CV
Born in Rahway, NJ, USA, 1941
Lives and works in New York, NY, USA


Education

1963     BA Trinity College, Hartford, CT, USA


Selected Solo Exhibitions

2018
Tomio Koyama Gallery, Tokyo, Japan (forthcoming)
Pace Gallery, Geneva, Switzerland (forthcoming)
It Seems Like It’s Going To Be, The Phillips Collection, Washington, D.C., USA (forthcoming)
Thoughts of Trees, Pace Gallery, Seoul, South Korea

2017
Light and Colour, Mu.ZEE, Oostende, Belgium
The Critical Edge, Pace Gallery, London
My Birthday Puzzle, Stuart Shave/Modern Art, London
De Hallen Haarlem, Haarlem, Netherlands

2016
al Cielo de Noche de Lima / to The Night Sky of Lima, Proyecto AMIL, Lima, Peru and Museo de Arte de Lima (MALI), Lima, Peru
26, Pace Gallery, New York, NY, USA
Critical Edge, The Metropolitan Museum of Art, New York, NY, USA
Καλλίρροος kallirroos schön-fliessend, Kunstmuseum Winterthur, Winterthur, Switzerland
The Inevitable Husband, Gemini, G.E.L., Los Angeles, CA, USA
A Print Retrospective, Oklahoma State University Museum of Art, Stillwater, OK, USA

2015
Drawing Groups, Annemarie Verna Gallery, Zurich, Switzerland
Separation,
Stuart Shave/Modern Art, London
Both/And Richard Tuttle Print and Cloth,
Fabric Workshop and Museum, Philadelphia, PA, USA
Wire Pieces, Pulitzer Arts Foundation, St. Louis, MO, USA

2014
A room within the collection and a drawing cabinet, Kunstmuseum Winterthur, Winterthur, Switzerland
Hauser & Wirth, Somerset
I Don’t Know or The Weave of Textile Language, Turbine Hall, Tate Modern, London and Whitechapel Gallery, London. Travelled to: The Fabric Workshop and Museum, Philadelphia, PA, USA.
A Print Retrospective, Bowdoin College Museum of Art, Brunswick, ME, USA
1, 2, 3, Galleri Nicolai Wallner, Copenhagen, Denmark
Looking for the Map, Pace Gallery, New York, NY, USA

2013
Matter, Marian Goodman, Paris, France
Walking in Air: An Exhibition by Richard Tuttle, TAI Gallery, Santa Fe, NM, USA
The Thrill of the Ideal: Richard Tuttle; The Reinhart Project,
Pocket Utopia, New York, NY, USA
The Place in the Window
, Tomio Koyama Gallery, Kyoto, Japan

2012
Slide, Bergen Kunsthall, Bergen, Norway
Hello The Roses, with Mei-mei Berssenbrugge, Kunstverein Munich, Germany
Werke aus Münchner Privatsammlungen, Pinakothek der Moderne, Munich, Germany
Systems, VIII–XII, Pace Gallery, New York, USA
Paper, Annemarie Verna Gallery, Zurich, Switzerland

2011
Light and Colour, Stuart Shave/Modern Art, London
What’s the Wind, The Pace Gallery, New York, NY, USA

2010–2011
Triumphs, Dublin City Gallery, The Hugh Lane, Dublin, Ireland (exhb. cat.)

2010
A Drawing Retrospective, Annemarie Verna, Zurich, Switzerland
New Works, Galleri Nicolai Wallner, Copenhagen, Denmark
“Village V”, 2004, Sperone Westwater, New York, NY, USA
Metal Shoes, Dunn and Brown Contemporary, Dallas, TX, USA
Metal Shoes, Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA
Seeing Intimacy: Richard Tuttle on Paper, Craig F. Starr Gallery, New York, NY, USA (exhb. cat.)

2009–2010
Renaissance Unframed 1-26, Carolina Nitsch Project Room, New York, NY, USA (exhb. cat.)

2009
L’nger than Life, Stuart Shave/Modern Art, London
Walking on Air, PaceWildenstein, New York, NY, USA

2008
Craft, Annemarie Verna Gallery, Zurich, Switzerland
The Use of Time, Kunsthaus Zug, Switzerland

2007
Memory Comes From Dark Extension, Sperone Westwater, New York, NY, USA
Tomio Koyama Gallery, Tokyo, Japan
5 x 5 x 5, Galleri Nicolai Wallner, Copenhagen, Denmark

2006–2007
Half-Light Alphabet, Galerie Ulrike Schmela, Düsseldorf, Germany and Galerie Lena Bruning, Berlin, Germany (exh. cat.)

2006
The Kreutzer Sonata: Historical Work by Richard Tuttle, Nyehaus and Zwirner & Wirth, New York, NY, USA, (exhb. cat.)
Reflection: In the Pool, Sperone Westwater, New York, NY, USA
Unfold, FRAC, Auvergne, France, travelled to: Domaine de Kerguehennec, Bignan, France, Haute Normandie, Sotteville les Rouen, France (exhb. cat.)
Talks, Looks, Walks—Three Windows, Annemarie Verna Galerie, Zurich, Switzerland
Jürgen Becker, Hamburg, Germany

2005–2007
The Art of Richard Tuttle, San Francisco Museum of Modern Art, CA, USA; travelled to: Whitney Museum of American Art, New York, NY; Des Moines Art Center, Des Moines, IW; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art, Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, CA (exhb. cat.)

2005–2006
Prints 1973–2005, Brooke Alexander, New York, NY, USA
Constructed Relief Paintings, 1964–65, Peter Freeman, Inc., New York, NY, USA

2005
Lonesome Cowboy, Griffin Contemporary, Santa Monica, CA, USA
Anthony Meier Fine Arts, San Francisco, CA, USA
Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France (exhb. cat.)

2004–2006
It’s a Room for 3 People, Drawing Center, New York, NY, USA; travelled to: Aspen Art Museum, Aspen CO (exhb. cat.)

2004–2005
Dogs in a Hurry, De Kanselarij (organised by Foundation VHDG), Leewarden, Netherlands (exhb. cat.)

2004
Neue Arbeiten, Galerie Schmela, Düsseldorf, Germany
Type, Crown Point Press, San Francisco, CA, USA (brochure)

2003
Twenty Pearls, Sperone Westwater, New York, NY, USA
Costume, Crown Point Press, San Francisco, CA (brochure)
Celebration, Annemarie Verna Galerie, Zurich, Switzerland (exhb. cat.)

2002
Tomio Koyama Gallery, Tokyo, Japan
When We Were at Home, Galerie Schmela, Düsseldorf, Germany (exhb. cat.)
cENTER, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (exhb. cat.)
Memento, Museu Serralves de Arte Contemporánea, Porto, Portugal (exhb. cat.)
Dwight Hackett Projects, Santa Fe, NM, USA

2001–2002
In Parts, 1998–2001, Institute of Contemporary Art, University of Pennsylvania, PA, USA, December (exhb. cat.: text by Claudia Gould)

2001
Anthony Meier Fine Arts, San Francisco, CA, USA
Galerie Yvon Lambert, Paris, France
New Books and Portfolios, Annemarie Verna Galerie, Zurich, Switzerland
Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection, Kabinet Overholland, Stedelijk Museum, Amsterdam, Netherlands

2000–2001
Perceived Obstacles, Stiftung Schleswig-Holsteinische Landesmuseum, Schloss Gottorf, Schleswig, Germany; Travelled to: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster; Akademie der Künste, Berlin (exhb. cat.)

2000
Two With Any To, Sperone Westwater, New York, NY, USA
A/D, New York, NY, USA
White Sails, Annemarie Verna Galerie, Zurich, Switzerland
Richard Tuttle, 1981–1999, Galerie Meert Rihoux, Brussels, Belgium
Reservations, BAWAG Foundation, Vienna, Austria (exhb. cat.: text by John Yau)

1999–2000
Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999), Kunsthaus Zug, Switzerland (exhb. cat.)

