Born in Nancy, France, 1983
Lives and works in London


2007-2009     MA Sculpture, Royal College of Art, London
2002-2005     BA Sculpture, Chelsea College of Art and Design, London

Solo and Two Person Exhibitions

Battersea Park Pleasure Gardens, commissioned by Pump House Gallery, London
Lupa, Basement Roma, Rome, Italy

Thames Water, Stuart Shave/Modern Art, London
Battaglia Foundry Sculpture Prize Exhibition, Fonderia Artistica Battaglia, Milan, Italy

Darling, Gutter, Glasgow Sculpture Studios, Glasgow, Scotland
Becoming Soil, Jonathan Viner Gallery, London

Independent: Projects, (with Jonathan Viner), New York, NY, USA

Crude Oil, S1 Artspace, Sheffield
Snails, Brand New Gallery, Milan, Italy

Slugs, Jonathan Viner, Liste 17, Basel, Switzerland
Browns in Full Colour, Jonathan Viner, London
Vanille, with George Henry Longly, Galerie Chez Valentin, Paris, France

PRECURSOR, Event Gallery, London

A Killer Whale Breaching in Soft Focus, with Ed Atkins, Transmission Gallery, Glasgow, Scotland
Cultural Wood, Concrete/Hayward Gallery, London
Stiff Peaks, The Two Jonnys’ Project Space, London

Neo, RUN Gallery, London

Noble’s Island, MOOT, Nottingham

Selected Group Exhibitions

Lia Pasqualino Noto, curated by Geraldine Blais, Casa Studio, Palermo, Italy
Tubologie: Nos Vies Dans Les Tubes, FRAC Grand Large, Dunkirk, France
Le Paradoxe de L’iceberg, FRAC Ile de France, Chateau de Rentilly, Bussy-Saint-Martin, France

The Hive Mind, Koppel Project Hive, London
Vein Section (Neighbours Vol.6), Berthold Pott, Cologne, Germany
Neither., Mendes Wood, Brussels, Belgium
Hypokeimenon – En Dessous du Sang, GNF Gallery, Brussels, Belgium
Very Into You, 29 Percy Street, London
That Continuous Thing: Artists and the Ceramics Studio, 1920 – Today, Tate St Ives, Cornwall
Drawing Biennial 2017, Drawing Room, London

Reconstructive Memory, Galerie Valentin, Paris, France
British Art Show 8, Inverleith House, Edinburgh, Scotland
Theories of Modern Art, Stuart Shave/Modern Art, London
Production Show, Eastside Projects, Birmingham
A pudding that endless screw agglomerates, Polish Institute, Berlin, Germany
Use/User/Used, Zabludowicz Collection, London

The Ultimate Vessel, Koppe Astner, Glasgow, Scotland
Crab Walk, Northern Gallery for Contemporary Art, Sunderland
British Art Show 8, Leeds City Art Gallery, Leeds
Images Moving Out Onto Space, Tate St Ives, Cornwall
Inhuman, Fridericianum, Kassel, Germany
English Summer, Elizabeth Dee, New York, NY, USA
Septic Finger, Carl Kostyal, Stockholm, Sweden
Breaking up is Hard to Do, KARST, Plymouth

It Happens Without You, Kendall Koppe, Glasgow, Scotland
Tomorrow: London, South London Gallery, London
On the Devolution of Culture, Rob Tufnell, London
Pool, Kestnergesellschaft, Hanover, Germany
Geographies of Contamination, David Roberts Art Foundation, London

Slip, The Approach, London
The Time Machine, curated by Cura, Frutta Gallery, Rome, Italy
Notes (On Declassing), curated by Vincent Honoré, Galerie Opdhal, Stavanger, Norway
British British Polish Polish, curated by Tom Morton & Marek Gozdziewski, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
£5.34, curated by Jess Flood-Paddock, Carl Freedman Gallery, London
Half Abstract, David Roberts Art Foundation, London
New Order, Saatchi Gallery, London
Out of Memory, Marianne Boesky Gallery, New York, NY, USA
Pop Tarts
, James Fuentes, New York, NY, USA
De Puristes et De Fauves, Shanaynay, Paris, France
Relatively Absolute, Wysing Arts Centre, Cambridge
The World is Almost Six Thousand Years Old: Contemporary Art and Archaeology from the Stone Age to the Present,
curated by Tom Morton, The Collection, Lincoln
Paradise Garage
, Eighty One., London
The Glass Show, Jonathan Viner, London

Chimera Q.T.E., Cell projects, London
Original/Copy II, Peles Empire, London and Cluj, Romania
GLAZE, Galerie Chez Valentin, Paris, France
Changing States of Matter, Brand New Gallery, Milan, Italy
Original/Copy III, Peles Empire, Cluj, Romania
Surface to Surface, Jonathan Viner, London
The Starry Rubric Set, Wysing Arts Centre, Cambridge
A Painting, is a painting is a painting, Rod Barton, London
Hotel Palenque (Nicolas Deshayes), Galleries Goldstein, London

Like A Rowing Boat Facing the Way You Came, Gallery Vela, London
Rain, curated by Nicolas Deshayes, Cell Project Space, London
GLAZE, curated by George Henry Longly, Bischoff/Weiss, London
The Shape We’re In, 176 Zabludowicz Collection, London
Keep Floors and Passages Clear
, White Columns, New York, NY, USA

2010.10, MOT International, London
Radio IPS
, International Project Space, Birmingham
Keep Floors and Passages Clear, One Thoresby Street, Nottingham
A Stranger's Window, curated by MOOT, Nottingham Castle and Museum, Nottingham
Bolton Street, curated by Lucy Chadwick, London

Indoor Life, Walden Affairs, The Hague, Netherlands
Bloomberg New Contemporaries, Cornerhouse, Manchester and A Foundation, London
Zoo 2009, with MOOT, London
Time is A Sausage, DomoBaal, London
Once In a Lifetime, New Model Army, Peckham Multiplex car park, London

Artists' Choice, Mogadishni CPH, Copenhagen Year_06 Art projects, Moot, Mary Ward House, London
From There, Bloomberg SPACE, London
Nicolas Deshayes