, Switzerland (catalogue)
A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul, Turkey
Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki, Japan (catalogue). Traveled to: Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan
Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY, USA (catalogue)
25 Years: Selected Solo Exhibitions 1979--2004, Part 1, Baumgartner Gallery, New York, NY, USA
The Shape of Color: Excursions in Color Field Art 1950--2005, Art Gallery of Ontario, Toronto, Ontario, Canada (catalogue)
Drawings: 1945--Now, Russell Bowman Art Advisory, Chicago, IL, USA
Universal Medium, McClain Gallery, Houston, TX, USA
Logical Conclusions: 40 Years of Rule-Based Art, Pace Wildenstein, New York, NY, USA (catalogue)
We Can Do It! Gary Tatintsian Gallery, Moscow, Russia (catalogue)
Another Look at the Collection, Fundación La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain
Donald Baechler, Peter Halley, Jonathan Lasker, Tom Sachs, David Salle, Julian Schnabel, Galleria Alessandro Bagnai, Florence, Italy

2004
East Village USA, New Museum, New York, NY, USA (catalogue)
…Surprise!, Galleria Cardi & Co., Milan, Italy (catalogue)
Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, Sammlung Essl – Kunst der Gegenwart, Vienna (catalogue)
Tear Down This Wall: Paintings from the 1980s, Museum of Contemporary Art, Los Angeles, CA, USA
Monument to Now: The Dakis Joannou Collection, Deste Foundation of Contemporary Art, Athens, Greece (catalogue)
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, NY, USA (catalogue)

2003
Painting Lesson,” Galleria Cardi & Co., Milan, Italy (catalogue)
Conversations: Influence and Collaboration in Contempirary Art, Evergreen House, Johns Hopkins University, Baltimore, MD, USA (catalogue)
Table Top Sculpture, Gorney, Bravin + Lee, New York, NY, USA
American Beauty, McClain Gallery, Houston, TX, USA
A Notion of Time, Ingrao Gallery, New York, NY, USA
Intersection…Art/Design/New Media, Jan Abrams Fine Art, New York, NY, USA
The Past of the Present: Selections from the ABN AMRO Collection, organized by the Stedelijk Museum, Amsterdam and Shanghai Art Museum, Shanghai. Travelled to: Singapore Art Museum, Singapore, São Paulo Pinacoteca, São Paolo, Brazil
Pittura/Painting: from Rauschenberg to Murakami. 1964-2003, La Biennale di Venezia, Venice, Italy (catalogue)
Recent Screenprints, Maya Stendhal Gallery, New York, NY, USA
New York Contemporaries, Maya Stendhal Gallery, New York, NY, USA
Blanc de Blanc, Galerie Xippas, Paris, France

2002
La Colleccion Onnasch, Museu d’Art Contemporani de Barcelona, Barcelona, Spain (catalogue)
Public Affairs, Kunsthaus Zürich, Zürich, Switzerland (catalogue)
Time Space Motion, Galerie Thaddaeus Ropac, Salzburg, Germany
Good News, Galleria Cardi & Co., Milan, Italy (catalogue)
The Big Chill, Galleria in Arco, Turin, Italy (catalogue)
No Object, No Subject, No Matter…, Irish Museum of Modern Art, Dublin, Ireland
Spring in Paris, Galerie Patrick Seguin, Paris, France
New York Renaissance: Masterworks from the Whitney Museum of American Art, Palazzo Reale, Milan, Italy (catalogue)
We Love Painting! Contemporary American Art from Misumi Corporation Collection, Museum of Contemporary Art, Tokyo (catalogue)
Transcendent and Unrepentant, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, USA

2001
Digital: Printmaking Now, Brooklyn Museum of Art, New York, NY, USA (catalogue)
Playing Amongst the Ruins, Royal College of Art Galleries, London (catalogue)
Perfect Ten, Sandra Gering Gallery, New York, NY, USA
Mythic Proportions: Painting in the 80s, Museum of Contemporary Art, Miami, FL, USA (catalogue)
Green, Sperone Westwater Gallery, New York, NY, USA (catalogue)
American Art from the Goetz Collection, Galerie Rudolfinum, The Centre of Contemporary Art, Prague, Czech Republic (catalogue)
Glee: Painting Now, Aldrich Museum of Contemporary Art, Ridgefield, CT, USA (catalogue)

2000
Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York, NY, USA (catalogue)
Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum, Queens, NY, USA
Luci in Galleria da Warhol al 2000, Galeria Gian Enzo Sperone, Torino, Italy
Group show, Grant Selwyn Fine Art, New York, NY, USA
Perfidy: Surviving Modernism, Kettle’s Yard, Cambridge
Around 1984, PS 1, Long Island City, New York, NY, USA (catalogue)
New Prints 2000, International Print Center, New York, NY, USA
Pasajes de la Coleccion en Malaga, Fundacion la Caixa, Malaga “Universal Abstraction 2000”, Jan Weiner Gallery, Kansas City, MO, USA
From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zürich, Switzerland
Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, IL, USA
Collezionismi: la collezione della Fondation Cartier pour l’art contemporain, Palazzo Delle Papesse, Siena, Italy
Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC, USA
Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York, NY, USA
Group show, Sandra Gering Gallery, New York, NY, USA

1999
The American Century, Whitney Museum of American Art, New York, NY, USA
Galerie Thaddaeus Ropac, Salzburg, Germany
The Fondation Cartier pour l'art contemporain collection, Centro Arte Contemporanea Palazzo delle Papesse, Siena, Italy
The Broad Spectrum: Color on Paper, Past and Present, The Art Institute of Chicago, Chicago, IL, USA
Geometrie als Gestalt, The art collection of DaimlerChrysler, Neue Nationalgalerie, Berlin, Germany (catalogue)
Tang, Turner & Runyon Gallery, Dallas, TX, USA
Geometry as Design, Daimler Chrysler Collection, Stuttgart, Germany
Wallworks, Paula Cooper Gallery, New York, NY, USA (catalogue)
Compliments, Downtown Art Alliance, New York, NY, USA
Forty Years of The Chase Manhattan Collection: Art at Work, Contemporary Arts Museum, Houston, TX, USA