1999
Mandevilla—Aquatints from Crown Point Press, Greg Kucera Gallery, Seattle, WA, USA
New Work, Galleria Marilena Bonomo, Bari, Italy
Community, Arts Club of Chicago, IL, USA (exhb. cat.: text by Kathy Cottong)
70s Drawings, Jürgen Becker, Hamburg, Germany
The Dust When You Come Over the Hill (Morocco), Rhona Hoffman Gallery, Chicago, IL, USA
Galleria Cardi, Milan, Italy
Once Voice in Four Parts, Cencebaugh Contemporary, New York, NY, USA

1998–1999
Replace the Abstract Picture Plane, Books and New Works. The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland (exhb. cat.)
Die Konjunktion der Farbe, Ludwig Forum für Internationale Kunst, Aachen, Germany

1998
New Mexico, New York, Sperone Westwater, New York, NY, USA
The Thinking Cap, Fabric Workshop and Museum, Philadelphia, PA, USA
Chandeliers, A/D, New York, NY, USA
Small Sculptures of the 70s, Annemarie Verna Galerie, Zurich, Switzerland (exhb. cat.)
New Etchings, Crown Point Press, San Francisco, CA, USA
Richard Tuttle, Church of Saint Paulinus, Brough Park, Catterick (in collaboration with the Henry Moore Sculpture Trust)

1997
Brooke Alexander, New York, NY, USA
California State Long Beach Art Museum, CA, USA
Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996, Kunsthaus Zug, Switzerland (exhb. cat.)
Symbol, Galerie Limmer, Cologne, Germany
New and Early Work, Art Gallery of York University, North York, Ontario, Canada

1996–1997
Books and Prints, Widener Gallery, Trinity College, Hartford, CT, USA; travelled to: New York Public Library, New York, NY (brochure; texts by Robert M. Murdock and Robert Rainwater)
Source of Imagery, Galleria Bonomo, Rome, Italy, Travelled to: Galleria Marilena Bonomo, Bari, Italy
Galerie Volker Diehl, Berlin, Germany
Mies van der Rohe Haus, Berlin, Germany (brochure)
Grey Walls Work, Camden Arts Centre, London; travelled to: Douglas Hyde Garden, Dublin, Ireland; Inverleith House, Royal Botanic Garden, Edinburgh (exhb. cat.: text by John Hutchinson; interview by Paul Nesbitt)

1996
Galleria Eva Menzio, Turin, Italy
A Chair, a Table, a Book: Richard Tuttle, Brian Kish Office for Architecture & Art, New York, NY, USA (brochure)
Renaissance Unframed 1–26, Contemporary Art Museum, University of South Florida, Tampa, FL, USA; travelled to: University Art Museum, California State University, Long Beach, CA (brochure)
Replace the Abstract Picture Plane, Kunsthaus Zug, Switzerland (exhb. cat.)
Gold and Silver on Easy Pieces, Galerie Yvon Lambert, Paris, France
New and Early Work, Sperone Westwater, New York, NY, USA

1995
Lampen, Sotel, Carin Delcourt van Krimpen, Amsterdam, Netherlands
Mary Boone Gallery. New York, NY, USA
Verbal Windows, Galleria Marilena Bonomo, Bari, Italy
North/South Axis, Museum of Fine Arts, Santa Fe, NM, USA (brochure)
Anders Tornberg Gallery, Lund, Sweden
Neue Arbeiten, Galerie Fahnemann, Berlin, Germany
Selected Works, 1964–1994, Sezon Museum of Art, Tokyo, Japan (exhb. cat.)
Time/Line, Daniel Weinberg Gallery, San Francisco, CA, USA
Europe Wired, 1–10, 1994, and Mesa Pieces, 1995, Kohn Turner Gallery, Los Angeles, CA, USA
Source of Imagery, Rhona Hoffman Gallery, Chicago, IL, USA

1994–1995
Discontinuous Space, Burnett Miller Gallery, Santa Monica, CA, USA
Texas Gallery, Houston, TX, USA

1994
Le Temps Retrouvé, Galerie Yvon Lambert, Paris, France
Prints and Related Works, Brooke Alexander Editions, New York, NY, USA
Galerie Jürgen Becker, Hamburg, Germany
Second Floor Exhibition Space, Reykjavik, Iceland
Galerie Meert Rihoux, Brussels, Belgium
Annemarie Verna Gallery, Zurich, Switzerland
A Lamp, a Chair, a Chandelier: A Work in Process, A/D, New York, NY, USA

1993–1994
Matrix: Richard Tuttle, Space/Sculpture, University Art Museum, University of California, Berkeley, CA, USA (brochure)

1993
Small…edition!, Wassermann Galerie, Munich, Germany
Arbeiten auf Papier, Galerie Karsten Greve, Cologne, Germany
Chaos, the Form, Staatliche Kunsthalle Baden-Baden, Germany (exhb. cat.; texts by Jochen Poetter and Margrit Franziska Brehm)
Galleria Marilena Bonomo, Bari, Italy
Crown Point Press, San Francisco, CA, USA
Drawing Works, Jack Tilton Gallery, New York, NY, USA
Mary Boone Gallery, New York, NY, USA

1992–1993
Oxyderood / Red Oxide, Museum Boymans-van Beuningen, Rotterdam, Netherlands (exhb. cat.; curated by Richard Tuttle)

1992
Studio la Cittá 2, Verona, Italy
New Work, Annemarie Verna Gallery, Zurich, Switzerland
Galerie Yvon Lambert, Paris, France
Mary Boone Gallery, New York, NY, USA
Early Drawings, Lawrence Markey Gallery, New York, NY, USA
New Work, Laura Carpenter Fine Arts, Santa Fe, NM, USA

1991–1992
New Works, Victoria Miro Gallery, London

1991–1995
Richard Tuttle, Institute of Contemporary Art, Amsterdam, Netherlands; travelled to: Kunstmuseum Winterthur, Switzerland as Richard Tuttle: Time to Do Everything—Floor Drawings and Recent Work; and Institut Valencià d’Art Modern, Spain; Indianapolis Museum of Art, IN, USA; Museum of Fine Arts, Santa Fe, NM, USA, as The Poetry of Form: Richard Tuttle, Drawings from the Vogel Collection (exhb. cat.)

1991
Rhona Hoffman Gallery, Chicago, IL, USA
Crickets, Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain
Sculptures et aquarelles, Galerie Pierre Hubert, Geneva, Switzerland
Galerie Weber, Alexander, y Cobo, Madrid, Spain
Oboes and Clarinets, Feuerle, Cologne, Germany

1990–1991
Inside the Still Pure Form, Blum Helman Gallery, New York, NY, USA
Octavio for Annemarie, Annemarie Verna Galerie, Zurich, Switzerland
Slats 1974, Lawrence Markey Gallery, New York, NY, USA

1990
Einleitung, Galeria Schmela, Düsseldorf, Germany (exhb. cat.)
70s Drawings, Brooke Alexander, New York, NY, USA
Yvon Lambert, Paris, France
New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, Italy, Travelled to: Galerie Hubert Winter, Vienna, Austria (brochure)
In Memory of Writing, Sprengel Museum Hannover, Germany (exhb. cat.)
The Nature of the Gun: Richard Tuttle, A/D, New York, NY, USA (brochure)

1989
The Point from the Corner of the Room, 1973–74, Galerie Hubert Winter, Vienna, Austria (exhb. cat.)
Vienna Gotico, Galeria Alessandra Bonomo, Rome
Lonesome Cowboy Styrofoam, Gallery Casa sin Nombre, Santa Fe, NM