1998
Post-hypnotic, University Galleries, Illinois State University, Normal, IL, traveling to Atlanta College of Art Gallery, Atlanta, GA, and Chicago Cultural Center, Chicago, IL, USA
Peter Halley, Recent Prints, Numark Gallery, Washington, DC, USA
Cleveland Collects, The Cleveland Museum of Art, Cleveland, OH, USA
Ideas for the Home, Sperone Westwater Gallery, New York, NY, USA
Arterias, Malmö Konsthall, Malmö, Sweden
The Evergreen Review Exhibition, New York, NY, USA
Now and Forever, Pat Hearn Gallery and Matthew Marks Gallery, New York, NY, USA
Anos 80 / The Eighties, Culturgest, Lisbon, Portugal

1997
Pop Abstraction, The Pennsylvania Academy of Art, Philadelphia, PA, USA
Ace Gallery, Los Angeles, CA, USA
Abstranct Painting, Carrie Haddad Gallery, Hudson, NY, USA
Groei in de Collectie Peter Stuyvesant, Peter Stuyvesant Foundation, Amsterdam, The Netherlands
Fort! Da!, Villa Merkel Galerie der Stadt Esslingen, Esslingen, Germany (catalogue)
Tokyo International Forum Art Collection, Tokyo, Japan (catalogue)
After the Fall, Snug Harbor Cultural Center, Staten Island, New York, NY, USA

1996
Sammlung Marx, Hamburger Bahnhof, Museum Für Gegenwart, Berlin, Germany
Bringing it All Back Home, Gracie Mansion, New York, NY, USA
Contemporary Master Prints, Fotouhi Cramer Gallery, East Hampton, NY, USA
Extended Minimal, Max Protetch Gallery, New York, NY, USA
Investigations, American Abstractions, Robert McClain & Co., Houston, TX, USA
Picasso: A Contemporary Dialogue, Galerie Thaddaeus Ropac, Salzburg, Germany (catalogue)
Thinking Print: Books to Billboards, 1980, The Museum of Modern Art, New York, NY, USA
Art at the End of the 20th Century, Selections from the Whitney Museum of American Art, National Gallery, Alexander Soutzos Museum, Athens, Greece
Minimal Art, Koldo Mitxelena Kulturunea, Spain
Wunschmaschine Welterfindung: A History of Technical Visions, Kunsthalle Wien, Vienna, Austria
Addison Gallery of American Art: 65 Years, Addison Gallery, Phillips Academy, Andover, MA, USA
architecture/application/complication, ROOM, New York, NY, USA
Nuevas Abstracciones, Reina Sofia, Madrid; Kunsthalle Bielefeld, Bielefeld; Museu d’Art Contemporani, Barcelona, Spain (catalogue)
Legacy of American Modernism, Kohn Turner Gallery, Los Angeles, CA, USA
Eveything That’s Interesting Is New: The Dakis Joannou Collection, Athens School of Fine Arts, Athens, Greece (catalogue)
Screen, Friedrich Petzel Gallery, New York, NY, USA
Pratiques Abstraits, Galerie Thaddaeus Ropac, Paris, France and Salzburg, Germany
Dan Graham, Peter Halley, Chuck Nanney, Bill Schwartz, Dan Walsh, Sandra Gering Gallery, New York, NY, USA
Electra, Henie Onstad Art Center, Norway

1995
Morceaux Choisis du Fonds National d’Art Contemporain, Centre National d’Art Contemporain, Grenoble, France
Velge & Noirhomme, Brussels, Belgium
Works on Paper, Baumgartner Galleries, Washington, DC, USA
Transatlantica, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela
FuoriUso ’95: Caravanserraglio Arte Contemporanea, Pescara, Italy
Caravanasary of Contemporary Art, Associazione Culturale Arte Nova, Pescara, Italy
Piéces - Meublés, Galerie Jousse Seguin, Paris, France
Komix, Brooke Alexander Editions, New York, NY, USA
Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN, USA (travelled)
Exhibition in honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York, NY, USA
Altered States, Forum for Contemporary Art, St. Louis, MO, USA
Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria
It’s Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ, USA
Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA, USA
New York Abstract, Contemporary Arts Center, New Orleans, LA, USA (catalogue)
Risarcimento, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy
Critiques of Pure Abstraction, (through 1997) Blaffer Gallery, Universtiy of Houston, TX; Illingworth Kerr Gallery, Canada; Sheldon Memorial Art Gallery, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; The Lowe Art Museum, Coral Galbles, FL; Polk Museum of Art, Lakeland, FL; Frederick Weisman Museum, Minneapolis, MN, USA (catalogue)
Mesotica Pintura, the america non-representativa, Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica (catalogue)
Open Your Heart, AIDS Resource Center’s Seventh Annual Valentine Auction, Christinerose Gallery, New York, NY, USA
Reinventing the Emblem, Yale University Art Gallery, New Haven, CT, USA (catalogue)

1994
Cross and Square Grids, Museum of Modern Art, Saitama, Japan
Abstraction: A Tradition of Collecting in Miami, Center For the Fine Arts, Miami, FL, USA (catalogue)
Red Windows, benefit auction, Barneys New York, NY, USA
Das Americas, Luisa Strina Galeria, Sao Paulo, Brazil (catalogue)
Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA, USA (catalogue)
Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy
Notational Photographs, Metro Pictures, New York, NY, USA
Rudiments d’un Musee Possible, Musee d’art contemporain, Geneva, Switzerland
Le Constanti Nell’Arte, Lia Rumma, Naples, Italy (catalogue)
30 Years - Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT, USA (catalogue)
The Assertive Image: Artists of the Eighties, UCLA/Armand Hammer Museum of Art, Los Angeles, CA, USA
The Use of Pleasure, Terrain Gallery, San Francisco, CA, USA
Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany (catalogue)
Don't Look Now, Thread Waxing Space, New York, NY, USA
Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince Jablonka Galerie, Cologne, Germany

1993
Yale Collects Yale, Yale University Art Gallery, New Haven, CT, USA
Skowhegan '93, Colby College Museum of Art, Waterville, ME, USA
Building a Collection: The Department of Contemporary Art, The Museum of Fine Arts, Boston, MA, USA
Artists' Photographs: A Private View, Blum Helman Gallery, New York, NY, USA
Live in Your Head, Hochschule fur Angewandte Kunst and Galerie Metropol, Vienna, Austria (catalogue)
The Tradition of Geometric Abstraction in American Art 1930 - 1990, Whitney Museum of American Art, New York, NY, USA
15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA, USA
Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice, Italy (catalogue)
Italia-America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino (catalogue)
Regard sur une collection d'aujourd'hui, Chateau de Tanlay, Burgundy, France
New York Painters, Sammlung Goetz, Munich, Germany
Legend In My Living Room, Rhona Hoffman Gallery, New York, NY, USA
Wall Works, Edition Schellman, Cologne, Germany
Works on Paper, Kohn Abrams Gallery, Los Angeles, CA, USA
Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA, USA
Peter Halley, Todd Levin, video project, Thread Waxing Space, New York, NY, USA
Living With Art - The Collection of Ellen & Saul Dennison, The Morris Museum, Morris, NJ, USA
Color, Pamela Auchincloss Gallery, New York, NY, USA
I Love You More Than My Own Death, Venice Biennale, Venice, Italy
New York on Paper, Galerie Thaddeus Ropac, Paris, France

1992
Who’s Afraid of Duchamp, Minimalism, and Passport Photography?, Annina Nosei Gallery, New York, NY, USA (catalogue)
Tattoo, Andrea Rosen Gallery, New York, NY, USA
Steve di Benedetto, Scott Grodesky, Peter Halley, Steven Parrino, Andrea Rosen Gallery, New York, NY, USA
Peter Halley, Albert Oehlen, Christopher Wool, Galeria Senda, Barcelona, Spain
Re: Framing Cartoons, Wexner Center for the Arts, Ohio State University, Columbus, OH, USA
The Ends of Abstraction: Selections from the Douglas S. Cramer Collection, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, USA
Terminal Instructions (From the Technocracy), Four Walls, Brooklyn, NY, USA
C'est pas la fin du monde, Le Musee d'Application, Rennes, France
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, IL, USA
Slow Art, P.S.1 Museum, Long Island City, NY, USA
Rubin Spangle Gallery, New York, NY, USA
The City Influence: Ross Bleckner, Peter Halley, Jonathan Lasker, The Dayton Art Institute’s Museum of Contemporary Art at Wright State University, Dayton, OH, USA
Ross Bleckner, Richmond Burton, Peter Halley, Philip Taaffe, Rubenstein/Diacono Gallery, New York, NY, USA (catalogue)
Psycho, Kunsthall, New York, NY, USA (catalogue)
The Eighties in the Collection of la Caixa Foundation, EXPO'92, Seville, Spain
Theoretically Yours, Regione Autonoma della Valle d'Aosta Assessorato Pubblica Instruzione, Aosta Valley, Italy

1991
American Art of the 80's, Museo d'Arte Moderna e Contemporanea, Trento, Italy
Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, NY, USA (catalogue)
Contemporary Art from The Collection of Jason Rubell, Duke University Art Museum, Durham, NC, USA (catalogue)
1991 Biennal, Whitney Museum of American Art, New York, NY, USA (catalogue)
American Abstraction at the Addison, Addison Gallery of American Art, Andover, MA, USA; Cheekwood, Tennessee Botantical Gardens and Museum of Art, Nashville, TN, USA; Wichita Art Museum, Wichita, KS, USA; Huntsville Museum of Art, AL, USA, C.A.J. Memorial Gallery; Newport Harbor Art Museum, Newport, Rhode Island, USA; Terra Museum of American Art, Chicago, IL, USA Huntington Museum of Art, Huntington, WV, USA (catalogue)
Metropolis, Martin-Gropius-Bau, Berlin, Germany (catalogue)
Paintings and Drawings, Daniel Weinberg Gallery, Santa Monica, CA, USA
Le Desert Peint, Galerie Renos Xippas, Paris, France (catalogue)
Anni Novanta, Galleria Communale d'Arte Moderna, Bologna, Italy (catalogue)
Gallery Bruno Bischofberger, Zurich, Switzerland
Objects for the Ideal Home: The Legacy of Pop Art, The Serpentine Gallery, London
Power: Its Myths and Mores in American Art, 1961-1991, Indianapolis Museum of Art, IN; Akron Art Museum, Akron, OH; Virginia Museum of Fine Arts, Richmond, VA, USA (catalogue)
Vertigo, Galerie Thaddaeus Ropac, Paris, France (catalogue)
Stages of Light: Barnett Newman, Andy Warhol, Peter Halley, Galerie Jablonka, Cologne, Germany
Art of the 1980's: Selections from the Collection of the Eli Broad Family Foundation, Duke University Museum of Art, Durham, NC, USA
Conceptual Abstraction, Sidney Janis Gallery, New York, NY, USA (catalogue)
La Metafisica Della Luce, John Good Gallery, New York, NY, USA (catalogue)
A Passion for Art, Tony Shafrazi Gallery, New York, NY, USA
in anderen Raumen, Krefelder Kunstmuseen, Museen Haus Lange und Haus Esters, Krefeld, Germany (catalogue)