1988
Space in Finland, Galerie Schmela, Düsseldorf, Germany (exhb. cat.)
Portland Works, Galerie Karsten Greve, Cologne, Germany, Travelled to: Thomas Segal Gallery, Boston, MA, USA (exhb. cat.)
Galerie Meert Rihoux, Brussels, Belgium
Richard Tuttle Installations: Early Works, Blum Helman Gallery, New York, NY, USA
XX Blocks, Galleria Marilena Bonomo, Bari, Italy (exhb. cat.)
There’s No Reason a Good Man is Hard to Find, Blum Helman Warehouse, New York, NY, USA
5 Pieces Richard Tuttle 1987, Annemarie Verna, Zurich, Switzerland (brochure)

1987–1988
New Work, Blum Helman Gallery, Los Angeles, CA, USA

1987
New Work, Annemarie Verna Galerie, Zurich
The Baroque and Color / Das Barocke und die Farbe, Neue Galerie am Landesmuseum Joanneum, Graz, Austria (exhb. cat.)
Nimes au printemps, Galerie des Arènes, Nîmes, France (exhb. cat.)
Galerie Yvon Lambert, Paris, France
Early & Recent Works, Anders Tornberg Gallery, Lund, Sweden
Victoria Miro Gallery, London

1986–1987
Painted Sculpture, Blum Helman Gallery, New York, NY, USA
I See in France, ARC Musée d’art moderne de la ville de Paris, France (exhb. cat.)

1986
New Work, Victoria Miro Gallery, London
Galerie Onnasch, Berlin, Germany
Locus Solus IV: Richard Tuttle, Galerie Hubert Winter, Vienna, Austria
Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France (exhb. cat.)

1985–1986
Works 1964–84, Institute of Contemporary Art, London, Travelled to: Fruitmarket Gallery, Edinburgh (exhb. cat.)

1985
Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room, Galerie Schmela, Düsseldorf, Germany
Neve / Snow, Galleria Marilena Bonomo, Bari, Italy (exhb. cat.)
Galleria Toselli, Milan, Italy, February–March.
Städtisches Museum Abteiberg, Mönchengladbach, Germany (Catalogue; text by Dierk Stemmler)
Galerie Yvon Lambert, Paris, France

1984
Studio La Città, Verona, Italy
Galerie Yvon Lambert, Paris, France
Wandobjekte, Galerie Schmela, Düsseldorf, Germany
16 Works from India 1980, Galleriet, Lund, Sweden
Galleria Ugo Ferranti, Rome, Italy
Recent Work, Daniel Weinberg Gallery, Los Angeles, CA, USA
Annemarie Verna Galerie, Zurich, Switzerland
Engineer, Portland Center for the Visual Arts, Portland, OR, USA (brochure)
New Sculpture, Blum Helman Gallery, New York, NY, USA

1983–1984
Zeichnungen 1968–1974, Städtisches Museum Abteiberg, Mönchengladbach, Germany

1983
Taidemariliiton Galleria, Helsinki, Finland
Galleria Ugo Ferranti, Rome, Italy
Recent Sculpture, Blum Helman, New York, NY, USA
Galerie Hubert Winter, Vienna, Austria

1982–1983
Pairs, Musée de Calais, France (exhb. cat.)

1982
Nigel Greenwood Gallery, London
Gallerie Ugo Ferranti, Rome, Italy
Richard Tuttle, Betty Parsons Gallery, New York, NY, USA

1981–1982
Annemarie Verna Galerie, Zurich, Switzerland

1981
Galerie Yvon Lambert, Paris, France
Gallerie Ugo Ferranti, Rome, Italy
Galerie Baronian-Lambert, Ghent, Belgium

1980
Pairs 1973, Centre d’art contemporain, Geneva, Switzerland
12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980, Museum Haus Lange, Krefeld, Germany (exhb. cat.)
From 210 Collage-Drawings, Georgia State University Art Gallery, Atlanta, GA, USA. Travelled to: Baxter Art Gallery, California Institute of Technology, Pasadena, CA, USA (exhb. cat.)

1979–1980
Dallas Exercises, Gallerie Ugo Ferranti, Rome, Italy

1979
Title 1–6, Title I–IV, Title A–N, Title I1–I6, Titre 1–8, Titolo 1–8, Stedelijk Museum, Amsterdam, Netherlands (exhb. cat.)
Annemarie Verna Galerie, Zurich, Switzerland
48 1⁄2” Center-Point Works, Brooke Alexander, New York, NY, USA
Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices, G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich (exhb. cat.)
Yale Pieces, 6” x 4” Notebook, Truman Gallery, New York, NY, USA, February 10–March 10.
An Exhibition of the Works of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, CA, USA
Galleria Marilena Bonomo, Spoleto, Italy
CAPC Centre d’Arts Plastiques Contemporaine, Bordeaux, France (exhb. cat.)

1978
New Work at Betty Parsons Gallery, Betty Parsons Gallery, New York, NY, USA
New York, Young Hoffman Gallery, Chicago, IL, USA
An Exhibition of the Work of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, CA, USA
David Winton Bell Gallery, Brown University, Providence, RI, USA (brochure)
Sticks, Françoise Lambert, Milan, Italy
Museum Van Hedendaagse Kunst, Ghent, Belgium (exhb. cat.)
Daniel Weinberg Gallery, San Francisco, CA, USA
Galerie Yvon Lambert, Paris, France
Drawings, Jean Marie Antone Gallery, Annapolis, MD, USA
Zeichnungen, Galerie Schmela, Düusseldorf, Germany
Galleria Ugo Ferranti, Rome, Italy

1977–1978
Gesamte Grafiken, Ilustrierte Bücher, Galerie Thomas Borgmann, Cologne, Germany

1977
Hopkins Hall Gallery, Ohio State University, Columbus, OH, USA
Undici carte de Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy
Galleria Ugo Ferranti, Rome, Italy
New York, Zeichnungen und Aquarelle, 1968–1976, Kunsthalle Basel, Switzerland (exhb. cat.)
Zwei mit Zwei / Two with Any Two, Kunstraum München, Munich, Germany
Die Gesamte Druckgraphik und alle Bücher, Galerie Heiner Friedrich, Munich, Germany
Maine Works, Two with Any Two, Nigel Greenwood Inc. Ltd., London

1976–1977
McIntosh Gallery, University of Western Ontario, London, Ontario, Canada (brochure)

1976
Books and Prints, 1964–1976, Brooke Alexander, New York, NY, USA
North West Artist workshop, Portland, OR, USA
2 Days, Galerie Yvon Lambert, Paris, France
Northwest Artists Workshop, Portland, OR, USA
The Cincinnati Pieces, Julian Pretto, New York, NY, USA
Graeme Murray Gallery, Edinburgh
Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk, Galerie Swart, Amsterdam, Netherlands

1975–1976
Whitney Museum of American Art, New York, NY, USA. Travelled to: Otis Art Institute Gallery of Los Angeles County, CA, USA (exhb. cat.)