1990
Red, Galerie Isy Brachot, Brussells, Belgium (catalogue)
Bild und Wirklichkeit, Galerie Albrecht, Munich, Germany
Un Art de la Distinction?, Centre d'art contemporain, Abbaye Saint- Andre, Meymac, Correze, France (catalogue)
Word as Image: American Art 1960-1990, Milwaukee Art Museum, Milwaukee, WS; Contemporay Arts Museum, Houston, TX, USA (catalogue)
The Future of the Object, Galerie Ronnie Van de Velde, Antwerp, Belgium (catalogue)
The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York, NY, USA
Re-Framing Cartoons, Loughelton Gallery, New York, NY, USA
Grids, Vrej Baghoonian Gallery, New York, NY, USA
Modern Detour: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue)
The Last Decade: American Artists of the 80's, Tony Shafrazi Gallery, New York, NY, USA (catalogue)
nonrePRESENTation, Security Pacific Corporation, Los Angeles, CA, USA (catalogue)
Weitersehen (1980-1990), Krefelder Kunstmuseen, Museen Haus Esters, Krefeld, Germany
Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York, NY, USA
Classical Modernism: Six Generations, Sidney Janis Gallery, New York, NY, USA
Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris, France
Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin, Germany

1988
Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York, NY, USA (catalogue)
Horn of Plenty, Stedelijk Museum, Amsterdam, The Netherlands (catalogue)
Abstraction in Question, John and Marble Ringling Museum of Art, Saratosa, FL; Center for the Fine Arts, Miami, FL, USA (catalogue)
Paula Cooper Gallery, New York, NY, USA
A Climate of Site, Galerie Barbara Farber, Amsterdam, The Netherlands (catalogue)
Science-Technology-Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH, USA (catalogue)
Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt, Germany (catalogue)
Re-Presenting the 80's, Simon Watson Gallery, New York, NY, USA (catalogue)
Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; San Francisco, CA, USA Museum of Modern Art, San Francisco, CA, USA; Albright-Knox Art Gallery, Buffalo, NY, USA; Milwaukee Art Museum, Milwaukee, WS, USA; Corcoran Gallery of Art, Washington, DC, USA; Artist Union Hall of the Tretyakov, Krymskaia, Embankment, Moscow, Russia; State Picture Gallery of Georgia, Tbilisi, Georgia; Central Exhibition Hall, Saint Petersburg, Russia (catalogue)
The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg, Germany (catalogue)
New Editions, Pace Prints, New York, NY, USA
Psychological Abstraction, Deste Foundation, Athens, Greece (catalogue)
Exposition Inaugurale, Fondation Daniel Templon, Musee Temporaire, Frejus, France (catalogue)
Wittgenstein, The Play of the Unsayable, Wiener Secession, Vienna; Palais des Beaux-Arts, Brussels, Belgium (catalogue)
Abstraction-Geometry-Painting, Albright-Knox Art Gallery, Buffalo, NY; Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WS; Yale University Art Gallery, New Haven, CT (catalogue)
New Work by Gallery Artists, Sonnabend Gallery, New York, NY
Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich, Germany (catalogue)
Projects and Portfolios: The 26th National Print Exhibition, The Brooklyn Museum, New York, NY, USA (catalogue)
Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH, USA
Buena Vista, John Gibson Gallery, New York, NY, USA (catalogue)
Erotophobia, Simon Watson Gallery, New York 1988 "Cultural Geometry", Deste Foundation, Athens (catalogue)
Collection Sonnabend, Centro de Arte Reina Sofia, Madrid; touring to capcMusee d'art contemporain, Bordeaux; Hamburger Banhof, Berlin; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Tokyo, Japan (catalogue)
Group Show, Galerie Lelong, New York, NY, USA
A Drawing Show, Cable Gallery, New York "Hover Culture", Metro Pictures, New York, NY, USA
Art at the End of the Social, Rooseum Gasverksgatan, Malmo, Sweden (catalogue)
Australian Biennal, Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne, Australia (catalogue)
La Couleur Seule, Musee Saint Pierre, Lyon, France (catalogue)
Hybrid Neutral, Modes of Abstraction and the Social, The University of North Texas Gallery, Denton, TX; The J.B. Speed Art Museum, Louisville, KY ; Alberta College Gallery of Art, Alberta, Canada; The Contemporary Arts Center, Cincinatti, OH; Richard F.Brush Art Gallery, Gainsville, FL; St. Lawrence University, Canton, NY; Santa Fe College Art Gallery, Santa Fe, NM, USA (catalogue)
Works Concepts Processes Situations Information, Galerie Hans Meyer, Dusseldorf, Germany
BiNATIONAL: American Art of the Late 80's, Museum of Fine Arts, Boston and The Institute of Contemporary Arts, Boston; touring to Kunsthalle, Dusseldorf; Kunsthalle, Bremen, Germany; Wutlembergischer Kunstverein, Stuttgart, Germany (catalogue)
Carnegie International, Carnegie Museum.of Art, Pittsburgh, PA, USA (catalogue)
New Works, Daniel Weinberg Gallery, Los Angeles, CA, USA
A Debate on Abstraction, Hunter College Art Gallery, New York, NY (catalogue)
Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Guggenheim Museum, New York, NY, USA
Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago, IL, USA (catalogue)