1975
D’Alessandro-Ferranti, Rome, Italy
Thirteen Spiral Drawings by Richard Tuttle, Parsons-Truman Gallery, New York, NY, USA
Matrix 10: Richard Tuttle, Wadsworth Atheneum, Hartford, CT, USA (brochure)
“Paper Strips,” Barbara Cusack Gallery, Houston, TX, USA

1974-1975
Forty October Drawings + Interlude, Nigel Greenwood Inc. Ltd, London

1974
New Work: Richard Tuttle, Betty Parsons Gallery, New York, NY, USA
New Works: Richard Tuttle, Galleria Toselli, Milan, Italy
Galleria Marilena Bonomo, Bari, Italy
Annemarie Verna Galerie, Zurich, Switzerland
Galerie Yvon Lambert, Paris, France
Artpark, Lewiston State Park, Lewiston, New York, NY, USA
A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery, Barbara Cusack Gallery, Houston, TX, USA

1973
Clocktower Gallery, Institute for Art and Urban Resources, New York, NY, USA
Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall, Kunstraum München, Munich, Germany (exhb. cat.)
Galerie Heiner Friedrich, Munich, Germany
Ten Kinds of Memory and Memory Itself, Daniel Weinberg Gallery, San Francisco, CA, USA
Drawings: Richard Tuttle, Galleria Françoise Lambert, Milan, Italy

1972
Richard Tuttle Will Show New, Betty Parsons Gallery, New York, NY, USA
Projects: Richard Tuttle (with David Movros), The Museum of Modern Art, New York, NY, USA
Drahtstucke 1971–1972, Galerie Rudolf Zwirner, Cologne, Germany
New Work by Richard Tuttle, Galerie Yvon Lambert, Paris, France

1971
Dallas Museum of Fine Arts, Dallas, TX, USA (exhb. cat.)
Helman Gallery, St. Louis, MO, USA

1970
New Work by Richard Tuttle, Betty Parsons Gallery, New York, NY, USA
Neue Arbeiten von Richard Tuttle, Galerie Rudolf Zwirner, Cologne, Germany
Member’s Gallery, Albright-Knox Art Gallery, Buffalo, New York, NY, USA

1969
Nicholas Wilder Gallery, New York, NY, USA

1968
Galerie Schmela, Düsseldorf, Germany
Ten Works by Richard Tuttle, Betty Parsons Gallery, New York, NY, USA

1967
Betty Parsons Gallery, New York, NY, USA

1965
Constructed Paintings, Betty Parsons Gallery, New York, NY, USA (brochure)


Selected Group Exhibitions

2018
Phantom LIM, Torrance Art Museum, Torrance, CA, USA
In Tribute to Jack Tilton: A Selection from 35 Years, Tilton Gallery, New York, NY, USA
Warp & Weft: A History of Fabric at Gemini G.E.L., Gemini G.E.L. at Joni Moisant Weyl, New York, NY, USA

2017
Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, New York, NY, USA
Summer Days (and Summer Nights), Pace Gallery, New York, NY, USA
Richard Tuttle, James Ensor’s ‘real’ color, Kunstmuseum aan zee, Ostend, Belgium
Multiple Impressions, Talley Dunn Gallery, Dallas, TX, USA
Summer Choices, Crown Point Press, San Francisco, CA, USA
Why Draw? 500 Years of Drawings and Watercolors, Bowdoin College Museum of Art, Brunswick, ME, USA. (Catalogue)
Minimal Art from Marzona Collection, Galerie Thaddaeus Ropac, London. (Catalogue)
Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, Ann Arbor, MI, USA. (Catalogue)

2016
Thinking Tantra, Drawing Room, London
Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, NY, USA. (Catalogue)
Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné, Ruth and Elmer Wellin Museum of Art, Clinton, NY, USA
Rhona Hoffman 40 Years, Part 1, Rhona Hoffman Gallery, Chicago, IL, USA
I Still Believe in Miracles: Celebrating 30 Years of Inverleith House, Inverleith House, Edinburgh
Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, PA, USA
Shapeshifters, Luhring Augustine, New York, NY, USA

2015
Objects and Bodies at Rest and in Motion, Moderna Museet, Malmö, Sweden. Travelled to: Moderna Museet, Stockholm, Sweden. (Catalogue)
Drawing Redefined, deCordova Sculpture Park and Museum, Lincoln, MA, USA. (Catalogue)
Essential – The Line, Annemarie Verna Galerie, Zurich, Switzerland
Drawings and Prints, Selections from the Permanent Collection, The Metropolitan Museum of Art, New York, NY, USA
Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, ‘T’ Space, Rhinebeck, New York, NY, USA. (Catalogue)
Summer Group Show, Pace Gallery, New York, NY, USA
Space and Matter, Sperone Westwater, New York, NY, USA
Presque Rien,
Galerie Marian Goodman, Paris, France
Selections from The Kramarsky Collection
, David Zwirner, New York, NY, USA
America is Hard to See
, Whitney Museum of American Art, New York, NY, USA
Geometries On and Off the Grid: Art from 1950 to the Present
, The Warehouse, Dallas, TX, USA
Berman, Tuttle, Vollmer
, Jack Tilton Gallery, New York, NY, USA

2014
Line: The Maker’s Mark, Museum of Fine Arts Houston, Houston, TX, USA
Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals-Cisneros Collection
, Cisneros Fontanals Art Foundation, Miami, FL, USA
De Zee – salut d’honneur Jan Hoet, Mu. ZEE, Ostend, Belgium
Make it New: Abstract Painting from the National Gallery of Art, 1950–1975, The Clark Art Institute, Williamstown, MA, USA (Catalogue)
In the Round, Pace Gallery, 32 East 57th Street, New York, NY, USA
Purple States & Cafe Dancer Pop-up, Andrew Edlin Gallery, New York, NY, USA
The Annual 2014: Redefining Tradition, National Academy Museum, New York, NY, USA (Catalogue)
Summer exhibition, Annemarie Verna Galerie, Zurich, Switzerland
The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, NY, USA
From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, Netherlands
Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland
Dorothy and Herb Vogel: On Drawing, Fleming Museum of Art, The University of Vermont, Burlington, VT, USA
The Age of Small Things, Dodge Gallery, New York, NY, USA
Universal Limited Art Editions: Books, Hiram Butler Gallery, Houston, TX, USA

2013
40 Years at the Daniel Weinberg Gallery, Ambach & Rice, Los Angeles, CA, USA
Gli anni settanta. Arte a Roma, Palazzo delle Esposizioni, Rome, Italy
Modern Drawings: Selections from the Howard Karshan Collection, The Morgan Museum & Library, New York, NY, USA
Re-View: Onnasch Collection, Hauser & Wirth, London (Catalogue)
Word & Work, Galerie Nächst St. Stephan, Vienna, Austria
Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, NY, USA
Ode to Summer, Pace Gallery, 32 East 57th Street, New York, NY, USA
Rahway’s Own, Rahway Arts District, NJ, USA
When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, Italy (Catalogue)
Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY, USA

2012
Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, Kunstverein Munich, Munich, Germany
Summer Group Show 2012, Pace Gallery, New York, NY, USA
Tracing the Century: Drawing from Tate Collection, Tate Liverpool, Liverpool
Lines of Thought, Parasol Unit, London

2011
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA
Drawn / Taped / Burned: Abstraction on Paper, The Katonah Museum of Art, Katonah, NY, USA
Contemporary Collecting: The Neisser Family Collection, Art Institute of Chicago, IL, USA
Paper A–Z, Sue Scott Gallery, New York, NY, USA

2010–2011
25th Anniversary Show: 1985–2010, Michael Kohn Gallery, Los Angeles, CA, USA
On-Line: Drawing through the Twentieth Century, Museum of Modern Art, New York, NY, USA (exhb. cat.; texts by Catherine de Zegher and Cornelia H. Butler)

2010
Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, Albright-Knox Art Gallery, Buffalo, NY, USA
\ (LEAN), Nicole Klagsbrun Gallery, New York, NY, USA
1968, Locks Gallery, Philadelphia, PA, USA
Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, IL, USA (exhb. cat.)
Grass Grows By Itself, Marlborough Gallery, New York, NY, USA
Thrice Upon A Time, Magasin 3, Stockholm Konsthall, Stockholm, Sweden
50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, USA (exhb. cat.)
Artpark: 1974–1984, University at Buffalo Art Gallery, Center for the Arts, Buffalo, NY, USA
Love in Vein: Editions Fawbush projects & artists 2005–2010, Gering and López Gallery, New York, NY, USA