1987
1987 Biennal, Whitney Museum of American Art, New York, NY, USA (catalogue)
Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY, USA (catalogue)
Reconstruct/Deconstruct, John Gibson Gallery, New York, NY, USA (catalogue)
Extreme Order, Galleria Lia Rumma Gallery, Naples, Italy (catalogue)
Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, CA, USA
Paint-Film, Bess Cutler Gallery, New York, NY, USA
Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT, USA (catalogue)
NY Art Now: The Saatchi Collection, London, England (catalogue)
Generations of Geometry, Whitney Museum of American Art at Equitable Center, NY, USA
Similia/Dissimilia, Columbia University, New York; touring to Sonnabend Gallery and Leo Castelli Gallery, New York; Stadtische Kunsthalle, Dusseldorf, Germany (catalogue)
The Castle, Documenta 8, Kassel, Germany
Galerie Reinhard Onnasch, Berlin, Germany
Anti-Baudrillard, White Columns, New York, NY, USA
Recent Tendencies in Black and White, Sidney Janis Gallery, New York, NY, USA (catalogue)
Currents 12: Simulations, New American Conceptualism, Milwaukee Art Museum, Milwaukee, WS, USA (catalogue)
Terrae Motus, Grand Palais, Paris, France (catalogue)
The Beauty of Circumstance, Josh Baer Gallery, New York, NY, USA (catalogue)
New York Now, The Israel Museum, Jerusalem, Israel (catalogue)


1986
Admired Work, John Weber Gallery, New York, NY, USA
Spiritual America, CEPA Galleries, Buffalo, NY Stavanger Faste Galleri, Stavanger, Norway
New New York, Cleveland Center for Contemporary Art, Cleveland, OH, USA
Signs of Painting, Donald Young Gallery, Chicago, IL, USA
Painting and Sculpture Today: 1986, Indianapolis Museum of Art, Indianapolis, IN, USA
Political Geometries: on the Meaning of Alienation Hunter College Art Gallery, New York, NY, USA (catalogue)
Post Pop, Michael Kohn Gallery, Los Angeles, CA, USA
Paravision, Margo Leavin Gallery, Los Angeles, CA, USA
Tableaux Abstraits, Villa Arson, Nice, France (catalogue)
Europe America, Ludwig Museum, Cologne, Germany (catalogue)
End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA, USA (catalogue)
Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York, NY, USA
The Hidden Surface, Middendorf Gallery, Washington, DC, USA
Geometry Now, Craig Cornelius Gallery, New York, NY, USA
Surfboards, Michael Kohn Gallery, Los Angeles, CA, USA
El arte y su doble, Fundacion Caja de Pensions, Madrid; Fundacio Caixa de Pensions, Barcelona, Spain (catalogue)
Rooted Rhetoric, Castel Dell'Ovo, Naples, Italy

1985
Final Love, Cash/Newhouse, New York, NY, USA
Postmasters, New York, NY, USA
Jay Gorney Modern Art, New York, NY, USA
Post-Style, Wolff Gallery, New York, NY, USA
International With Monument, New York, NY, USA
Selected Works, Metro Pictures, New York, NY, USA
Cult and Decorum, Tibor de Nagy Gallery, New York, NY, USA
A Brave New World, A New Generation, Udstillingsbygnignen, Charlottenborg, Copenhagen, Denmark
Biennale de Sao Paulo, Sao Paulo, Brazil
Infotainment, Rhona Hoffman Gallery, Chicago; Texas Gallery, Houston, TX, USA
Currents, Institute of Contemporary Art, Boston, MA, USA

1984
Brilliant Color, Baskerville and Watson, New York, NY, USA
The New Capitol, White Columns, New York, NY, USA
International With Monument, New York, NY, USA
Re-Place-ment, Hallwalls, Buffalo, NY, USA
Selections, Artists Space, New York, NY, USA
Daniel Newburg, New York, NY, USA

1983
Chrisminster Fine Art, New York, NY, USA
New Works, New York, Carol Taylor Fine Art, Dallas, TX, USA
Tradition, Transition, New Vision, Addison Gallery of American Art, Andover, MA, USA

1982
The Drawing Center, New York, NY, USA
Dangerous Works, Parsons School of Design, New York, NY, USA

1981
P.S. 122, New York, NY, USA

1980
Contemporary Arts Center, New Orleans, LA, USA

1979
American Academy and Institute of Arts and Letters, New York, NY, USA

1978
Newspace Gallery, New Orleans, LA, USA


Selected Bibliography

2016
Gentles, Tim ‘Bad Faith’, review, Frieze, 15 September
Rosenberg, Karen, ‘Bad Faith’ review, New York Times, 25 August
‘Bad Faith’, The New Yorker, September
‘Geometry of the Absurd: Recent Paintings by Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA

2015
Benjamin Colman, ‘Peter Halley: Big Paintings’ exh. cat. (Old Lyme: Florence Griswold Museum, 2015)
Sharon Butler, ‘Peter Halley: Hyperreal’ Two Coats of Paint (www.twocoatsofpaint.com), 17 April 2015
Ted Loos, ‘Displaying New Art in Old Museums’ The New York Times, 19 March 2015, ill. (color), F10.
Kristina Dorsey, ‘Big and Bold: Flo Gris Showcases Peter Halley’s Monumental Paintings’ The Day, Events & Exhibitions, March 12, 2015
Kate Hartman, ‘Big Halley’ Connecticut Magazine, v. 78 n. 2 (February 2015): 24.
Adrian Searle, ‘Planet of the Shapes: How Art and Society Were Driven to Abstraction’ The Guardian, Arts Section, January 14, 2015, p. 16 - 17.

2014
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al., Peter Halley – Prisons, exh. cat. (Jena: Friedrich Schiller University, 2014).
Jo Melvin, Peter Halley Since 2000, exh. cat. (Saint-Priest-en-Jarez and Brussels: Musée d’Art Moderne Saint-Etienne Métropole and Maruani & Noirhomme Gallery, 2014)
Galerie Forsblom, ed., Peter Halley, exh. cat. (Helsinki: Galerie Forsblom, 2014)
Jim Walrod, ‘Peter Halley: Remain In Light’ Apartamento Magazine, Issue 14 (Autumn/Winter): 90-105.
Linda Yablonsky, ‘Holy Moly’ W Magazine, November 2014, p. 53
Travis Diehl, ‘Meditations on a Diptych’ The Brooklyn Rail, www.brooklynrail.org, 3 October
‘Solo Exhibition of Work by American Artist Peter Halley Opens at Art Plural Gallery’ ArtDaily online, 1 September
Juan Bolivar, ‘Peter Halley in Conversation with Juan Bolivar for Turps Banana’ TURPS Banana Magazine, Issue 14 (Spring 2014): 4-13.
‘Broad Stripes and Bright Stars: New Artworks Inspired by the National Icon’ Smithsonian, (Jun 2014): 48-49.
Claudia Steinberg, ‘With Dense Color’ Architektur und Wohnen, June
Andreas Platthaus, “These Prisons Let No One Go,” Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 13 Jun 2014, NR. 135, p. 11.
Claire Wrathall, ‘Cartier: Building Foundations’ The Telegraph, 8 June
Lioba Knipping, ‘Jena Has a Good Reputation in the Art World’ TLZ, Jena, Germany, 7 June
Ivo Bonacorsi, ‘Vivid Memories’ domus Digital Edition, 26 May
‘Prison Hits Las Vegas’ taz.de, 23 May
Caroline Roux, ‘The Foundation Cartier Launches an All-Star Exhibition Programme in Honour of its 30th Anniversary’ Wallpaper*, 16 May
Lioba Knipping, ‘Strict Form, but an Explosion of Color, TLZ, Jena, Germany, 8 May
Padraic E. Moore, ‘Neo-Geo Now’ This Greedy Pig, 3 May
Scott Indrisek, ‘Remembering Index Magazine with Peter Halley’ BLOUIN ARTINFO, 28 Apr
Alexander R. Galloway, ‘What Can a Network Do?’ SPIKE, Spring 2014 p. 64-71
Pariss Sloan, ‘Pleasure and Alienation’ Tirade Magazine, Issue 3, April 2014, p. 10, pp. 11-20
Rafael de Cárdenas, ‘The Way You Always Wanted to See’em’ Flash Art, v. 47, n. 295 March-April p. 50 -57.
Andrew M. Goldstein, ‘10 of the Best Artworks at the 2014 Armory Show ArtSpace, 6 March
Elio Cappuccio & Demetrio Paparoni, ‘The Concretion of the Abstract,’ ARTE AL LIMITE, Issue 64, February, p. 100 - 105.
Patrick Scemama, ‘Saint-Etienne on New York time’ Lá République, 20 January
Sophie Lespiaux, ‘Peter Halley’ PARISart, 17 January

2013
Siegfried Weishaupt, American Idols: From Basquiat to Warhol, n. 8, exhibition catalogue (Ulm, Germany: Kunsthalle Weishaupt, 2013).
Joe Day, ed., Corrections & Collections: Architectures for Art and Crime (New York: Routledge, 2013), 19-22.
Karlyn De Jongh, Sarah Gold, et al, Personal Structures: Time Space Existence (Cologne, Germany: Global Art Affairs Foundation, 2013), 178 - 181
Ingvild Goetz, Karsten Löckemann, et al, When Now is Minimal. The Unknown Side of the Goetz Collection, exhibition catalogue, Neues Museum, Nuremberg, Germany (Ostfildern, Germany: Hatje Cantz Verlag, 2013), 106 - 111
Heute Malerei, exhibition catalogue, Kunstmuseum Kloster unser lieben Frauen Magdeburg (Berlin: Jovis Verlag, 2013), 54 - 65
Keith Banner, ‘Clear as a Bell: Peter Halley at Solway Gallery’, AEQAI, Cincinnati , 24 November
Karen Chambers, ‘Explosions of Color’ The Cincinnati Enquirer, 10 November
Mark Prince, ‘Peter Halley: Waddington Custot Galleries, London’ Frieze Magazine, issue 157, September, p. 154
‘An Intense Interaction Between Painting and Architecture’ Blog del Diseño, 1 August
Jean-Claude Le Gouic, ‘Peter Halley, Florescent Geometry,’ lacritique.org, 17 July
Ken Johnson, ‘Reinventing Abstraction: New York Painting in the 1980s’ The New York Times, 12 July, C23
Umberta Genta, ‘Prague Biennale: Interview With Director Helena Kontova’, Flash Art, issue. 291, Vol. 46, July/August/September p. 57 - 58
Roxana Azimi, ‘A Double Edged ‘Retromania’ Le Quotidien de l’Art, issue. 416, 9 July, p. 1
Andrew Russeth, ‘Peter Halley and Alessandro Mendini’ New York Observer, 5 June
Scott Indrisek, ‘Studio Check: Peter Halley’ Modern Painters, June 2013, p 42 - 43
‘Wild Style’ Modern Painters, June 2013, p. 15
‘Peter Halley + Alessandro Mendini’ Design Porteur, 7 May
‘Peter Halley & Alessandro Mendini’ Modern Painters Daily, 3 May
John Bunker, ‘Peter Halley’ Abstract Critical, 22 April
Alexandre Stipanovich, ‘In the Studio with Painter Peter Halley’ Opening Ceremony, 15 April
Ian Graves, ‘Celebrated Artist Peter Halley Exhibits Works in Costa Rica’ La Nación, San José, 31 March p. 3
Waldemar Januszczak, ‘Finally, Masterpieces in DayGlo’ The Sunday Times, London, 14 April, p. 12 - 13
Kelly Crow, ‘A Geometry Guru Stays True to Form’ The Wall Street Journal, New York, 13 - 14 April C20
Pepe Karmel, ‘The Golden Age of Abstraction: Right Now’ ArtNews, v. 112, n. 4 April, p. 66-72.
‘Scandal’ Connaissance des Arts, issue 714, April, p. 43
Joshua Kopstein, ‘The Thing Redialed: How a BBS Changed the Art World and Came Back from the Dead’ The Verge, 15 March
Lilly Wei, ‘Conceptual Abstraction, Hunter College, Times Square’ Art in America, February, p. 106 - 107
Jonah Wolf, ‘The Dream of the ’90s is Alive at the New Museum’ Paper, 14 February
Judicaël Lavrador, ‘Return to the Future’ Les InRockuptibles, issue. 895, 23 January, p 102 - 103