2009–2010
If We Could Imagine, Glenstone Foundation, Potomac, MD, USA (exhb. cat.; texts by Emily Wei Rales and Jeffrey Weiss)
Sans-Titre #1: Peintures des années 1970–1980, OEuvres de la Collection Lambert, Collection Lambert, Avignon, France
Almost, Nicelle Beauchene Gallery, New York, NY, USA

2009
New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain (exhb. cat.)
The Third Mind: American Artists Contemplate Asia, 1860–1989, The Solomon R. Guggenheim Museum, New York, NY, USA (exhb. cat.)
Unfolding Process: Conceptual and Material Practice on Paper, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA (exhb. cat.)
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, NY, USA (exhb. cat.; text by Christian Rattemeyer and Cornelia Butler)
Works On Paper, William Shearburn Gallery, Santa Fe, NM, USA
Target Practice: Painting Under Attack 1949–78, Seattle Art Museum, Seattle, WA, USA (exhb. cat.)
25 for 25: A Tribute to Ron Warren, Mary Boone Gallery, New York, NY, USA
Tetsumi Kudo, Richard Tuttle, Andrea Rosen Gallery, New York, NY, USA
Zig Zag, Sperone Westwater, New York, NY, USA
Materialien, Muenzsalon, Berlin, Germany (Curated by Birte Kleemann)

2008
Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA, USA (exhb. cat.)
Air Kissing: An Exhibition of Contemporary Art About the Art World, Arcadia University Art Gallery, Philadelphia, PA USA
Styrofoam, The Museum of Art, Rhode Island School of Design, Providence, RL, USA (brochure)
Sculpture, Texas Gallery, Houston, TX, USA
Sparks! The William T. Kemper Collection Initiative, Nelson-Atkins Museum of Art, Kansas City, MO, USA
Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976, The Jewish Museum, New York, NY, USA (exhb. cat.)
Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, NY, USA; travelled to: Hauser & Wirth, Zürich, Switzerland
Summer in the City 2008, John Berggruen Gallery, San Francisco, CA, USA
15 Year Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark
Abstract Mash-up: Anne Appleby, Pia Fries, Mary Heilmann, Sol LeWitt, Dorothy Napangardi, Laurie Reid, Amy Sillman, and Richard Tuttle, Crown Point Press, San Francisco, CA, USA

2007–2008
All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, Canada (exhb. cat.)
Mask, James Cohan Gallery, New York, NY, USA

2007
Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, NY, USA

2006–2008
Hard Times: New York Painting 1967–1975, organised by Independent Curators International, New York, NY, USA. Travelled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Austria, ZKM/Center for Art and Media Karlsruhe, Germany

2006
The Mediated Gesture, Brooke Alexander Editions, New York, NY, USA
Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, MO, USA
The Last Time They Met, Stephen Friedman Gallery, London
Chers Amis, Domaine de Kerguehennec, Bignan, France
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco
Nothing and Everything, Peter Freeman, Inc., New York, NY, USA
Freeze! A Selection of Works from a New York Collection, Ronilant + Voena + Sperone, London

2005–2006
Minimalism and Beyond, Pulitzer Foundation for the Arts, St. Louis, MO, USA (brochure)
Eccentric Modern, Foundation To-Life, Inc., Mount Kisco, New York, NY, USA
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY, USA

2005
A Little Romance: Highlights from the Permanent Collection, Museum of Contemporary Art, North Miami, FL, USA
Drawings from the Modern: 1945–1975, The Museum of Modern Art, New York, NY, USA
Greater than the Sun: Selections from the Craig Robins Collection of Contemporary Art, University Gallery, University of Florida, Gainesville, FL, USA

2004–2005
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper Hewitt National Design Museum, New York, NY, USA. Travelled to: Museum of Design, Atlanta, GA, USA; Aspen Art Museum, Aspen, CO, USA; Beauty-in-Advertising, Wolfsonian, Florida International University, Miami, FL, USA (Curated by Richard Tuttle)

2004
Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York, Neue Nationalgalerie, Berlin, Germany (exhb. cat.)
ULAE: The Print Show, Oklahoma City Museum of Art, Oklahoma City, OK, USA
Transmit + Transform, Santa Fe Art Institute, Sante Fe, NM, USA
Indonesian Textiles, Tai Gallery / Textile Arts, Santa Fe, NM, USA (exhb. cat.; curated by Richard Tuttle)
Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection, Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, MN, USA

2003–2004
Recent Acquisitions of Contemporary Artists Books, California Palace of the Legion of Honor, San Francisco, CA, USA
International Abstraction: Making Painting Real, Part II, Seattle Art Museum, Seattle, WA, USA
The Heroic Century: Masterpieces from The Museum of Modern Art—200 Paintings and Sculptures, Museum of Fine Arts, Houston, TX, USA (exhb. cat.)
Flirting with Rodchenko, Henry art Gallery, University of Washington, Seattle, WA, USA
Primary Matters: The Minimalist Sensibility, 1959 to the Present, San Francisco Museum of Modern Art, CA, USA
Assemblage, Zwirner & Wirth, New York, NY, USA (exhb. cat.)
Dwight Hackett Projects, Santa Fe, NM, USA
Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle, Brent Sikkema, New York, NY, USA
Thinking about Sculpture, The Rachofsky House, Dallas, TX, USA

2003
American Academy Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY, USA
Spring Fever V: Group Exhibition, Crown Point Press, San Francisco, CA, USA
Divergent, Galerie Lelong, New York, NY, USA
Back to the Present: Minimalist Works from the Museum’s Collection, Rhode Island School of Design Museum, Providence, RI, USA (brochure)
In Full View, Andrea Rosen Gallery, New York, NY, USA
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
American Cutout, New York Studio School, New York, NY, USA
Arp Artschwager Tuttle, Kent Gallery, New York, NY, USA

2002–2003
Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana–Champaign, IL, USA. Travelled to: Arkansas Art Center, Little Rock, AR, USA; Georgia Museum of Art, Athens, GA, USA; Cincinnati Museum of Art, Cincinnati, OH, USA (exhb. cat.)
Works on Paper, Lawrence Markey, New York, NY, USA
The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, Open Studio Press, Boston, MA, USA

2002
Watercolor: In the Abstract, Michael C. Rockefeller Arts Center Gallery, Fredonia State College, Buffalo, NY, USA
To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, Queens, New York, NY, USA (exhb. cat.)
netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd, Annemarie Verna Galerie, Zurich, Switzerland

2001–2002
Extra Art: A Survey of Artists’ Ephemera, 1960–1999, Logan Galleries, California College of the Arts, San Francisco, CA, USA; travelled to: Institute of Contemporary Art, London, 2002. (exhb. cat.)
The Onnasch Collection: Aspects of Contemporary Art, Museum d’Art Contemporani de Barcelona, Spain; travelled to: Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal (exhb. cat.)
Letters, Signs and Symbols, Brooke Alexander Editions, New York, NY, USA
A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., USA (Catalogue)
Extreme Connoisseurship, Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, MA, USA

2001
A contretemps, FRAC Picardie, Paris, France
Peaks, Kagan Martos Gallery, New York, NY, USA
Objective Color, Yale University Art Gallery, New Haven, CT, USA
Poetry Plastique, Marianne Boesky Gallery, New York, NY, USA (exhb. cat.)
Eye of Modernism, Georgia O’Keeffe Museum, Santa Fe, NM, USA (brochure)
Measure/Mass: Rita McBride, Sylvia Plimack Mangold, Agnes Martin, James Bishop, Joseph Egan, Robert Ryman, Fred Sandback, Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland
wall>sculpture, Margarete Roeder Gallery, New York, NY, USA
Art Express: Art minimal et conceptual américain, ètat d’une collection, Cabinet des estampes au Musée d’art moderne et contemporain, Geneva, Switzerland
Selections from the Permanent Collection, Museum of Contemporary Art, Miami, FL, USA
La Biennale di Venezia: Plateau of Humankind, Venice, Austria (exhb. cat.)
Helmut Dorner, Richard Tuttle, Franz West, Brooke Alexander, New York, NY, USA
Green on Greene, Sperone Westwater, New York, NY, USA (exhb. cat.)
Tramas y Ensamblajas, Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico (exhb. cat.)
The Devil is in the Details, Allston Skirt Gallery, Boston, MA, USA

2000–2001
Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America, Palazzo Cavour, Turin, Italy
Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York, NY, USA; travelled to: Boise Art Museum, Boise, ID; Museum of Fine Arts, Santa Fe, NM, USA; Naples Museum of Fine Art, Naples, FL, USA (exhb. cat.)
The Contemporary Illustrated Book: A Collaboration Between Artist and Author, 1960 to the Present,
Garcia Street Books, Santa Fe, NM, USA
Soft Core, Joseph Helman Gallery, New York, NY, USA
Brand New Prints, Karen McCready Gallery, New York, NY, USA, 2000–2001.
Horizon 2000: Artist Woodturners, Brookfield Craft Center, Brookfield. New York, NY, USA

2000
2000 Biennial Exhibition, Whitney Museum of American Art, New York, NY, USA (exhb. cat.)
Soft White: Lighting Design by Artists, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, MA, USA (exhb. cat.)
Arte Americana: Ultimo decennio, Loggetta lombardesca, Ravenna, Italy (exhb. cat.)
Cosmologies, Sperone Westwater, New York, NY, USA
The ‘70s at Crown Point Press and New Releases by Tom Marioni and Richard Tuttle, Crown Point Press, San Francisco, CA, USA
Pintura, FRAC Auvergne, Clermont Ferrand, France (exhb. cat.)
Food for the Mind: Die Sammlung Udo und Anette Brandhorst, Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst München, Munich, Germany (exhb. cat.)
In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, NY, USA
Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000, Kunsthalle Bremen, Germany (exhb. cat.)
Group Show, Grant Selwyn Fine Art, New York, NY, USA
To Infinity and Beyond: Editions for the Year 2000, Brooke Alexander, New York, NY, USA
Process/Reprocess: Japan and the West, Leslie Tonkonow, New York, NY, USA

1999–2000
The American Century: Art and Culture 1900–2000; Part II, 1950–2000, Whitney Museum of American Art, New York, NY, USA (exhb. cat.)
Size Immaterial, Department of Coins and Medals, British Museum, London

1999
twistfoldlayerflake, Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, CA, USA
Deutsch-amerikanischer Dialog, Galerie Fahnemann, Berlin, Germany
ITINERE 2, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy
Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, CA, USA. Travelled to: Contemporary Arts Museum, Houston, TX, USA; Henry Art Gallery, Seattle, WA, USA (exhb. cat.)
White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel, Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Basel, Switzerland (exhb. cat.)
Circa 1968, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal
That Certain Look: The Minimalist Tradition in New Mexico, University Art Museum, University of New Mexico, Albuquerque, NM, USA
Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, MO, USA
Twenty Years of the Grenfell Press, Paul Morris Gallery, New York, NY, USA
The Rocket Four: Artist Books of the Turkey Press, Julie Cencebaugh Gallery, New York, NY, USA (exhb. cat.)
The Great Drawing Show, Kohn Turner Gallery, Los Angeles, CA, USA
Drawings from the 1970s by Mel Bochner, Sol LeWitt, Robert mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY, USA
Drawings from the 1960s, Curt Marcus Gallery, New York, NY, USA

1998–1999
Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery, Anderson Gallery, State University of New York, Buffalo, NY, USA
Art Wares, Numark Gallery, Washington, D.C., USA

1998
Original Scale, Apex Art, New York, NY, USA, January 8–February 7. (brochure)
The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, FL, USA (exhb. cat.)
Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, USA. Travelled to: SITE Santa Fe, NM, USA (exhb. cat.)
Drawing the Question: Dan Asher, Eva Hesse, Ree Morton, Sol LeWitt, Sheila Pepe, and Richard Tuttle, Dorsky Gallery, New York, NY, USA (brochure)
Sculpture, Rhona Hoffman Gallery, Chicago, IL, USA
Art in New Mexico, Part 1: Works by Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle, James Kelly Contemporary, Santa Fe, NM, USA
Jürgen Becker, Hamburg, Germany
Spatiotemporal, Magasin 3 Stockholm Konsthall, Stockholm, Sweden

1997–1999
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, MA, USA. Travelled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria; Kunstmuseum Winterthur, Winterthur, Switzerland; Kunst-Museum Ahlen, Ahlen, Germany; Akademie der Künste, Berlin, Germany; Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France; Parrish Art Museum, Southampton, NY, USA; Lyman Allyn Art Museum, New London, CT, USA; Northwestern University, Evanston, IL, USA; Contemporary Museum, Honolulu, HI, USA. (exhb. cat.)

1997–1998
At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA. Travelled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, MD, USA; Art Gallery of Ontario, Toronto, Canada; Art Gallery of Windsor, Ontario, Canada; Virginia Beach Center for the Arts, Virginia Beach, VA, USA; Santa Monica Museum of Art, Santa Monica, CA, USA; Edmonton Art Gallery, Alberta, Canada, Center on Contemporary Art, Seattle, WA, USA (exhb. cat.)

1997
Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis, Öffentliche Kunstsammlung Basel, Switzerland (exhb. cat.)
New York on Paper, Baumgartner Galleries, Washington, D.C., USA
Works on Paper: James Bishop, Paul Feeley, Shirley Jaffe, Richard Tuttle, Lawrence Markey, New York, NY, USA
Wood Not Wood: Work Not Work, A/D, New York, NY, USA
Dan Asher, Richard Tuttle, Galerie Bismarck, Bremen, Germany
La Biennale di Venezia, 47th Esposizione Internazionale d’Arte, Venice, Italy
Papierskulptur, Oberösterreichisches Landsmuseum, Landsgalerie Linz, Austria (exhb. cat.)
About Context: Eva Hesse, Roni Horn, Agnes Martin, Ree Morton, Sylvia Plimack Mangold, James Bishop, Giulio Paolini, Forrest Bess, Fred Sandback, Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland
Obsession + Devotion, Haines Gallery, San Francisco, CA, USA

1996–1997
Schwere-los Skulpturen, Oberösterreichisches Landesmuseum, Landesgalerie Linz, Austria

1996
Retrospktiv II: Sol LeWitt und Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland
On Paper II, Schmidt Contemporary Art, St. Louis, MO, USA
West Meets East: Works on Paper, Numark Gallery, Washington, D.C., USA

1995–1996
52nd Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USA

1995
Works on Paper, Jürgen Becker, Hamburg, Germany
Abstrakt, Galerie Klein, Bad Münstereifel-Mutscheid, Germany

1994–1998
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C. Travelled to: Portland Museum of Art, Portland, OR, USA; Archer M. Huntington Art Gallery, University of Texas, Austin, TX, USA; Wäinö Aaltonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Tel Aviv, Israel

1994–1995
Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland (exhb. cat.)