2012
Veneciano, Jorge Daniel and L. Kent Wolgamott, ‘The Geometric Unconscious a conversation with Jorge Daniel Veneciano,’ Journal Star, October 27
Karmel, Pepe and Joachim Pissarro, Conceptual Abstraction, exhibition catalogue, Hunter College, Times Square Gallery, New York, pp. 30-31.
Rondeau, James and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, Chicago: Art Institute of Chicago, pp. 81-82, 87
Arensi, Flavio, ‘La parola al gallerista: Massimo Minini’ Arte, September, p. 18 - 19
Peter Halley: 8 Small Prisons and Other Works, exhibition catalogue, Galeria Senda, Barcelona
Veneciano, Jorge Daniel, The Geometric Unconscious: A Century of Abstraction, Lincoln, NE and London: University of Nebraska Press, pp. 56-71.
Durand, Guillaume, ‘Le Musée des Contradictions’ L’Officiel Art, June/July/August, Italy
Reneau, Olivier, ‘Une Petite Histoire de Magazines’ L’Officiel Art, April/May/June, Italy
Waxman, Lori, ‘Museum of Contemporary Art looks back at the 80s’ Chicago Tribune, April 25
Speer, Richard, ‘Disjecta: Portland, Oregon’ ARTnews, April, p. 115
Kastner, Jeffrey ed., Nature: Documents of Contemporary Art, Cambridge, MA: MIT Press
Speer, Richard, Peter Halley: Prison, Willamete Week, 20 January
Nagy, Jenene, ‘Peter Halley’s Prison’ NY Arts, 12 January

2011
‘Peter Halley “Judgment Day”: An Installation in Personal Structures at the Venice Biennale’ Artdaily.org, 21 June
Dimant, Elyssa, Minimalism and Fashion: Reduction in the Postmodern Era, HarperCollins, p. 204 - 206, New York, NY
De Jongh, Karlyn and Sarah Gold, Personal Structures, La Biennale di Venezia, 2011, exhibition catalogue, Global Art Affairs Foundation, p.42 - 47, Bonn, Germany
Ciscar Casaban, Consuelo and Francisco Calvo Serraller, Obras Maestras de Pintura en la Colección del IVAM. Pasado, Presente y Futuro,exhibition catalogue, IVAM, p. 160 - 261, Valencia, Spain
PMLA: Publications of the Modern Language Association of America, March 2011, No. 2, p. 304, New York (cover)
Johnson, Ken, ‘Uptown, a Jumble of Treasures’ The New York Times, 22 April, p C32
Schiera, Claudia, ‘Linguaggio Contemporaneo’ Side Magazine, May 2011, Issue # 5, p.72, Milan
Book Moda, p. 1 (cover) and p. 42, N.111, Milan
Inal, Güseli,’Contemporary Istanbul’ Yapi, January, p. 162 and p. 350
Melrod, George, and Christostpher Miles, Goldmine, exhibition catalogue, University Art Museum, California State University Long Beach, p. 69, Long Beach, CA, USA


2010
Fuller, Graham, ‘BZ & Michael Schwartz, Art as Family’ 80s, 17 December, auction catalogue, Phillips De Pury, p. 34 and p. 37, New York
Tarnogradskaya, Elvira, ‘Peter Halley: The Discipline of Ideal Proportions’ www.mainpeople.ru, 29 September
Kulik, Irina, ‘I Do Not Believe in the Linear History of Art’ Culture, Kultura Limited section, 9 September – 6 October, p. 7
Murashkina, Raisa, ‘Famous American Artist Peter Halley Has Taken Interest in Russian Icons’ Komsomolskaya Pravda, 20 October
Zacharov, Denis, ‘A in His Geometry Course’ Itogi, 20 September, p. 76
Novozhenova, Aleksandra, ‘I Felt that My Prints Were Almost a Premonition of September 11th’, Artchronika, October, p. 54 - 59
Frolov, Oleg, ‘Interview: Peter Halley’ Populist, issue. 1, December 2010, p. 2 - 6
De Jongh, Karlyn, ‘Interconnection and Isolation. Peter Halley in an interview with Karlyn De Jongh – Part 1’ Dart International, issue. 27, Fall 2010, p. 32 - 34. Reprint of 2009 interview, Personal Structures: Time Space Existence, ed. Peter Lodermeyer, Karlyn De Jongh, Sarah Gold, DuMont Buchverlag, p. 276 – 281, Cologne
‘Schaufwerk, Sindelfingen: 100 artists --100 works—100 positions’ Schaufwerk (Collection Schaufler), Sindelfingen, collection catalogue, Dumont Buchverlag, Köln, and the Schaufler Foundation, Sindelfingen, p. 58 - 59, Germany
Onnasch, Reinhard, Susanne Lenze, Susanne Jensen, El Sourdog Hex: Nineteen Artists, exhibition catalogue, Kerber Verlag, pp. 160-171, Bielefeld, Germany.
Maine, Stephen, exhibition review, Art in America, June - July, p. 182 - 183
Trezzi, Nicola, exhibition review, Flash Art, May - June, p. 113
Kellein, Thomas, The 80s Revisited: Collection Bischofberger, exhibition catalogue, Dumont Buchverlag, p. 262 - 275, Köln, Germany
Schellmann, Jorg, Julienne Lorz, Forty Are Better Than One, Hatje Cantz Press, p. 132 - 133, 378, 401, Ostfildern, Germany
Global New Art: Taguchi Art Collection #01, Bijutsu Shuppan-Sha Co., LTD, p. 47 - 48, Tokyo, Japan.
‘Contemporary Istanbul’ RH+artmagazine, January issue, p. 43 and 45
Tate Angel, Carolyn, ‘Fine Art Echoes at Balenciaga,” http://www.wmagazine.com, March 5, 2010.
Wilson, Michael, exhibition review, Timeout New York, March 4, p. 36
‘Proof is in the Pink’ Timeout New York, February 25, p. 45 and p. 46
Rubin, David, Robert C. Morgan, Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue, the San Antonio Museum of Art and MIT Press, San Antonioand Boston

2009
Schambelan, Elizabeth, exhibition review, Art Forum, December, p. 228 - 229
Carrier, David, ‘Peter Halley Early Work: 1982 to 1987 at Mary Boone’ www.artcritical.com, October
Schleussner, Laura, exhibition review, Flash Art, November, p. 100
Ardenne, Paul, Art, The Present: the work of art at the turn of the 21st century, Edition Du Regard, p. 168, Paris
Bjone, Christian, Art and Architecture, Birkhauser Verlag AG, p.172, Basel, Boston, Berlin
Meneguzzo, Marco, The 80’s: An Italian Perspective, exhibition catalogue, Silvana Editoriale, p. 188 - 189, Milan
Bonham-Carter, Charlotte and David Hodge, The Contemporary Art Book, Carlton Books, p. 97, London
Rattemeyer, Christian, The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Museum of Modern Art, p 138, New York
Meixner, Christiane, ‘Christiane Meixner Is Interested in a Painter without a Concrete Subject’, Der Taggespiegel, Art and Market Section, 4 July 4, issue. 20 p. 309
Negre, Louis and Sean J. Rose, When the First Intoxication of Loud Success… exhibition catalogue, CAPC Museum of Contemporary Art, p. 27, Bordeaux
Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels
Aupetitallot, Yves, Images and (Re)presentations: The Eighties, Second Part, exhibition catalogue, Le Magazine, National Center of Contemporary Art, p. 177, Grenoble
De Toledo, Amaya, ‘An Engine to Live’ Architectural Digest (Spanish edition), June, issue. 37, p. 1
Hinrichsen, Jens, ‘The Collector Reinhard Onnasch Shows Classics of the Present in an Exhibition Space in Berlin’ Tagesspiegel, 6 June, 2009, p. 27
Dotti, Marco, ‘Disintegrated Circuits: The Paradoxes of the Crisis According to Peter Halley’, Il Manifesto, 24 May, p.11
Vatner, Jonathan, ‘For New Hotels, Art Isn’t Merely Decoration’ The New York Times, May 3, p. 2
Gardner, James, ‘The Medium is the Message’ The Wall Street Journal, 24 March, p. D7
Gerosa, Maria, Architectural Digest (Italian edition), February 2009, issue. 333, p. 1 and p. 114
Hinds, Katherine, Kertess Klaus, Martin Margulies and Peter Plagens, The Martin Z. Margulies Collection, Painting and Sculpture, The Martin Z. Margulies Foundation, 2009, Miami
Ryan McGinness Works, Rizzoli International, 2009, New York.

2008
Fine , Ruth, Fifty Works for Fifty States, exhibition catalogue, The Dorothy and Herbert Vogel Collection, The National Gallery of Art, p. 188, Washington D.C.
Saiardi, Roberta, ‘The Big Bang? It is at the Bilotti Museum. The secrets of the cosmos in a group exhibition,’ Romanotizie, 25 June
Larcan, Laura, ‘When art resembles science and the 'big bang' is a museum piece’ La Repubblica, 2 July
Mercurio, Gianni, The Big Bang, exhibition catalogue, Museo Carlo Bilotti, p. 72-83, Rome
Politi, Giancarlo, ‘Peter Halley At the End of History’ interview, Flash Art, July – September, p. 164-167
Lorenzi, Fausto, ‘Peter Halley and Alessandro Mendini, Life Imprisioned and Liberated by Geometry’
Giornale di Brescia, 19 March
Ghilardi, Silvia, ‘Exchanges of Views (and of Colors)’ Il Brescia, 20 March
Paton, William, ‘Peter Halley/ Dream Game’ The New, Christies, Mason & Woods, Ltd., London
‘Contemporary Art’ The Columbia Encyclopedia, Sixth Edition, Columbia University Press, New York
Vogel, Peter, ‘Peter Halley, An Artist and His City’ Parnass Kunst Magazine, p. 78 - 85
Koestenbaum, Wayne and Luca M. Yenturi, Peter Halley, exhibition catalogue, BSI Art Collection, Turin
Paparoni, Demetrio, ‘Peter Halley. Landscapes from Life’ Peter Halley Works for Projects, exhibition catalogue, Galleria In Arco, Turin
Frei, Georg, Abstract Vision, exhibition catalogue, Thomas Ammann Fine Art AG, p. 16 - 17, Zurich

2007
Peter Halley, exhibition catalogue, Waddington Galleries, London
27th Biennial of Graphic Arts, exhibition catalogue, International Centre of Graphic Arts, Ljubljana, p. 168 - 171
Inal, Güseli, ‘Acid Colors & New Geometry: Peter Halley’ Artist actual, September, p. 42 - 44
Puri, Madhu, ‘Block Party’ Interview,

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