1994
Western Artists/African Art, Museum for African Art, New York, USA (exhb. cat.)
Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Champion Branch, Stamford, CT, USA (exhb. cat.)
Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Öffenliche Kunstsammlung, Basel, Switzerland (exhb. cat.)
Printed in the 1970s, Brooke Alexander, New York, NY, USA
Praticamente argento/Basically Silver, Studio La Città, Verona, Italy
Ethereal Materialism, Apex Art, New York, NY, USA

1993–1994
Das Einfache ist das Schwierge, Kunsthaus Zug, Switzerland

1993
Sculpture & Multiples, Brooke Alexander, New York, NY, USA
The Contemporary Artist’s Book: The Book as Art, 871 Fine Arts, San Francisco, CA, USA

1992
Arte Americana: 1930–1970, Fiat-Lingotto, Turin, Italy (exhb. cat.)
15th Anniversary Exhibition, RHona Hoffman Gallery, Chicago, IL, USA
Gifts and Acquisitions in Context, Whitney Museum of American Art, New York, NY, USA
Paolo Uccello: Battaglie nell’arte del XX secolo, La Salerniana, Erice, Italy (exhb. cat.)

1991–1992
Stubborn Painting: Now and Then, Max Protetch Gallery, New York, NY, USA (exhb. cat.)
Drawings, Brooke Alexander, New York, NY, USA

1991
Masterworks of Contemporary Sculpture, Blum Helman Gallery, New York, NY, USA
Ulrich Rückriem, Richard Tuttle, Remy Zaugg, Brooke Alexander, New York, NY, USA
Poets/Painters Collaborations, Brooke Alexander, New York, NY, USA
Ellsworth Kelly, Robert Moskowitz, Richard Tuttle, Blum Helman Gallery, New York, NY, USA
Drawing by Sculptors, Greenberg Gallery, St. Louis, MO, USA
Essentially Raw, Sue Spaid Fine Art, Los Angeles, CA, USA
Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts, Kunstmuseum Basel, Switzerland (exhb. cat.)
Den Gedanken auf der Spur blieben, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany
Discarded, Emerson Gallery, Rockland Center for the Arts, West Nyack, NY, USA (brochure)

1990–1991
Contemporary Illustrated Books: Word and Image, 1967–1988, Franklin Furnace Archive, New York, NY, USA. Travelled to: Nelson-Atkins Museum of Art, Kansas City, MO, USA; University of Iowa Museum of Art, Iowa City, IA, USA (exhb. cat.)
The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, NY, USA. Travelled to: Museum of Contemporary Art, Los Angeles, CA, USA (exhb. cat.)
Quotations, Part III, Annemarie Verna Galerie, Zurich, Switzerland

1990
Minimal Art, Blum Helman Gallery, New York, NY, USA
About Round, Round About: A Collection of Circles, Spheres, & Other Round Matter, Anders Tornberg Gallery, Lund, Sweden
Group Show, Blum Helman Gallery, New York, NY, USA,
Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona, Kunsthalle Bielefeld, Bielefeld, Germany (exhb. cat)
Accrochage, Galerie Schmela, Düsseldorf, Germany
Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, NY, USA (exhb. cat.)
John Cage, Alan Saret, Richard Tuttle, Christine Burgin Gallery, New York, NY, USA
The Garden, A/D, New York, NY, USA

1989–1990
Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York, North Carolina Museum of Art, Raleigh, NC, USA. Travelled to: Albany Museum of Art, Albany, GA, USA; San Jose Museum of Art, San Jose, CA, USA (exhb. cat.)
The Library, A/D, New York, NY, USA
The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, CT, USA

1989
Object of Thought: A Collection of Objects and Small Sculptures, Anders Tornberg Gallery, Lund, Sweden
Galerie Schmela, Düsseldorf, Germany
Alan Kirili, Richard Tuttle, William Wegman, Holly Solomon Gallery, New York, NY, USA
A/D, New York, NY, USA
Rain of Talent: Umbrella Art, Fabric Workshop and Museum, Philadelphia, PA, USA
Group Show, Blum Helman Gallery, New York, NY, USA
Richard Tuttle, Michael Young, José María Sicilia, Blum Helman Gallery, New York, NY, USA
Domenico Bianchi, Robert Ryman, Richard Tuttle, Sperone Westwater, New York, NY, USA

1988–1989
Skulpturen Republik, Kunstraum Wien im Messepalast, Vienna, Austria; travelled to: John Hansard Gallery, Southampton University, Southampton (exhb. cat.)
From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, NY, USA; travelled to: Grand Rapids Art Museum, MI, USA; Terra Museum of American Art, Chicago, IL, USA; Laumeier Sculpture Park, St. Louis, MI, USA; Art Museum at Florida International University, Miami, FL, USA (exhb. cat.)
Works on Paper, Blum Helman Gallery, New York, NY, USA
Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, IL, USA (exhb. cat.)

1988
Source and Inspiration: A Continuing Tradition, Hirschl & Adler Folk, New York, NY, USA (exhb. cat.)
(C)Overt: A Series of Exhibitions, P.S. 1, Institute for Art and Urban Resources, New York, NY, USA (brochure)
Group Show, Blum Helman Gallery, New York, NY, USA
Amerikkalaista nykytaidetta, Sara Hildén Art Museum, Tampere, Finland, February 6–April 10; travelled to: Kunstnernes Hus, Oslo, (exhb. cat.)
Richard Artschwager, Multiples; Dan Flavin, Sculptures; Donald Judd, Sculptures; Richard Tuttle,
Objects
, Galerie Tanit, Munich, Germany
Group Exhibition, Blum Helman Gallery, New York, NY, USA
Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern, Staatliche Graphische Sammlung München, Munich, Germany (exhb. cat.)
Black and White, Fabric Workshop, Philadelphia, PA, USA
Köln sammelt: Zeitgenössiche Kunst aus Kölner Privatbesitz, Museum Ludwig, Cologne, Germany (exhb. cat.)

1987–1989
Sculptors on Paper: New Work, Madison Art Center, Madison, WI, USA. Travelled to: Pittsburgh Center for the Arts, Pittsburgh, PA, USA; Kalamazoo Institute of Arts, Kalamazoo, MI, USA; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE, USA (exhb. cat.)

1987
White, Blum Helman Gallery, New York, NY, USA
Selections from the Roger and Myra Davidson Collection of International Contemporary Art, Art Gallery of Ontario, Ontario, Toronto, Canada
Rauschenberg, Schwitters, Tuttle, Blum Helman Gallery, New York, NY, USA
Metaphor: Myron Stout, Richard Tuttle. Richard Wentworth, Win Knowlton, Kent Fine Art, New York, NY, USA (exhb. cat.)
1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, PA, USA (exhb. cat.)
Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung, Kunstmuseum Bern, Switzerland (exhb. cat.)
1987 Biennial Exhibition, Whitney Museum of American Art, New York, NY, USA (exhb. cat.)
Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy and Herbert Vogel, New York, Kunsthalle Bielefeld, Bielefield, Germany (exhb. cat.)
Summer Group Show, Blum Helman Gallery, New York, NY, USA
Skulptur Projekte in Münster 1987, Westfälische Landesmuseum, Münster, Germany (exhb. cat.)
Early Concepts of the Last Decade, Holly Solomon Gallery, New York, NY, USA

1986–1987
Drawings from the Collection of Dorothy and Herbert Vogel, Department of Art Galleries, University of Arkansas, Little Rock, AR, USA. Travelled to: Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, USA; Museum of Art, Pennsylvania State University, State College, PA, USA (exhb. cat.)
SkulpturSein, Städtische Kunsthalle Düsseldorf, Düsseldorf, Germany (exhb. cat.)
Beelden in Glas / Glass Sculpture, Fort Asperen, Leerdam, Netherlands (exhb. cat.)

1986
Wien Fluss, 1986, Wiener Secession am Steinhof-Thaterbau, Vienna, Austria
Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975, Palacio de Velázquez, Parque del Retiro, Madrid, Spain (exhb. cat.)
Prospect 86, Frankfurter Kunstverein, Frankfurt, Germany (exhb. cat.)
Esculturas sobre la pared, Galería Juana de Aizpuru, Madrid, Spain

1985–1986
Sculptures, première approach pour un parc, Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France (exhb. cat.)
American Eccentric Abstraction, Blum Helman Gallery, New York, NY, USA
Vom Zeichnen: Aspekte der Zeichnung 1960–1985, Frankfurter Kunstverein, Frankfurt, Germany. Travelled to: Kasseler Kunstverein, Kassel, Germany; Museum Moderner Kunst Wien, Vienna, Austria (exhb. cat.)
Spuren, Skulpturen und Monumente ihrer präzisen Reise, Kunsthaus Zurich, Zurich, Switzerland (exhb. cat.)
Correspondences: New York Art Now, Laforet Museum Harajuku, Tokyo, Japan. Travelled to: Tochigi Prefectural Museum of Fine Arts, Japan (exhb. cat.)

1985
Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, School of Design, Providence, Rhode Island, USA. Travelled to: San Diego Museum of Art, San Diego, CA, USA; Portland Museum of Art, Portland, OR (exhb. cat.)
Drawings by Sculptors, Brooke Alexander, New York, NY, USA
In offener Form, Museum Haus Esters, Krefeld, Germany
Drawings Acquisitions: 1981–1985, Whitney Museum of American Art, New York, NY, USA (exhb. cat.)
Wasserfarbenblatter von Joseph Beuys, Nicola De Maria, Gerhard Richter, Richard Tuttle, Westfälischer Kunstverein, Muenster, Berlin, Germany (exhb. cat.)
Dan Flavin, Morris Louis, Brice Marden, Richard Serra, Richard Tuttle: Neue Daierleihgaben aus der Sammlung Reinhard Onnach, Berlin, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Affiliations: Recent Sculpture and Its Antecedents, Whitney Museum of American Art, Fairfield County, Stamford, CT, USA (brochure)
American/European Part I: Painting Sculpture 1985, LA Louver, Venice, CA, USA
Accrochage, Galerie Schmela, Düsseldorf, Germany
Dreissig Jahre durch die Kunst: Museum Haus Lange, 1950–1985, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (exhb. cat.)
Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL, USA (exhb. cat.)

1984–1985
Aquarelle, Kasseler Kunstverein, Kassel, Germany (exhb. cat.)
In Existum Cuiusdam, Annemarie Verna Gallery, Zurich, Switzerland
Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art, Visual Arts Gallery, Florida International University, Miami, FL, USA. Travelled to: Aspen Art Museum, Aspen, CO, USA; Art Museum of South Texas, Corpus Christi, TX, USA; Philbrook Arts Center, Tulsa, OK, USA (exhb. cat.)

1984
Forms That Function, Katonah Gallery, Katonah, NY, USA (brochure)
The Tremaine Collection: Twentieth-Century Masters, The Spirit of Modernism, Wadsworth Atheneum, Hartford, CT, USA (exhb. cat.)
Painting and Sculpture Today, 1984, Indianapolis Museum of Art, Indianapolis, IN, USA (brochure)
Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection, Montreal Museum of Fine Arts, Montreal, Canada. Travelled to: Vancouver Art Gallery, British Columbia, Canada; Nickle Arts Museum, Calgary, Alberta, Canada; Seagram Building, New York, NY, USA; London Regional Art Gallery, Ontario, Canada
Zeichnungen für die dritte Dimension (eigene Bestände), Basel Museum für Gegenwartskunst, Basel, Switzerland
American Sculpture, Margo Leavin Gallery, Los Angeles, CA, USA

1983–1985
American Works on Paper: 100 Years of American Art History, organised by Smith Kramer Art Connections, Kansas City, MI, USA (exhb. cat.)

1983–1984
15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany (exhb. cat.)
The First Show: Painting and Sculpture from Eight Collections 1940–1980, Museum of Contemporary Art, Los Angeles, CA, USA (exhb. cat.)

1983
Abstract Painting: 1960–1969, P.S. 1, Institute for Art and Urban Resources, New York, NY, USA
Drawings—Disegni—Zeichnungen I, Annemarie Verna Galerie, Zurich, Switzerland
Small Is Beautiful, Freedman Gallery, Albright College, Reading, PA, USA. Travelled to: Center Gallery, Bucknell University, Lewisburg, PA, USA
When Art Becomes Book, When Books Become Art, Annemarie Verna Galerie, Zurich, Switzerland
Objects, Structures, Artifice, SVC Fine Arts Gallery, University of South Florida, Tampa, FL, USA. Travelled to: Center Gallery, Bucknell University, Lewisburg, PA, USA (exhb. cat.)
Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, NY, USA (brochure)
10 Jahre Kunstraum München, Jubiläumsausstellung, Kunstraum München, Munich, Germany
Ars 83 Helsinki, Ateneumin taidemuseo, Helsinki, Finland (exhb. cat.)
Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland

1982–1983
20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, NY, USA. Travelled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, IA, USA (exhb. cat.)
Arbeiten auf Papier, Galerie Schmela, Düsseldorf, Germany

1982
Artists’ Photographs, Crown Point Gallery, Oakland, CA, USA
Du livre. Concurrent exhibition at: Musée des Beaux-Arts, Rouen, France; Bibliothèque Minicipale, Rouen, France, Galerie Déclinaisons, Rouen, France; École des Beaux-Arts, Rouen, France; C.R.D.P., Mont-Saint-Aignan, France (brochure)
‘60–’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, Netherlands (exhb. cat.)
Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, CT, USA (exhb. cat.)
25 Jahre Galerie Schmela: 1957–1982, Galerie Schmela, Düsseldorf, Germany
American Painting and Sculpture: 74th Annual, Art Institute of Chicago, Chicago, IL, USA
Documenta 7, Museum Fridericianum, Kassel, Germany (exhb. cat.)
Papyrus Abstractus: From Drawing to Sculpture, Town Hall Gallery, Westport, CT, USA
Ryman/Tuttle/Twombly: New Work, Blum Helman Gallery, New York, NY, USA
Marilena Bonomo: Invitation à un voyage à travers l’art contemporain, Centre d’art contemporain, Geneva, Switzerland

1981–1982
Drawing Distinction: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebæk, Denmark; travelled to: Kunsthalle Basel, Basel, Switzerland; as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich, Germany; Wihelm-Hack-Museum, Ludwigshafen, Germany (exhb. cat.)
Selections from the Chase Manhattan Bank Art Collection, University Gallery, University of Massachusetts, Amherst, MA, USA; travelled to: Robert Hull Fleming Museum, University of Vermont, Burlington, VT, USA; David Winton Bell Gallery, Brown University, Providence, RI, USA (exhb. cat.)
Amerikanische Malerei: 1930–1980, Haus der Kunst, Munich, Germany (exhb. cat.)
Art Materialized: Selections from the Fabric Workshop, organised by Independent Curators Incorporated, New York, NY, USA. Travelled to: New Gallery for Contemporary Art, Cleveland, OH, USA; Gibbes Art Gallery, Charleston, SC, USA; Hudson River Museum, Yonkers, NY, USA; University of South Florida Art Galleries, Tampa, FL, USA; Art Museum and Galleries, CA, USA; State University, Long Beach, CA, USA; Alberta College of Art Gallery, Calgary, Alberta, Canada; Pensacola Museum of Art, Pensacola, FL, USA (exhb. cat.)
Galerie Schmela, Düsseldorf, Germany
Murs, Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris, France (exhb. cat.)

1981
New Works of Contemporary Art and Music, Fruitmarket Gallery, Edinburgh (exhb. cat.)
Vonal, Pésci Galéria, Pécs, Hungary (exhb. cat.)
Heidi Glück, Joshua Neustein, David Reed, Joel Shapiro, Richard Tuttle, Bertha Urdang Gall
Richard Tuttle